Essay Essays

In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.

A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether.

Lane Moore is a rare performer who is as impressive onstage - whether hosting her iconic show Tinder Live or being the enigmatic front woman of It Was Romance - as she is on the page, as both a former writer for The Onion and an award-winning sex and relationships editor for Cosmopolitan. But her story has had its obstacles, including being her own parent, living in her car as a teenager, and moving to New York City to pursue her dreams. Through it all, she looked to movies, TV, and music as the family and support systems she never had.

How do we add to archives of ecological memory? How can we notice and document what’s missing in the landscapes closest to us? In her debut essay collection, Laura Marris reframes environmental loss by setting aside the catastrophic framework of the Anthropocene in favor of that of the Eremocene, the age of loneliness, which is marked by the dramatic thinning of wildlife populations and by isolation between and among species.

In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless - they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate.

Following in the tradition of Sara Ahmed (the originator of the concept "feminist killjoy"), Wunker brings memoir, theory, literary criticism, pop culture, and feminist thinking together in this collection of essays that take up Ahmed's project as a multi-faceted lens through which to read the world from a feminist point of view.

Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, ‘Culture [...] is a study of perfection’.

The Complete Charles Dickens Collection: Part One contains all of Charles Dickens' major published works from 1836 to 1849. From the short stories by 'Boz' which began Dickens' journey as an author, to the great works of literature that have inspired generations - including Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, and more - and essays that give us a deeper insight into his life, opinions, and travels, this collection is an essential addition to your library.

The Complete Charles Dickens Collection: Part Two contains all of Charles Dickens' major published works from 1844 to 1865. Dickens wrote most of his most influential and beloved novels during these years - introducing us to characters such as Pip, David Copperfield, Little Dorrit, Esther Summerson, and many more who have lived long in the memory for generations. Also included here are a selection of his essays, travelogues, letters, and a short biography of Dickens by his daughter, Mamie.

15 Essays des gefeierten Autors von Die Korrekturen, Freiheit und Crossroads. Virtuos und pointiert setzt sich Jonathan Franzen mit dem Geist seiner Zeit auseinander und offenbart ganz persönliche Erfahrungen: In fünfzehn Essays ergründet er »die Schwierigkeit, in einer lärmenden und zerstreuenden Massenkultur Individualität und Vielschichtigkeit zu bewahren: die Frage, wie Alleinsein geht«. Gegen eine medial beschleunigte Welt und von Ideologien gefärbte Wahrnehmung setzt er die kreative Abgeschiedenheit, den genauen Blick, das Lesen.

Duffy engages with some of the central aspects of Western religion in the thousand years between the decline of pagan Rome and the rise of the Protestant Reformation. In the process, he opens windows on the vibrant and multifaceted beliefs and practices by which medieval people made sense of their world: the fear of death and the impact of devastating pandemic, holy war against Islam and the invention of the blood libel against the Jews, provision for the afterlife and the continuing power of the dead over the living, the meaning of pilgrimage and the evolution of Christian music.

L'ouvrage présente 52 chroniques humoristiques pour arrêter de se trouver des excuses, pour garder sa motivation et pour mettre de côté ses complexes, même si on a les bras mous et les cuisses dépendantes affectives.

In the 1960s and early '70s, the most prominent, vocal cultural movement was the New Left: a movement that condemned America and everything it stood for: individualism, material wealth, science, technology, capitalism.

Ten days after calling off her wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, she realized she'd almost signed up to live someone else's life. Hauser releases herself from traditional narratives of happiness and goes looking for ways of living that leave room for the unexpected, making plenty of mistakes along the way. She kisses Internet strangers and officiates at a wedding.

In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial. Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than with her father’s—they never carried on conversations in languages that she couldn’t understand or blamed her for finding the food was too spicy.

For most of human history the world was a magical and enchanted place ruled by forces beyond our understanding. The rise of science and Descartes's division of mind from world made materialism our ruling paradigm, in the process asking whether our own consciousness—i.e., souls—might be illusions. Now the inexorable rise of technology, with artificial intelligences that surpass our comprehension and control, and the spread of digital metaphors for self-understanding, the core questions of existence urgently require rethinking.

In the chapters of Never Sniff a Gift Fish, McManus will teach you the wisdom that is usually shared only in the close ranks of modern-day hunters and gatherers. To complete your arsenal, McManus also includes "The Hunter's Workout Guide" and a special "Family Camper's Dictionary". Exercises like the hindquarter shuffle will make you move like a hunter. And phrases like "Yip-yip-yip-Owoooooo!" will help you sound like one, too.

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

This is a collection of 14 essays on a variety of occult-themed topics, covering the full spectrum of classic occultism and related subjects, but with a focus on the western mystery tradition within esotericism. The topics include Hermeticism, Ceremonial Magic, the Kabbalah, Ancient Wisdom and Philosophy, Rosicrucianism, Freemasonry and Mysticism, by some of the most notable and prominent names in the history of those subjects.

Mairead Small Staid’s debut, The Traces, is a work of memoir and criticism that explores the nature of happiness in art, literature, and philosophy, structured around a season spent in Italy and a reading of Italo Calvino’s Invisible Cities. Poised between plummeting depressions, the author considers the intellectual merits of joy and the redeeming promise offered by the beauty, both natural and manmade, that surrounds her.