Essay Essays

After going viral “reading” the chaotic political news, having one-too-many awkward social encounters, and coming to terms with his intersecting identities, R. Eric Thomas finally knew who he was and where he was going. He was living his best life. But then everything changed. In this collection of insightful and hilarious essays, Thomas moves back to his perpetually misunderstood hometown of Baltimore (a place he never wanted to return, even to be buried) and behaving completely out of character.

Get the main key insights from this summary of Brianna Wiest’s 101 Essays That Will Change the Way You Think in just a short listen.

For those who dare, things often go wrong on the sea. Deep Blue offers some of literature's greatest stories about the ocean and the people who risk its wrath. Castaways, pirates, and victims of shipwreck all fight to survive in far-flung places and under harrowing circumstances. Together, these works offer a convincing reminder of the sea's dangers and mysteries.

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

I grew up in the Southern Baptist church of the '90s during the height of the True Love Waits movement, accompanied by Joshua Harris’ best seller, I Kissed Dating Goodbye. If you don’t know what I am referring to, consider yourself blessed. Many of the ideas perpetuated by this culture were infused with fear and shame, offering no practical help or guidance in equipping young people to become healthy sexual human beings.

After sixty years of keeping notes on the things he's seen and learned and on the golfing greats he's taught, Penick lets the secrets in his Little Red Book be heard by the golf world in this classic work. His simple, direct, practical wisdom pares away all the hypertechnical jargon that's grown up around the game, and lets all golfers play their best - whatever their level.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

To be a bookseller or librarian… You have to play detective. Be a treasure hunter. A matchmaker. An advocate. A visionary. A person who creates “book joy” by pulling a book from a shelf, handing it to someone and saying, “You’ve got to read this. You’re going to love it.” Step inside The Secret Lives of Booksellers and Librarians and enter a world where you can feed your curiosities, discover new voices, find whatever you want or require. This place has the magic of rainbows and unicorns, but it's also a business. The book business.

Il faut prêter attention aux analyses d'Amin Maalouf : ses intuitions se révèlent des prédictions, tant il semble avoir la prescience des grands bouleversements de l'Histoire. Il s'inquiétait il y a vingt ans de la montée des "identités meurtrières" ; il y a dix ans du "dérèglement du monde".

Duffy engages with some of the central aspects of Western religion in the thousand years between the decline of pagan Rome and the rise of the Protestant Reformation. In the process, he opens windows on the vibrant and multifaceted beliefs and practices by which medieval people made sense of their world: the fear of death and the impact of devastating pandemic, holy war against Islam and the invention of the blood libel against the Jews, provision for the afterlife and the continuing power of the dead over the living, the meaning of pilgrimage and the evolution of Christian music.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story - from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others - and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master and a fascinating exploration of storytelling itself.

Number-one New York Times best-selling author Cassandra Clare created the Mortal Instruments in 2004 with City of Bones (Simon & Schuster, 2007). Since then, the series has grown to five books, with a sixth due in 2014, and been joined by two spinoff trilogies and an upcoming film starring Jamie Campbell Power and Lily Collins. Featuring stories by Holly Black, Kendare Blake, Gwenda Bond, Sarah Rees Brennan, Rachel Caine, Sarah Cross, Kami Garcia, Michelle Hodkin, Kelly Link, Kate Milford, Diana Peterfreund, Sara Ryan, Scott Tracey, and Robin Wasserman.

From one of our most powerful writers, a work of stunning frankness about losing a daughter. Richly textured with bits of her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion examines her thoughts, fears, and doubts regarding having children, illness, and growing old.

Searching for answers everywhere has led you to believe your beloved child might have schizophrenia. You can only find horror stories on the illness, that is when you’re able to understand the lengthy and confusing medical terminology at all.

He Never Came Home is a collection of 22 personal essays written by girls and women who have been separated from their fathers by way of divorce, abandonment, or death. The contributors to this collection come from a wide range of different backgrounds in terms of race, socioeconomic status, religion, and geographic location. Their essays offer deep insights into the emotions related to losing one’s father, including sadness, indifference, anger, acceptance—and everything in between.

We aren’t born into a self. It is created without our consent, built out of our childhoods, our circumstances, and chance. But in the busyness of adult life, we rarely have time to think clearly about the questions that matter most. Writing with the passion and clarity that made his debut, To Shake the Sleeping Self, a national best seller, Jedidiah Jenkins brings together new and old writings to explore the eight themes all of us face as we find our way in life: ego, family, home, friendship, love, work, death, the soul.

For Damon Young, existing while Black is an extreme sport. The act of possessing Black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.

Dans la veine de son célèbre Crépuscule des Idoles, ce recueil d'aphorismes qui ne fut jamais achevé par l'auteur—le projet initial fut abandonné en 1888—visait à exposer l'ensemble de sa doctrine dans un ouvrage synthétique. L'existence même de ce livre suscita de vives polémiques et aujourd'hui encore la fiabilité de certains passages reste à prouver, des études philologiques récentes ayant mis à découvert de nombreuses erreurs que n'aurait pu commettre Frédéric Nietzsche.

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he reveals how inevitably the course of revolution leads to tyranny.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.