Essays Anthology

In Quarterly Essay 49, Latham argues that the time has come to go beyond criticism to solutions. In that spirit, he offers a timely assessment of the future for Labor. He examines the key challenges: the union nexus, the Keating settlement, a real education revolution, a new war on poverty, climate change, and handling the Greens. With wit and insight, he suggests that Labor's biggest problem is the steady erosion of its traditional working-class base.

Eu rezemos só que me safo foi o livro de estreia do professor primário, Marcello D’Orta, e apresenta uma divertida colectânea de sessenta redacções dos alunos da escola primária de Arzano. Foi considerado pela crítica um bestseller de potência bíblica, onde rebelião, ignorância e má educação transformam-se em expressão, até revolução da língua. Renova a fé na existência do humor Napolitano como um género literário autónomo. Um encontro entre o desconhecido e o pensamento infantil que é ao mesmo tempo grandiosamente sério e cómico.

Según el Génesis, el primer castigo fue botánico, y consistió en expulsarnos de un paraíso, de un jardín. Desde entonces vivimos en la añoranza. Bajo esta tensión entre exilio y pertenencia, Clara Obligado nos invita, con su escritura híbrida, a un paseo por la naturaleza en el que se mezclan pensamiento y literatura, ensayo y memorias. Un itinerario por los espacios más indómitos y los más sometidos que chocan y crecen dentro de nosotros. Desde la niñez, desde la semilla, desde distintas partes del mundo, una reflexión poética y conmovedora, un canto a todo lo que crece.

Encompassing a variety of writing styles, Like a Rock in the Sea is a collection of short stories and essays which the author initially composed during his many years as a young American seminarian living abroad in countries as diverse as Spain, Italy, Germany, and Mexico.

"I piaceri viziosi" è uno scritto di Tolstoj in cui si parla di "Bacco, tabacco e Venere"; scritto nel 1890-92, il testo è ancora attuale; presenti nell'audiolibro anche i racconti: "I due pellegrini", "Il primo distillatore", e tre parabole.

A selection from the John Updike audio collection. These extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful.

A selection from the John Updike audio collection

A selection from the John Updike audio collection. These extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful.

From the author of On Hearing of My Mother's Death Six Years After It Happened: A Daughter's Memoir of Mental Illness, Stories from My Memory-Shelf is the story of my life, told in short fiction and essays. Features author commentary on the real-life events that inspired the stories.

Cuando despertó se sentía mejor de lo que se había sentido en muchas semanas: simplemente no se sentía enfermo. Se apoyó un momento en el marco de la puerta que separaba su dormitorio y el baño hasta que estuvo seguro de que no se había mareado. Ni siquiera un poco, ni siquiera cuando se puso a buscar una zapatilla debajo de la cama.

Granna is ex-primary school teacher and grandmother Anna Gammond, who has been telling stories to countless numbers of children in her own warm distinctive style for more than 40 years. Here she brings her personal touch to Beauty & The Beast as well as two other classic stories, The Emperor's New Clothes and Three Billy Goats Gruff.

"From nothing to nothing is no time at all." (John Steinbeck) Two men discuss their New Year's resolutions shortly after midnight on December 31, 2014. The discussion is inspired by a piece of minimalist piano music by Steve Reich and turns to the meaning and nature of time, drawing on John Steinbeck's famous quote.