Essays Anthology

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think... Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown-up.

This Yuletide collection of stories, poems, and essays has been rescued from obscurity by the editor, who has also edited and annotated them to make these wonderful classics more easily accessible to modern listeners. While some of these authors may be unknown to you, their works have been included in this collection because of their capacity to instantly intrigue and delight. Give them a try, and don't be surprised if a few of them make their way onto your list of all-time personal Christmas favorites!

Rolf Boysen liest Heinrich von Kleist. In seinem Essay "Über die allmähliche Verfertigung der Gedanken beim Reden" gibt Kleist den Rat, Probleme durch das "Darüber reden" mit anderen Menschen zu lösen. Allein schon das Formulieren bringt uns einer Lösung näher, denn "die Idee kommt beim Sprechen". In der Novelle "Das Erdbeben in Chili" droht den Liebenden Jeronimo und Josephe die Hinrichtung, als ein Erdbeben ihnen unverhofft zur Freiheit verhilft.

In Quarterly Essay 49, Latham argues that the time has come to go beyond criticism to solutions. In that spirit, he offers a timely assessment of the future for Labor. He examines the key challenges: the union nexus, the Keating settlement, a real education revolution, a new war on poverty, climate change, and handling the Greens. With wit and insight, he suggests that Labor's biggest problem is the steady erosion of its traditional working-class base.

Eu rezemos só que me safo foi o livro de estreia do professor primário, Marcello D’Orta, e apresenta uma divertida colectânea de sessenta redacções dos alunos da escola primária de Arzano. Foi considerado pela crítica um bestseller de potência bíblica, onde rebelião, ignorância e má educação transformam-se em expressão, até revolução da língua. Renova a fé na existência do humor Napolitano como um género literário autónomo. Um encontro entre o desconhecido e o pensamento infantil que é ao mesmo tempo grandiosamente sério e cómico.

Según el Génesis, el primer castigo fue botánico, y consistió en expulsarnos de un paraíso, de un jardín. Desde entonces vivimos en la añoranza. Bajo esta tensión entre exilio y pertenencia, Clara Obligado nos invita, con su escritura híbrida, a un paseo por la naturaleza en el que se mezclan pensamiento y literatura, ensayo y memorias. Un itinerario por los espacios más indómitos y los más sometidos que chocan y crecen dentro de nosotros. Desde la niñez, desde la semilla, desde distintas partes del mundo, una reflexión poética y conmovedora, un canto a todo lo que crece.

Encompassing a variety of writing styles, Like a Rock in the Sea is a collection of short stories and essays which the author initially composed during his many years as a young American seminarian living abroad in countries as diverse as Spain, Italy, Germany, and Mexico.

"I piaceri viziosi" è uno scritto di Tolstoj in cui si parla di "Bacco, tabacco e Venere"; scritto nel 1890-92, il testo è ancora attuale; presenti nell'audiolibro anche i racconti: "I due pellegrini", "Il primo distillatore", e tre parabole.

A selection from the John Updike audio collection. These extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful.

A selection from the John Updike audio collection

A selection from the John Updike audio collection. These extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful.

From the author of On Hearing of My Mother's Death Six Years After It Happened: A Daughter's Memoir of Mental Illness, Stories from My Memory-Shelf is the story of my life, told in short fiction and essays. Features author commentary on the real-life events that inspired the stories.

Cuando despertó se sentía mejor de lo que se había sentido en muchas semanas: simplemente no se sentía enfermo. Se apoyó un momento en el marco de la puerta que separaba su dormitorio y el baño hasta que estuvo seguro de que no se había mareado. Ni siquiera un poco, ni siquiera cuando se puso a buscar una zapatilla debajo de la cama.

Granna is ex-primary school teacher and grandmother Anna Gammond, who has been telling stories to countless numbers of children in her own warm distinctive style for more than 40 years. Here she brings her personal touch to Beauty & The Beast as well as two other classic stories, The Emperor's New Clothes and Three Billy Goats Gruff.

"From nothing to nothing is no time at all." (John Steinbeck) Two men discuss their New Year's resolutions shortly after midnight on December 31, 2014. The discussion is inspired by a piece of minimalist piano music by Steve Reich and turns to the meaning and nature of time, drawing on John Steinbeck's famous quote.