Essays Social

Pathways is a collection of Quintus Curtius’ very best short essays from 2015. Speaking in an original and compelling voice, these essays cover an amazing variety of subjects in history, philosophy, current events, ethics, biography, physical health, travel, and language.

For the past five decades Ms. has been the nation’s most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!). Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

Periferia di Milano, anni Settanta. Gli anni del terrorismo e della droga, dei sogni di Oriente e di liberazione. Una mattina, nella classe di un Istituto Agrario, fa la sua apparizione Giulia, una giovane professoressa di lettere che parla di letteratura e di poesia con una passione sconosciuta. È quell'incontro a "salvare" Massimo Recalcati che, in questo libro dedicato alla pratica dell'insegnamento, riflette su cosa significa essere insegnanti in una società senza padri e senza maestri.

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as 20 writers share provocative personal stories of existing between languages and cultures.

With the rise of cyberbullying and hate speech online, issues around climate change and technology, and the "move fast and break things" mentality of tech culture, Which Side of History? will urge listeners to draw the line. This book will help shape the conversations we have around technology in our society and our future for years to come.

In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial. Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than with her father’s—they never carried on conversations in languages that she couldn’t understand or blamed her for finding the food was too spicy.

Our region is experiencing a momentous transition. The US-led order is fading, and China has become ever more powerful. Today the question we face is not whether we fancy living in an Asia in which power is shared between the United States and China. It is how we feel about living in an Asia in which America no longer plays any significant strategic role. In this controversial and gripping essay, Hugh White looks at what has happened to the US globally.

Another in a series (including From the Top, Roughneck Grace, Million Billion, and Peaceful Persistence) of collected brief essays by New York Times best-selling author and humorist Michael Perry.

Meena Menon was The Hindu's correspondent in Islamabad till she was expelled by the Pakistani authorities in May 2014. In spite of her truncated stay and the restrictions placed on her movements, Menon managed to write on a range of subjects covering swathes of life in Islamabad.

Long known for his range and supple prose (he is the only writer elected to membership in both the Baseball Hall of Fame and the American Academy of Arts and Letters), Angell won the 2015 American Society of Magazine Editors’ Best Essay award for “This Old Man,” which forms a centerpiece for this book. This deeply personal account is a survey of the limitations and discoveries of great age, with abundant life, poignant loss, jokes, retrieved moments, and fresh love, set down in an informal and moving fashion.

In When the Facts Change, Tony Judt's widow and fellow historian Jennifer Homans has assembled an essential collection of the most important and influential pieces written in the last 15 years of Judt's life, the years in which he found his voice in the public sphere. Included are seminal essays on the full range of Judt's concerns, including Europe as an idea and in reality, before 1989 and thereafter; Israel, the Holocaust and the Jews; American hyperpower and the world after 9/11.

Salman Rushdie's Imaginary Homelands is an important record of one writer's intellectual and personal odyssey. The 70 essays collected here, written over the last 10 years, cover an astonishing range of subjects.

Learn how to leverage dark psychology and emotional manipulation techniques to get what you want out of people.

Compiled, edited, and newly revised by Ralph Ellison's literary executor, John F. Callahan, this classic collection includes posthumously discovered reviews, criticism, and interviews, as well as the essay collections Shadow and Act (1964), hailed by Robert Penn Warren as "a body of cogent and subtle commentary on the questions that focus on race," and Going to the Territory (1986), an exploration of literature and folklore, jazz and culture, and the nature and quality of lives that Black Americans lead.

The book is a collection of texts by contemporary Ukrainian intellectuals: writers, historians, philosophers, political analysts, opinion leaders. The texts have been written for an international audience. The collection combines reflections on Ukraine's history (or histories, in plural), and analysis of the present, conceptual ideas and life stories.

Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them. An illuminating introduction accompanying this 20-anniversary edition reveals, alarmingly, how a large section of India continues to suffer in the name of development so that a small percentage may prosper.

What is the Internet doing to us? What is college for? What are the myths and metaphors we live by? What is the purpose of art, and what can we learn from the past? The End of Solitude brings together more than forty essays from such publications as Harper's and the Atlantic and introduces four that are published here for the first time. Drawing on the past, they ask how we got where we are. Scrutinizing the present, they seek to understand how we can live more mindfully, more meaningfully, more freely.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”