Essays Social

Jill Louise Busby spent years in the nonprofit sector specializing in diversity and inclusion. She spoke at academic institutions, businesses, and detention centers on the topics of race, power, and privilege and delivered over 200 workshops to nonprofit organizations all over the California Bay Area. In 2016, fed up with what passed as progressive in the Pacific Northwest, Busby uploaded a one-minute video about race, white institutions, and faux liberalism to Instagram. The video received millions of views across social platforms.

Mohsin Hamid's brilliant, moving, and extraordinarily clever novels have not only made him an international best seller, they have earned him a reputation as a "master critic of the modern global condition" ( Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here, he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Solitude offers us that other space of thinking, another modality where we can meet different ingredients of perfection. The author is letting his pen engrave what the fuel of the holy history of solitude may inspire.

Compiled, edited, and newly revised by Ralph Ellison's literary executor, John F. Callahan, this classic collection includes posthumously discovered reviews, criticism, and interviews, as well as the essay collections Shadow and Act (1964), hailed by Robert Penn Warren as "a body of cogent and subtle commentary on the questions that focus on race," and Going to the Territory (1986), an exploration of literature and folklore, jazz and culture, and the nature and quality of lives that Black Americans lead.

What does it mean to be a body behind a screen, lost in the hustle of an online world? In our age of digital hyper-connection, Athena Dixon invites us to consider this question with depth, heart, and ferocity, investigating the gaps that technology cannot fill and confronting a lifetime of loneliness.

We're Doomed, Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss from one of the most provocative and iconoclastic minds of his generation.

When Nina Sharma meets Quincy while hitching a ride to a friend’s Fourth of July barbecue, she spots a favorite book, Maxine Hong Kingston’s The Woman Warrior, in the back seat of his cramped car, and senses a sadness from him that’s all too familiar to her. She is immediately intrigued—who is this man? In The Way You Make Me Feel, Sharma chronicles her and Quincy’s love story, and in doing so, examines how their Black and Asian relationship becomes the lens through which she moves through and understands the world.

Picking up where Berton Roueche's The Medical Detectives left off, The Deadly Dinner Party presents 15 edge-of-your-seat, real-life medical detective stories written by a practicing physician. Award-winning author Jonathan Edlow, MD, shows the doctor as detective and the epidemiologist as elite sleuth in stories that are as gripping as the best thrillers.

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content.

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics? The Subplot takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel laureate Mo Yan, and what is widely hailed as a golden age of Chinese science fiction.

Based on the NPR series of the same name, This I Believe features 80 Americans—from the famous to the unknown—completing the thought that begins with the book's title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.

In Nothing Is Wrong and Here Is Why, acclaimed satirist Alexandra Petri offers perfectly logical, reassuring reasons for everything that has happened in recent American politics that will in no way unsettle your worldview. In essays both new and adapted from her viral Washington Post columns, Petri reports that the Trump administration is as competent as it is uncorrupted, white supremacy has never been less rampant, and men have been silenced for too long. The "woman card" is a powerful card to play! Q-Anon makes perfect sense!

Liberalism won the "sexual revolution." But the revolutionaries are miserable. Americans are not only delaying marriage and having fewer children, but also having less sex in general, as the radical left brings politics back into the bedroom. Ironically, sex has become a potential conservative cause. Conservatism can remind us that sex is fundamentally about happiness.

A collection of four essays by noted Masonic scholar Frank C. Higgins. The first explores the labyrinthine paths of solutions that attempt to define the exact character of the "riddle of the ages" that is known as Freemasonry, as it has survived throughout history, in multiple cultures

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.

“You don’t write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich”, writes Nelson Algren in his only longer work of nonfiction, adding: “A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery.” Nonconformity is about 20th-century America: “Never on the earth of man has he lived so tidily as here amidst such psychological disorder.” In Nonconformity, Algren identifies the essential nature of the writer’s relation to society....

Imagine a world where technology understands the human condition - a world that values relationships more than diamonds - a place where people earn a living, not from selling, but from compassion. We stand on the threshold of such a world. The door is open.