Europe Century

From 1337 to 1453 England repeatedly invaded France on the pretext that her kings had a right to the French throne. Though it was a small, poor country, England for most of those "100 years" won the battles, sacked the towns and castles, and dominated the war. Desmond Seward's critically acclaimed account of the Hundred Years War brings to life all of the intrigue, beauty, and royal to-the-death-fighting of that legendary century-long conflict.

Since time immemorial, royal marriages have had little to do with love—and almost everything to do with diplomacy and dynasty. Clashing personalities have joined in unholy matrimony to form such infamous couples as Russia’s Peter II and Catherine the Great, and France’s Henri II and Catherine de Medici—all with the purpose of begetting a male heir. But with tensions high and silverware flying, kings like England’s Henry II have fled to the beds of their nubile mistresses, while queens such as Eleanor of Aquitaine have plotted their revenge.

A History of Europe is a masterful narrative, bringing together the continent's common threads of history from the end of the ice ages until the present day. Leading historian Professor Jeremy Black takes a journey through the vast sweep of European history, examining events as diverse as the rise of the Roman Empire, the brutal Viking raids, the cultural explosion of the Renaissance period, the dissolution of the Soviet Union and the rise of consumer culture in the 21st century.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

A fitting capstone for this comprehensive series, this sixth and final installment imparts a learned understanding of the forces that shaped - and continue to shape - Western culture.

Mary McAuliffe's Dawn of the Belle Epoque took the listener from the multiple disasters of 1870-1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the 20th century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries.

Ireland is inarguably a beautiful, enchanted place. But its history is more turbulent, fascinating, and terrible than any other. From the first English presence in Ireland in the 12th century, through siege, rebellion, and civil war, to Irish ascendancy, home rule, and the present-day troubles, best-selling author Paul Johnson tells, with remarkable clarity and concision, the compelling story of this most remarkable island.

London in the eighteenth century had risen from the ashes. The city and its people had been brought to the brink by the Great Fire of 1666. But the century that followed was a period of vigorous expansion, of scientific and artistic genius, of blossoming reason, civility, elegance and manners. It was also an age of extremes: of starving poverty and exquisite fashion, of joy and despair, of sentiment and cruelty.

With war looming dangerously close, Ilse’s school days soon turn to lessons of survival. In the harshness of winter, her family must join the largest exodus in human history to survive. As battle lines are drawn and East Prussia’s borders vanish beneath them, they leave their farm and all they know behind for an uncertain future. But Ilse also has Janusz, her family’s young Polish laborer, by her side. As they flee from the Soviet army, his enchanting folktales keep her mind off the cold, the hunger, and the horrors unfolding around them.

Se recoge aquí brevemente la transformación del arte europeo a partir de la decadencia del Imperio romano. Normalmente suele conocerse como arte prerrománico, en relación con la etapa posterior que marca una nueva revolución del arte occidental. Es una etapa humilde, de escasa producción artística, pero dotada sin duda de gran originalidad por su aparente primitivismo, que parece incompatible con la brillantez de los estilos helénicos y romanos anteriores.

When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.

Chaucer wrote about everyday people outside the walls of the English court-men and women who spent days at the pedal of a loom, or maintaining the ledgers of an estate, or on the high seas. In Chaucer's People, Liza Picard transforms The Canterbury Tales into a masterful guide for a gloriously detailed tour of medieval England, from the mills and farms of a manor house to the lending houses and Inns of Court in London. In Chaucer's People, we meet, again, the motley crew of pilgrims on the road to Canterbury.

Al-Hasan al-Wazzan - born in Granada to a Muslim family that in 1492 went to Morocco - became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the Pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone....

The modern history of Africa was until very recently written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history.

In this boldly drawn portrait of 18th-century England, Roy Porter defines a nation from its princes to its paupers, from its metropolis to its smallest hamlet. The topics covered run the gamut, covering diet, housing, prisons, rural festivals, bordellos, plays, paintings, and work and wages.

In the aftermath of the First World War, the seeds of fascism were sown in Italy. While the country reeled in shock, a new movement emerged from the chaos: one that preached hatred for politicians and love for the fatherland; one that promised to build a ‘New Roman Empire’, and make Italy a great power again.

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

Drawing on an unprecedented range and variety of original research, Hitler's Empire sheds new light on how the Nazis designed, maintained, and lost their European dominion - and offers a chilling vision of what the world would have become had they won the war. Mark Mazower forces us to set aside timeworn opinions of the Third Reich, and instead shows how the party drew inspiration for its imperial expansion from America and Great Britain.

This experienced author describes the personality of the first Czech president within the context of 20th-century history. He artfully combines historical occurrences with personal accounts, describing the nature of a totalitarian society and the unwavering pursuit of truth by individuals. Young listeners will acquire a lucid understanding of figures like Masaryk and Hitler, the aftermath of the Munich Betrayal, and the milieu in which Václav Havel came of age.

The Cheese and the Worms is an incisive study of popular culture in the 16th century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the religious and social conflicts of the society in which Menocchio lived.