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Surprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops.

Caught between Camorra gunrunners selling to ISIS and Nigerian drug gangs along Italy's picturesque coast, each year thousands of refugees and migrants are lured into their underworld, forced to become sex slaves, drug mules, or weapon smugglers. In this powerful expose, investigative journalist Barbie Latza Nadeau follows the weapons trail, meets the trafficked women trapped by black magic, the brave nuns who try to save them, and the Italian police who turn a blind eye as the most urgent issues facing Europe play out in broad daylight.

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

An alphabetical exploration of the people, geography, animals, plants, history, and culture of Italy.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

In one furious week of fighting in December 1943, the First Canadian Infantry Division took Ortona, Italy, from elite German paratroopers ordered to hold the medieval port at all costs. When the battle was over, the Canadians emerged victorious despite heavy losses.

It is not an easy job to draw the border between the history of Italy and the history of Rome. In so many places, the two political and geographical entities collide. They wouldn’t be possible without each other, but they each have their own story. Rome’s history is only a small fragment of Italy’s history. Although it is just a city, Rome was the birthplace of the republic, a great empire, and notable philosophers, poets, and artists.

Following victory in Sicily, while the central command planned the spring 1944 invasion of France, Allied troops crossed into Southern Italy in September 1943, expecting to drive Axis forces north and liberate Rome by Christmas. Italy quickly surrendered but German divisions fiercely resisted, and the hoped-for quick victory descended into one of the most challenging and protracted battles of the entire war. James Holland’s The Savage Storm chronicles the dramatic opening months of the Italian Campaign in unflinching and insightful detail.

Despite the Roman Empire's famous 500-year reign over Europe, parts of Africa and the Middle East, Italy does not have the same long national history as states such as France or England. Divided for much of its history, Italy's regions have been, at various times, parts of bigger, often antagonistic empires, notably those of Spain and Austria. In addition, its challenging and varied terrain made consolidation of political control all the more difficult.

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

The startling truth behind one of the most notorious dynasties in history is revealed in a remarkable new account by the acclaimed author of The Tudors and A World Undone. Sweeping aside the gossip, slander, and distortion that have shrouded the Borgias for centuries, G. J. Meyer offers an unprecedented portrait of the infamous Renaissance family and their storied milieu.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

A groundbreaking major best seller in Italy, Gomorrah is Roberto Saviano's gripping nonfiction account of the decline of Naples under the rule of the Camorra, an organized crime network with a large international reach and stakes in construction, high fashion, illicit drugs, and toxic-waste disposal. Known by insiders as "the System," the Camorra affects cities and villages along the Neapolitan coast

Based on previously undisclosed archival materials, this book tells the fascinating, untold, and troubling story of an anti-Protestant campaign in Italy that lasted longer, consumed more clerical energy and cultural space, and generated far more literature than the war against Italy's Jewish population.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction.

An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub.

Emigration of people from Sicily often overshadows the importance of the people who immigrated to the island through the centuries. These have included several who became Sicily's rulers, along with Jews, Ligurians, and Albanians. Greeks, Romans, Vandals, Goths, Byzantines, Muslims, Normans, Hohenstaufens, Spaniards, Bourbons, the Savoy Kingdom of Italy and the modern era have all held sway, and left lasting influences on the island's culture and architecture.

The best-selling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of "the king of the world's booksellers" and the technological disruption that forever changed the ways knowledge spread.

La saga des Médicis, sous la plume du grand Dumas. Les Médicis sont une des familles les plus riches et les plus influentes de Florence. Des ressources financières considérables leur permirent d'investir dans l'architecture, la sculpture, la peinture mais aussi dans la collection de pierres précieuses et d'objets d'orfèvrerie. La maison de Médicis est apparue, au XIIe siècle, au sein de la République de Florence, et devient, au XVIe siècle, la famille régnant sur le grand-duché de Toscane.