European Literature

Anne, Duchess of Brittany, is the love of King Louis XII of France's life. Too bad he's already married. While his annulment proceedings create Europe's most sensational scandal of 1498, Anne returns to Brittany to take back control of her duchy that her late husband, Charles VIII, King of France, had wrested from her. At age 21, Anne is sovereign ruler of Brittany as well as Europe's most wealthy widow. But can she maintain Brittany's independence from France if she accepts Louis's offer to make her Queen of France once more?

Le second empire vu sous l'angle des Rougon, archétypes de la bourgeoisie ambitieuse et parvenue.

Troisième volet des trépidations de Valeria et sa bande d'amies. Dans ce troisième volet de la saga, Valeria regrette de s'être emballée pour Victor. Certes, leurs ébats sont toujours aussi torrides. Mais à quoi tout cela rime-t-il ? Empêtrée dans les préparatifs d'un mariage bien plus pompeux que ce qu'elle aurait voulu, Carmen ne sait plus où donner de la tête.

Do you know what the hardest thing for a German learner is? Finding proper reading material that they can handle…which is precisely the reason we’ve written this book! Teachers love giving out tough, expert-level literature to their students, books that present many new problems to the reader and force them to search for words in a dictionary every five minutes - it’s not entertaining, useful or motivating for the student at all, and many soon give up on learning at all!

C. S. Lewis wrote of George MacDonald: "I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself." Lewis also claimed that everything he wrote was influenced by this Scottish pastor and novelist who lived a century before Lewis. George MacDonald serves as an act of appreciation, with Lewis gathering 365 of the best and most profound lines from his mentor as well as providing a preface detailing the impact MacDonald had on Lewis' own literary and spiritual career.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.

While the Battle of Berlin in 1945 is widely known, the horrific story of the Halbe Kessel remains largely untold. In April 1945, victorious Soviet forces encircled 80,000 men of the German 9th Army in the Halbe area, South of Berlin, together with many thousands of German women and children. The German troops, desperate to avoid Soviet capture, battled furiously to break out toward the West, where they could surrender to the comparative safety of the Americans.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

This Audiobook contains the following works : 1. Little women by Louisa May Alcott Start at Chapters 1, 2. Pride and Prejudice by Jane Austen Start at Chapters 48, 3. Adventures of Huckleberry Finn by Mark Twain Start at Chapters 109, 4. Treasure Island by Robert Louis Stevenson Start at Chapters 152, 5. The Odyssey by Homer Start at Chapters 186, 6. A Tales of Two Cities Start at Chapters 210, 7. Meditations by Marcus Aurelius Start at Chapters 255, 8. The Adventures of Sherlock Holmes by Arthur Conan Doyle Start at Chapters 268.

L'histoire d'une rencontre inoubliable entre deux femmes que seul le hasard pouvait réunir. " Pauline avait conscience qu'elle n'était qu'un être ordinaire aspiré dans l'orbite d'une femme qui, elle, n'avait rien d'ordinaire... Être femme de chambre, c'était précisément cela : faire intrusion sans le vouloir dans l'intimité d'autrui, voir le contenu des corbeilles à papier, remarquer les titres des livres, lire les premières phrases des cartes, lettres et petits mots qui traînent. Tout était là, en pâture ; la vie entière de quelqu'un, dissimulée dans une chambre d'hôtel. "

"Souviens-toi, maman : nous étions tes enfants." C.K. C'est l'histoire d'une grande famille qui aime débattre, rire et danser, qui aime le soleil et l'été. C'est le récit incandescent d'une femme qui ose enfin raconter ce qui a longtemps fait taire la familia grande.

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

Luis J. Rodriguez writes about race, culture, identity, and belonging and what these all mean and should mean (but often fail to) in the volatile climate of our nation. His passion and wisdom inspire us with the message that we must come together if we are to move forward.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

"Lorsque nous avons emménagé impasse des Colibris, nous avions vingt ans, ça sentait la peinture fraîche et les projets, nous nous prêtions main-forte entre voisins en traversant les jardins non clôturés. Soixante-trois ans plus tard, les haies ont poussé, nos souvenirs sont accrochés aux murs et nous ne nous adressons la parole qu'en cas de nécessité absolue."