European Literature

Una mujer hermosa e ingenua que roba con destreza a altos ejecutivos, un pintor habitado por fuerzas misteriosas y un sacerdote que se enfrenta a un caso de posesión demoníaca en La Candelaria, historias que se tejen en torno a la de Campo Elías, héroe de la guerra de Vietnam, quien inicia su particular descenso a los infiernos obsesionado por la dualidad entre el bien y el mal, entre Jekyll y Hyde, y se convertirá en un ángel exterminador.

Mars 1937. Le Mount Castle, un cargo républicain transportant trente tonnes d'or de la Banque d'Espagne et faisant route pour l'Union soviétique, s'est réfugié dans le port international de Tanger, où un destroyer franquiste le détruira s'il tente de reprendre la mer. Falcó reçoit pour mission de s'y rendre, de convaincre le capitaine du Mount Castle de changer de camp s'il veut sauver son bateau et son équipage, et de récupérer ainsi l'or républicain.

Anchored by the voice of its sweet and defiant narrator, Bad Habit casts a trans woman’s trying youth as a heartfelt odyssey. Raised in an animated yet impoverished blue-collar neighborhood, Alana S. Portero’s protagonist struggles to find her place. As the city around her changes–the heroin epidemic that ravages Madrid through the '80s and '90s, rallying calls of worker solidarity and the pulsing beat of the city's night scene– she becomes increasingly detached from the world and, most crucially, herself.

Тошнота – это суть бытия людей, застрявших «в сутолоке дня». Людей – брошенных на милость чуждой, безжалостной, безотрадной реальности. Тошнота – это невозможность любви и доверия, это – попросту – неумение мужчины и женщины понять друг друга. Тошнота – это та самая "другая сторона отчаяния", по которую лежит Свобода.

À la suite de la mort de son épouse, Jean Macquart, désespéré, personnage principal de "La Terre", reprend du service dans l'armée. Incorporé dans le 106e de ligne, il y est caporal. Ses hommes le respectent. Lors de la guerre franco-prussienne de 1870, il ne peut qu'assister impuissant à l'effondrement de l'Empire et à la déroute de ses armées.

Why do we read literature and how do we judge it? C. S. Lewis' classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that "good reading", like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: "in reading great literature I become a thousand men and yet remain myself."

One of the most successful and beloved Victorian fairy tales... The Princess and the Goblin is the story of Princess Irene and her friend Curdie, who come face to face with the dreaded mountain goblins. This children's fantasy novel was originally published in 1872. It uses subtle layers of symbolism to tell a story of courage and honor.

Petits ou grands, nous avons tous en tête des fables de La Fontaine : "Le corbeau et le renard", "La cigale et la fourmi", "La grenouille qui veut se faire aussi grosse que le bœuf", "Le chêne et le roseau", "Le lièvre et la tortue" et tant d'autres. Chacune de ces fables est une petite histoire, avec des mots simples, et contient des vérités qui servent de leçons. Il y a un peu de nous, un peu des autres, un peu de tous, dans chacune des fables. Elles nous parlent, nous nous y reconnaissons. Elles croquent avec humour et finesse nos mœurs et nos faiblesses, nos travers et nos défauts, nos petites lâchetés comme nos grandes vanités. Les puissants qui nous gouvernent ne sont pas épargnés, tout autant que tout un chacun.

He was the brother of "the Arab" killed by the infamous Meursault, the antihero of Camus' classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling's memory, refuses to let him remain anonymous: He gives his brother a story and a name - Musa - and describes the events that led to Musa's casual murder on a dazzlingly sunny beach.

Paul Blick a huit ans lorsque son frère meurt brutalement, le jour où la France entérine la Ve République. De Charles de Gaulle à Jacques Chirac, des premiers baisers aux premiers cheveux blancs, Blick hésite entre désir de révolte, confort bourgeois et recherche d'un absolu désillusionné. Cette vie française, à laquelle chacun peut s'identifier, est inscrite dans une Histoire en marche et subit le monde autant qu'elle le construit.

Madame de Clèves, jeune beauté parfaite en tout point, fait des débuts remarqués à la cour de la reine dauphine, belle-fille d'Henri II. Pour ce modèle de vertu, l'image de Diane de Poitiers plane tout au long du roman comme le contre-exemple absolu.

Le XIXe siècle en France est un âge d'or littéraire, marqué par des courants très affirmés comme le romantisme, le réalisme, le naturalisme ou le symbolisme, et une évolution moderne de la poésie et du roman qui donna naissance à des chefs-d’œuvre en nombre inégalé. Cette collection de citations présente la pensée de sept figures incontournables du XIXe siècle sous forme concise et accessible.

Eugenia, a baroness divorced from a German prince, and her bohemian brother, Felix, are coming back to America. Raised and cultured in Europe, they are returning destitute to New England to seek out their rich and innocent cousins. In a bungle of culture clash and love triangles, the Europeans hang their fortunes upon their ability to adapt. Where their scheming leads them is the last place they expect.

Ian Fleming was best known for bringing to life the legendary character of James Bond, one of the most beloved and enduring icons of our time, but he was perhaps even more interesting than his creation. His career in Naval Intelligence and extensive travels around the world gave Fleming a keen eye and the authority to write on a wide range of topics beyond Bond’s adventures. This collection contains a selection of journalism and other writings by Fleming, covering his wartime experiences, reflections on crime and espionage, and the process of writing his novels, among other topics.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

Alba all'ultimo convegno a cui partecipa. Linguista, docente universitaria, correttrice di bozze, Alba è un'esperta - e un'amante - delle parole, e il tema delle lingue in pericolo di estinzione le sta a cuore, dal momento che l'islandese ne fa parte. Per questo interviene in conferenze in tutto il mondo, il che per lei, abitante di un'isola a nord del Circolo polare artico, significa per forza salire su un aereo. Di ritorno dal convegno, Alba fa una riflessione: per compensare la sua impronta di carbonio di quell'anno, dovrebbe piantare cinquemilaseicento alberi.

When two children happen across an ancient shrine, they unintentionally summon an impish sprite named Puck, also known as Robin Goodfellow. To their wonderment, the fairy conjures up the past, taking them on ten magical adventures: They visit Roman Britain and the legion guarding Hadrian's Wall, the thirteenth-century court of King John, and Old England from the time of William the Conqueror.

When a British tourist fails to turn up for a luxurious cooking vacation in Bruno's usually idyllic Dordogne village of St. Denis, the worried hostess is quick to call on Bruno for help. Monica Felder is nowhere to be found, and her husband, a retired British major, is unreachable. And not long after Bruno discovers that Monica was traveling with a mysterious Irishman (her lover?), the two turn up dead. The Irishman's background in intelligence and his connection to Monica's husband only raise more questions for Bruno.

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. This volume brings together the best of his work, introducing listeners of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world.

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".