European Literature

"Souviens-toi, maman : nous étions tes enfants." C.K. C'est l'histoire d'une grande famille qui aime débattre, rire et danser, qui aime le soleil et l'été. C'est le récit incandescent d'une femme qui ose enfin raconter ce qui a longtemps fait taire la familia grande.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Par amour pour un enfant, que seriez-vous prêt à faire ? Maddi, elle, ira jusqu'au bout... Une intrigue magistrale, un twist virtuose pour le nouveau suspense 100% Bussi. 2010. Maddi est médecin généraliste à Saint-Jean-de-Luz, une vie comblée avec Esteban, son fils de 10 ans. Ce jour d'été là, elle le laisse quelques minutes seul sur la plage. Quand elle revient, Esteban a disparu. 2020. Maddi a refait sa vie, et revient sur cette plage en pèlerinage. Au bord de l'eau, un enfant est là. Même maillot de bain, même taille, même corpulence, même coupe de cheveux.

This delightful fairy tale for all ages is filled with fantasy, wit, and wisdom. A classic penned in 1872 by author George MacDonald, it has inspired the work of his friend Lewis Carroll (Alice in Wonderland), and many others, including C.S. Lewis (The Narnia Chronicles), J.R.R. Tolkien (The Lord of the Rings), G.K. Chesterton (The Father Brown Mysteries), and Madeleine L'Engle (A Wrinkle in Time).

Political alliances are beginning to rupture, and no state is immune: England, France, the Holy Roman Empire, Milan Genoa, Venice, Constantinople . . . Every mercenary knight must sharpen his sword and prepare for battle. But Sir William Gold has other problems. Just to reach Europe, he must capture its most unassailable fortress. He must also protect his liege lord, the Green Count, from assassins hell-bent on his death.

Real Italian people don’t speak like your textbook…so it’s no wonder you feel unprepared when it’s your turn to speak! Try the StoryLearning method, and dive into a real-world, gripping drama between six characters that helps you learn authentic spoken Italian in the process.

Aramis tente l'impossible, l'invraisemblable, et il est sur le point de réussir, dans une entreprise qui bouleverserait le cours de l'Histoire, mais celle-ci reprend ses droits... Il n'y a plus de place pour des surhommes dans la France de Louis XIV. Jamais ils ne sont si grands qu'au moment de quitter ce monde qui est devenu le cimetière de leurs illusions perdues. À chacun des trois, Athos, Porthos et D'Artagnan, est accordée la fin qui lui convient, en forme d'accomplissement, voire d'apothéose.

"Brother, you have often declared that you would not end your days in slavery. I see no possible way in which you can escape with us; and now, brother, you are on a steamboat where there is some chance for you to escape to a land of liberty. I beseech you not to let us hinder you. If we cannot get our liberty, we do not wish to be the means of keeping you from a land of freedom."

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

Ils se sont aimés, à l'âge des possibles, puis quittés, sans réelle explication. Dix-huit ans plus tard, ils se croisent, presque par hasard, à Montréal. Qui sont-ils devenus ? Qu'ont-ils fait de leur jeunesse et de leurs promesses ? Sont-ils heureux, aujourd'hui, avec la personne qui partage désormais leur vie ? Le temps d'un dîner de retrouvailles - à quatre - chaque mot, chaque regard, chaque geste est scruté, pesé, interprété. Tout remonte à la surface : les non-dits, les regrets, la course du temps, mais aussi l'espérance et les fantômes du désir.

Anchored by the voice of its sweet and defiant narrator, Bad Habit casts a trans woman’s trying youth as a heartfelt odyssey. Raised in an animated yet impoverished blue-collar neighborhood, Alana S. Portero’s protagonist struggles to find her place. As the city around her changes–the heroin epidemic that ravages Madrid through the '80s and '90s, rallying calls of worker solidarity and the pulsing beat of the city's night scene– she becomes increasingly detached from the world and, most crucially, herself.

Été 1661. À Fontainebleau, autour du jeune Louis XIV et de sa belle-sœur Henriette d'Angleterre, la cour vole de fêtes en fêtes et d'amours en amours. Mais les mousquetaires ont perdu la maîtrise des opérations. D'Artagnan assiste en spectateur impuissant à la défaite de Bragelonne et à celle du surintendant Fouquet.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

In this Irish folktale, a young and powerful king has an embarrassing secret: he has horse’s ears! Then one day, the royal barber discovers this unusual trait. Can he keep the king’s long-held secret, or will the barber be banished from the kingdom for good?

Vous croisez au bord d'une falaise une jolie fille ? Ne lui tendez pas la main ! On pourrait croire que vous l'avez poussée. À Yport, parti courir sur la plus haute falaise d'Europe, Jamal a d'abord remarqué l'écharpe, rouge, accrochée à une clôture. Puis la femme, incroyablement belle, la robe déchirée, le dos face au vide, les yeux rivés aux siens. Jamal lui tend l'écharpe comme on tend une bouée.

D'Artagnan, toujours inquiet des manœuvres d'Aramis, fait présenter à la cour Porthos comme maître d'œuvre de Belle-Île, tandis que Fouquet présente Aramis en tant qu'architecte. La rencontre des trois amis fait comprendre à Aramis que D'Artagnan est acquis à la cause du roi, et qu'il flaire un danger : il faut hâter l'action qu'il a en tête.

Set during the fierce Trojan War, Troilus and Criseyde is the poignant tale of love won and lost. The beautiful Criseyde becomes the object of desire for Troilus, the son of King Priam, and he is able to win her affection through the machinations of his uncle, Pandarus. They experience a brief time of bliss together, but despite their vows of faithfulness, they are soon separated by the fortunes of war.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.