Family Classics

When suburban Claudia Kincaid decides to run away, she knows she doesn't just want to run from somewhere she wants to run to somewhere--to a place that is comfortable, beautiful, and preferably elegant. She chooses the Metropolitan Museum of Art in New York City. Knowing that her younger brother, Jamie, has money and thus can help her with the serious cash flow problem she invites him along.

On a desperate journey, two runaways meet and join forces. Though they are only looking to escape their harsh and narrow lives, they soon find themselves at the center of a terrible battle. It is a battle that will decide their fate and the fate of Narnia itself.

The free-spirited Anne Shirley has a beautiful way of looking at the world and touching our hearts. In this, the third volume of the Anne of Green Gables series, the irrepressible Anne dreams of the woman she hopes to be when she decides to leave Green Gables and her beloved Prince Edward Island for college. She is eager for new adventure.

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.

Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts. When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again.

First published in monthly parts from March 1852 to September 1853, this novel follows the fortunes of three pedestrian characters; Esther Summerson, Ada Clare, and Richard Carstone. The story they tell embondies Dickens' merciless indictment of the Court of Chancery and its bungling, morally corrupt handling of the endless case of Jarndyce v. Jarndyce, giving the novel its scope and meaning.

Ramona Quimby is thrilled to be starting kindergarten. She likes a little boy named Davy so much she wants to kiss him, and she loves Susan's beautiful curls so much she wants to pull them to see them boing. Her teacher even promises her a present just for sitting still! So how does Ramona get in trouble? Well, anyone who knows Ramona knows that she is never a pest on purpose.

The story of a woman's struggle for independence from an abusive husband. Helen 'Graham' has returned to Wildfell Hall in flight from a disastrous marriage and to protect her young son from the influence of his father. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter. Gilbert Markham, a local man intrigued by the beautiful young 'widow' offers his friendship but becomes distrustful when her reclusive behaviour sparks rumours and speculation.

Tree-ear is an orphan boy in a 12th-century Korean potters’ village. When he accidentally breaks a pot, he must work for the master to pay for the damage by setting off on a difficult and dangerous journey that will change his life forever.

Andrew has decided he never needs to go pee ever again, but his parents aren’t too sure. Only one minute into the drive to his grandparents’ house, Andrew changes his mind.

Paddington Bear always manages to find himself in tricky situations, sometimes extraordinary situations. Like the time he had a difficult encounter with a policeman or when he found himself in deep water with a newspaper reporter. But since arriving from his native Peru after an earthquake Paddington has always felt at home with the Brown family who found him on Paddington station.

For 25 years, Positive Discipline has been the gold standard reference for grown-ups working with children. Now Jane Nelsen, distinguished psychologist, educator, and mother of seven, has written a revised and expanded edition. The key to positive discipline is not punishment, she tells us, but mutual respect. Nelsen coaches parents and teachers to be both firm and kind, so that any child - from a three-year-old toddler to a rebellious teenager - can learn creative cooperation and self-discipline with no loss of dignity.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

Ashley Court: the tumbledown ancestral home of the Ashley family, all blessed with 'the gift' of being able to speak to each other without words. When Bryony Ashley's father dies under mysterious circumstances, his final words a cryptic warning to her, Bryony returns from abroad to uncover Ashley Court's secrets. What did her father's message mean? What lies at the centre of the overgrown maze in the gardens? And who is trying to prevent Bryony from discovering the truth?

Rilla, almost 15, can't think any further ahead than going to her very first dance at the Four Winds lighthouse and getting her first kiss from handsome Kenneth Ford. But undreamed-of challenges await the irrepressible Rilla when the world of Ingleside becomes endangered by a far-off war. Her brothers go off to fight, and Rilla brings home an orphaned newborn in a soup tureen. She is swept into a drama that tests her courage and leaves her changed forever.

Fifteen years ago, in Mitch Albom’s beloved novel, The Five People You Meet in Heaven, the world fell in love with Eddie, a grizzled war veteran turned amusement park mechanic who died saving the life of a young girl named Annie. Eddie’s journey to heaven taught him that every life matters. Now, in this magical sequel, Mitch Albom reveals Annie’s story.

The winsome Anne Shirley is grown, has married her beloved Gilbert, and is the mother of six frolicsome children. Anne and her family experience some unimaginable events when a strange family moves into a nearby mansion. The Meredith family is comprised of two boys and two girls, a minister father but no mother, and a runaway girl named Mary Vance.

John Conlan is nicknamed “The Bathroom Bomber” after setting off firecrackers in the boys’ bathroom 23 times without getting caught. John and his best friend, Lorraine, can never please their parents, and school is a chore. To pass the time, they play pranks on unsuspecting people, and it's during one of these pranks that they meet the “Pigman”. In spite of themselves, John and Lorraine soon get caught up in Mr. Pignati’s zest for life. In fact, they become so involved that they begin to destroy the only corner of the world that has ever mattered to them. Can they stop before it’s too late?

It’s not like she’s the only woman to ever have a baby. At 35. On her own. But Anne Lamott makes it all fresh in her now-classic account of how she and her son and numerous friends and neighbors and some strangers survived and thrived in that all-important first year. From finding out her baby is a boy (and getting used to the idea) to finding out her best friend and greatest supporter, Pam, will die of cancer (and not getting used to that idea), with a generous amount of wit and faith (but little piousness), Lamott narrates the great and small events making up a woman’s life.

Ramona feels this is the awkward age - too little to stay by herself after school when her mother is at work, but too big to enjoy playing with pesty Willa Jean at her sitter's house. These days, all Ramona really wants is to twitch her nose and be her mother's little rabbit like she used to be. Can't she be her mother's little girl forever?