Family Culture

It's 1935. Moose Flanagan lives on Alcatraz with his family, the other families of the guards, and a few hundred no-name hit men, con men, mad dog murderers and a handful of bank robbers too. And one of those cons has just done him a big favor. You see, Moose has never met Al Capone, but a few weeks ago Moose wrote a letter to him asking him to use his influence to get his sister, Natalie, into a school she desperately needs in San Francisco.

Rhea's neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her. Because while their little corner of South L.A. isn't perfect, to Rhea and her two best friends, it's something even more important—it's home. And it's worth protecting. But as more white people flock to their latest edgy, urban paradise, more of Rhea's friends and family are pushed out. Until Rhea decides it's time to push back.

Francis Joseph Cassavant is eighteen. He has just returned home from the Second World War, and he has no face. He does have a gun and a mission: to murder his childhood hero. Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life.

As the children tour the famed Sydney Opera House, their next puzzle - and its key - falls right into their laps. They need to find the rightful owner of a rare Australian coin. Using their knowledge about Australia, the Aldens find the coin's owner, but a saboteur is again hot on their heels and nearly spoils their hard work. Next up, the Aldens travel to frigid Antarctica, where they need to return an artifact to the hut Shackleton used on his expeditions to the South Pole.

Most readers are familiar with Jack London's stories of the frozen northland, such as White Fang and To Light a Fire, but many critics feel he should be equally acknowledged for his fascinating stories of the South Pacific. Here is another remote corner of the world, a background for his magnificently colorful and entertaining Tales of the South Pacific.

As the focus of family has turned to the glow of the screen - children constantly texting their friends, parents working online around the clock - everyday life is undergoing a massive transformation. Easy availability to the Internet and social media has erased the boundaries that protect children from the unsavory aspects of adult life. Parents often feel they are losing a meaningful connection with their children. Children are feeling lonely and alienated. The digital world is here to stay, but what are families losing with technology's gain?

As two-income families find themselves ever more time-poor, many look to outsource to cleaners, nannies, and care workers. More and more, it would seem, people are finding themselves without either the emotional or the financial resources to take care of themselves and each other. The home, rather than an escape from the work and its pressures, is in fact an extension of it. After Work is a crucial corrective to this trend, extending its attention beyond paid jobs to the impact of domestic work upon familial relationships, social bonds, and our conceptions of domestic space.

In this colonial adventure tale, set on the Pennsylvania-New Jersey border in 1768, Everett Shinn is enlisted in a search for two runaway indentured servants. Eager for adventure and to become a hero by capturing the runaways himself, 12-year-old Peter York, Shinn’s adopted son, volunteers to join the search. Peter assumes that the runaways are swarthy ruffians. When he discovers, however, that they are mistreated children seeking freedom in Pennsylvania, Peter’s purpose turns from capturing them to helping them escape. Will Shinn, a devout Quaker of few words, foil Peter’s plans, or will the young man receive help from an unexpected source?

This favorite book for children, based on the author's own youthful experiences, describes the family life of the Marches in a small New England community. Meg, Jo, Beth, and Amy are raised in genteel poverty by their loving mother, Marmee, while their father serves as a chaplain during the Civil War. The story explores their domestic adventures, their attempts to increase the family's income, their friendship with the neighboring Laurence family, and their later love affairs and destinies as women.

In a partnership with We Need Diverse Books, industry giants Kwame Alexander, Soman Chainani, Matt de la Peña, Tim Federle, Grace Lin, Meg Medina, Walter Dean Myers, Tim Tingle, and Jacqueline Woodson join newcomer Kelly J. Baptist in a story collection that is as humorous as it is heartfelt. This impressive group of authors has earned among them every major award in children's publishing and popularity as New York Times best sellers.

Digging for peat in the mountain with his Uncle Tally, Fergus finds the body of a child, and it looks like she’s been murdered. As Fergus tries to make sense of the mad world around him - his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what - a little voice comes to him in his dreams, and the mystery of the bog child unfurls.

Thirteen-year-old Huck runs away from his alcoholic and abusive father in a stolen canoe. Hiding on a wooded island, he comes upon a slave named Jim, who is also fleeing--from slavery. The two set off down the Mississippi on a piece of a raft, each in search of his own kind of freedom.

Since emigrating from Bangladesh, 14-year-old Nadira and her family have been living in New York City on expired visas, hoping to realize their dream of becoming legal U.S. citizens. But after 9/11, everything changes. Suddenly being Muslim means you are dangerous - a suspected terrorist. When Nadira's father is arrested and detained at the U.S.-Canadian border, Nadira and her older sister, Aisha, are told to carry on as if everything is the same. The teachers at Flushing High don't ask any questions, but Aisha falls apart....

In her refreshing and forthright voice, Anne-Marie Slaughter returns with her vision for what true equality between men and women really means and how we can get there. She uncovers the missing piece of the puzzle, presenting a new focus that can reunite the women's movement and provide a common banner under which both men and women can advance and thrive.

Aref does not want to move to Michigan. He's sure the kids there won't like him. Also, he has everything he needs right where he is! But Sidi has another point of view. Sidi says Aref will go and come back. Just like a falcon or the turtles of Oman, he'll travel far and make his way home to Muscat. So Aref sets out to say good-bye to everything he loves. Good-bye to Mish-Mish, Diram, Sulima, dunes, Sidi…. But how can he stand it?

On a frosty morning sometime in the 14th century, in a village somewhere in England, a girl known only as Brat was sleeping in a dung heap. "You, girl. Are you alive or dead?" When she opened her eyes, she saw an important-looking woman with a sharp glance and a sharp nose and a wimple starched into sharp pleats. This woman was Jane the midwife, and she needed a helper....

One of America's most influential Hispanics - Maria on Sesame Street - delivers a beautifully wrought coming-of-age memoir. Set in the 1970s in the Bronx, this is the story of a girl with a dream. When listeners meet young Sonia, she is a child living amid the squalor of a boisterous home that is filled with noisy relatives and nosy neighbors. Each day she is glued to the TV screen that blots out the painful realities of her existence and also illuminates the possibilities that lie ahead.

When Pacy’s mom tells her that this is a good year for friends, family, and “finding herself,” Pacy begins searching right away. As the year goes on, she struggles to find her talent, deals with disappointment, makes a new best friend, and discovers just why the Year of the Dog is a lucky one for her after all.

Since the passing of their father, Oscar has tried—and in his little brother Sufyan’s eyes, failed—to be the man of his family of Syrian refugees. As Oscar waits in line for rations, longing for the books he left behind when his family fled their home, Sufyan explores more nontraditional methods to provide for his family. Ignoring his brother’s warnings, Sufyan gets more and more involved with a group that provides him with big rewards for doing seemingly inconsequential tasks.

Hattie Owen prefers to be steeped in the familiarity of her small-town life than to think about the vast world beyond her own. Her family's boarding house is where she feels most at home, with its eccentric tenants and predictable routines, so different from the controlling and repressive home of her well-to-do grandparents who live nearby.