Family Genre

Smoke Jensen looks forward to spending a quiet holiday with the family. But an unexpected arrival from south of the border has him reaching for his guns, defending his land - and risking everything he loves. Sally Jensen strikes up a friendship with a lovely Mexican woman - who turns out to be married to the mysterious stranger plotting to steal her ranch. Ace and Chance prepare to fight a gang of outlaws trying to kill the man who raised them - but they're going to need the help of the father they never knew.

Alexandre Trudeau se questionne. Sa femme semble s'être lassée de lui; ses enfants le considèrent comme un primate d'une autre époque, bon qu'à payer les comptes; sa carrière de journaliste stagne et manque de piquant. Tel un passager resté sur le quai, il regarde défiler sa vie, les mains dans les poches. Comment en est-il arrivé là?

Oscar-winning actress Ardith Law is a Hollywood icon. Radiant at sixty-two, she is the epitome of glamour and a highly respected artist. But her success has come at a price: she has a strained relationship with her daughter, Morgan, who at thirty-eight still blames Ardith for putting her career before being a mother. Morgan is a successful plastic surgeon in New York City—and the distance from Ardith's Bel Air mansion is not lost on either of them. Ardith became a single mother when Morgan was seven, after her unfaithful husband died in a helicopter accident.

I wanted to lose myself in the small town of Pelion, Maine. To forget everything I had left behind. The sound of rain. The blood. The coldness of a gun against my skin. For six months, each breath has been a reminder that I survived—and my dad didn't. I'm almost safe again. But the moment I meet Archer Hale, my entire world tilts on its axis . . . and never rights itself again. Until I trespass into his strange, silent, and isolated world, Archer communicates with no one. Yet in his whiskey-colored eyes, something intangible happens between us.

Nothing could be more out of character, but after fifty-nine years of marriage, as her husband Bernard’s health declines, and her friends' lives become focused on their grandchildren—which Jenny never had—Jenny decides she wants a little something for herself. So she secretly applies to be a contestant on the prime-time TV show Britain Bakes. Whisked into an unfamiliar world of cameras and timed challenges, Jenny delights in a new-found independence. But that independence, and the stress of the competition, starts to unearth memories buried decades ago.

Corbin College, not quite upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive comedy of blending, identity, and politics.

In 1979, Vincent Bianco has just graduated high school. His only desire: collect a little beer money and enjoy his final summer before college. So he lands a job as a laborer on a construction crew. Working alongside two Vietnam vets, one suffering from PTSD, Vincent gets the education of a lifetime. Now forty years later, with his own son leaving for college, the lessons of that summer - Vincent’s last taste of innocence and first taste of real life - dramatically unfold in a novel about breaking away, shaping a life, and seeking one’s own destiny.

Nantucket is only 11 miles away from Martha's Vineyard. But they may as well be worlds apart for estranged twin sisters Harper and Tabitha Frost. After not speaking for more than a decade, Harper and Tabitha switch islands - and lives - to save what's left of their splintered family. But the twins quickly discover that the secrets, lies, and gossip they thought they'd outrun can travel between islands just as easily as they can. Will Harper and Tabitha be able to bury the hatchet and end their sibling rivalry once and for all?

When Ruth Morris is moved into Banksia House by her workaholic son Michael, she is eighty-one years young, mourning her loss of independence, and missing her best friend Gladys terribly. So when she learns Gladys is dying a state over in Brisbane, Ruth is determined to say goodbye. Enlisting the help of her fellow residents, Ruth makes a daring departure from Banksia House alongside renowned escape-artist Keith, and her formidable new friend Beryl.

Sent on a marketing conference from Sri Lanka to London by her boss, Surya is supposed to be enjoying a change of scene after a tragedy that has left her grief stricken and lost – and compulsively fixated on a long-buried, shameful episode from her past. Finding herself in the same city as the boy she birthed for an English couple seventeen years ago – in exchange for the money that paid her college tuition – Surya is prepared to risk everything for a glimpse of him. Surya promises herself that she will be satisfied with just seeing her boy and knowing that he is safe and well.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

A desperate murder committed by Angela Miller’s mother tore Angela’s life apart and brought her to Martha’s Vineyard to live with her wealthy grandparents. It’s where her cousin, Kiki King, was born and raised, and Kiki now wants nothing more than to see the world beyond its sandy perimeter. Kiki’s mother escaped it. She took a late-night swim off Tashmoo Beach and was never seen again.

Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

When Harold Fry nips out one morning to post a letter, leaving his wife hoovering upstairs, he has no idea that he is about to walk from one end of the country to the other. He has no hiking boots or map, let alone a compass, waterproof, or mobile phone. All he knows is that he must keep walking - to save someone else's life.

Bombay was the city everyone came to in the early decades of the 19th century: among them, the Goans and the Mangaloreans, looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena).

It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants.

Thirteen-year-old Lisa has escaped from Nazi Germany on the Kindertransport. She arrives in London unable to speak a word of English, her few belongings crammed into a small suitcase. Among them is one precious photograph of the family she has left behind. Lonely and homesick, she is adopted by a childless couple. But when the Blitz blows her new home apart, she wakes up in a hospital with no memory of who she is or where she came from. The authorities give her a new name and dispatch her to a children's home. With the war raging around her, what will become of Lisa now?

Harry Tabor is about to be named Man of the Decade, a distinction that feels like the culmination of a life well lived. Gathering together in Palm Springs for the celebration are his wife, Roma, a distinguished child psychologist, and their children: Phoebe, a high-powered attorney; Camille, a brilliant social anthropologist; and Simon, a big-firm lawyer, who brings his glamorous wife and two young daughters. But immediately, cracks begin to appear in this smooth facade.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.