Family Genre

For forty-two years, Sally Harrison has been building a library. Each year, on her daughter’s birthday, she adds a new book to her shelves – with a note in the front dedicated to her own greatest work. But Ella – Sally’s only child – fled to Australia twenty-two years ago after a heated exchange, and never looked back. And though Sally still dutifully adds a new paperback to the shelves every time the clock strikes midnight on July 11th, her hopes of her daughter ever thumbing through the pages are starting to dwindle.

No longer tolerating her husband’s borderline abuse, Faith escapes to her parents’ California beach house to plan her next move. She never dreamed her new chapter would involve befriending Sarah, a fourteen-year-old on the run from her father and reeling from her mother’s sudden and suspicious death. While Sarah’s grandmother scrambles to get custody, Faith is charged with spiriting the girl away on a journey that will restore her hope: Sarah implores Faith to take her to Falkner’s Midnight Sun, the prized black mare that her father sold out from under her.

Hannah and Finn have spent every Christmas together since college. Neither has anywhere else to go—Hannah’s parents died, and Finn’s disowned him when he came out. Their tradition of offbeat holiday adventures only grows more outrageous with time. When the pair starts their adult lives in New York City, they add stylish Priya and mysterious Theo to the group, solidifying a found family and sense of belonging they’ve always craved.

Oscar-winning actress Ardith Law is a Hollywood icon. Radiant at sixty-two, she is the epitome of glamour and a highly respected artist. But her success has come at a price: she has a strained relationship with her daughter, Morgan, who at thirty-eight still blames Ardith for putting her career before being a mother. Morgan is a successful plastic surgeon in New York City—and the distance from Ardith's Bel Air mansion is not lost on either of them. Ardith became a single mother when Morgan was seven, after her unfaithful husband died in a helicopter accident.

Ireland, 1959: Young Christopher Hurley is a tinker, a Pavee gypsy, who roams with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother’s death in childbirth. The wandering life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle briefly, in a town, where Christy and his cousin can receive proper schooling and prepare for their first communions.

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night.

Retired policeman Tom Kettle is enjoying the quiet of his new home, a lean-to annexed to a white Victorian Castle in Dalkey overlooking the sea. For months he has barely seen a soul, but his peace is interrupted when two former colleagues turn up at his door to ask questions about a decades-old case. A traumatic case which Tom never quite came to terms with. His peace is further disturbed by a young mother and family who move in next door, a woman on the run from her own troubles. And what of Tom’s family, his wife June, and their two children?

Julia Ames, after a youth marked by upheaval and emotional turbulence, has found herself on the placid plateau of mid-life. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she finally feels, at age fifty seven, that she has a firm handle on things. She’s unprepared, though, for what comes next.

After the death of her wife, Shelby is suffering from prolonged grief. She’s increasingly isolated, irritated by her family’s stoicism and her friends’ reliance on the toxic positivity of self-help culture. Then, in a grief support group, she meets Cammie, who gives Shelby permission to express her most hopeless, hideous feelings. Cammie is charismatic and unlike anyone Shelby has ever met. She’s also recovering from cancer and going through several other calamities.

On the eve of her 40th birthday, Alice’s life isn’t terrible. She likes her job, even if it isn’t exactly the one she expected. She’s happy with her apartment, her romantic status, her independence, and she adores her lifelong best friend. But her father is ailing, and it feels to her as if something is missing. When she wakes up the next morning she finds herself back in 1996, reliving her 16th birthday.

When Kitty Karr Tate, a White icon of the silver screen, dies and bequeaths her multimillion-dollar estate to the St. John sisters, three young, wealthy Black women, it prompts questions. Lots of questions. A celebrity in her own right, Elise St. John would rather focus on sorting out Kitty’s affairs than deal with the press. But what she discovers in one of Kitty’s journals rocks her world harder than any other brewing scandal could—and between a cheating fiancé and the fallout from a controversial social media post, there are plenty.

Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us.

An unlikely criminal, Andy Durant is robbing gas stations to buy back land once connected to his wife's farm in upstate New York. But when he's shot and killed during a robbery, he leaves his wife, Grady, and their three children to fend for themselves. Moving back to the debt-laden farm, Grady ignites a plan that involves getting in the middle of an adjoining neighbor's marriage. Meanwhile, one by one the whole family is charmed by Royal Provo, a young and charismatic orphan working on the property.

Cy Riemer is the patriarch of a successful and loving Chicago family. But not all is copacetic in Cy's world. The scientific newsletter he publishes is foundering financially, his ex-wife still relies on him for money and intimacy, and he can never seem to find the time or the wherewithal to relax. Much of Cy's stress is caused by the trouble he has with his brilliant and duplicitous son, Jack.

Five years ago, Geeta lost her no-good husband. As in, she actually lost him—he walked out on her and she has no idea where he is. But in her remote village in India, rumor has it that Geeta killed him. And it’s a rumor that just won’t die.

It's wedding season on Nantucket. The beautiful island is overrun with summer people - an annual source of aggravation for year-round residents. When one lavish wedding ends in disaster before it can even begin - with the bride-to-be discovered dead in Nantucket Harbor just hours before the ceremony - everyone in the wedding party is suddenly a suspect. As Chief of Police Ed Kapenash digs into the best man, the maid of honor, the groom's famous mystery novelist mother, and even a member of his own family, the chief discovers that every wedding is a minefield - and no couple is perfect.

Every expectant parent will tell you that they don't want a perfect baby, just a healthy one. Charlotte and Sean O'Keefe would have asked for a healthy baby, too, if they'd been given the choice. Instead their lives are made up of sleepless nights, mounting bills, the pitying stares of "luckier" parents, and, maybe worst of all, the what-ifs.

From the New York Times best-selling author of A Man Called Ove and Britt-Marie Was Here comes an exquisitely moving portrait of an elderly man’s struggle to hold on to his most precious memories, and his family’s efforts to care for him even as they must find a way to let go. With all the same charm of his best-selling full-length novels, here Fredrik Backman once again reveals his unrivaled understanding of human nature and deep compassion for people in difficult circumstances. This is a tiny gem with a message you'll treasure for a lifetime.

Pirriwee Public is a beautiful little beachside primary school where children are taught that ‘sharing is caring.’ So how has the annual School Trivia Night ended in full-blown riot? Sirens are wailing. People are screaming. The principal is mortified. And one parent is dead. Was it a murder, a tragic accident or just good parents gone bad? As the parents at Pirriwee Public are about to discover, sometimes it’s the little lies that turn out to be the most lethal.

Like many Overseas Filipino Workers, Mary Grace Concepcion has lived a life of sacrifices. First, she left her husband, Ale, to be a caregiver in Hong Kong. Now, she has travelled even farther, to Canada, in the hopes of one day sponsoring Ale and having children of their own. But when she arrives in Toronto, she must navigate a series of bewildering and careless employers and unruly children.