Family Genre

Fly Away is the story of three women who have lost their way and need each other - plus a miracle - to transform their lives. An emotionally-complex, heart-wrenching novel about love, family, motherhood, loss, and redemption, Fly Away reminds us that where there is life, there is hope and where there is love, there is forgiveness. Told with her trademark visceral storytelling and illuminating prose, Kristin Hannah reveals why she is one of the most beloved writers of our day.

Mary Stoltzfus is 30 years old, splashed with freckles, and unmarried. In her Amish world, that qualifies her to be called an old maid. She is living her quiet schoolteacher life in the Lancaster County Amish community when she gets a surprising invitation in the mail one day. Would she come to Montana to teach?

Pacific Hills, California: Gated communities, ocean views, well-tended lawns, serene pools, and now the new home of the Shah family. For the Shah parents, who came to America twenty years earlier with little more than an education and their new marriage, this move represents the culmination of years of hard work and dreaming. For their children, born and raised in America, success is not so simple. For the most part, these differences are minor irritants, arguments between parents and children, older and younger siblings. But one night, the twelve-year-old son is arrested.

Je lance un regard en direction du salon. Serena, ma sœur de onze ans, somnole sur le divan rose pâle. Elle s’est endormie en espérant le retour de notre mère, partie en trombe sur sa mobylette tremper son chagrin dans une soupe tonkinoise et ses olives dans une chaudière de dry martini. Le vendredi, c’est sa soirée de recharge mentale parce que des enfants, ça suce l’énergie, ça gruge, ça use. Je ne l’attends jamais avant minuit, ce qui me laisse le temps de mettre en scène ma disparition.

Sam Hill always saw the world through different eyes. Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered. Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls. Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design.

Fight Night is told in the unforgettable voice of Swiv, a nine-year-old living in Toronto with her pregnant mother, who is raising Swiv while caring for her own elderly, frail, yet extraordinarily lively mother. When Swiv is expelled from school, Grandma takes on the role of teacher and gives her the task of writing to Swiv's absent father about life in the household during the last trimester of the pregnancy.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Mary Rose MacKinnon is a successful author of YA fiction doing a tour of duty as stay-at-home mom while her partner Hilary takes a turn focusing on her career. She tries valiantly to balance the (mostly) solo parenting of two young children with the relentless needs of her aging parents. But amid the hilarities of full-on domesticity arises a sense of dread. Do others notice the dents in the expensive refrigerator?

For Iris, each visit to her mother in St Mabon’s Cove, Cornwall has been the same—a serene escape from the city. But today, as she breaths in the salt air on the doorstep of her beloved childhood home, a heavy weight of anticipation settles over her. Iris knows she’s adopted, but any questions about where she came from have always been shut down by her parents, who can’t bear to revisit the past. Now, Iris can’t stop thinking about what she’s read on the official paperwork: BABY GIRL, FRANCE, 1939 – the year war was declared with Nazi Germany.

Detroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn’t mind—until he does.

Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is “a compelling life force” (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout “animates the ordinary with an astonishing force”, and she has never done so more clearly than in this book, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine.

Dakota Jones is the second youngest of four children who had a difficult upbringing living with parents who struggle with mental illness. He escaped his family as soon as he could by joining the military. Now, after several tours of duty he has been discharged. He has nowhere to go and no solid plans for the future. Refusing to return home to his parents he arrives in Sullivan's Crossing where his brother Cal and sister Sierra have each experienced the healing power of the place and its people. Nestled at the crossroads of the Colorado and Continental Divide Trails, the area attracts those looking for answers or direction or a new lease on life. Dakota will come to terms with his less-than-perfect family and will plant the roots he's never had.

Glass Ferry, Kentucky, is bourbon country. Whiskey has been a way of life for generations, enabling families to provide and survive even in the darkest times. Flannery Butler's daddy, Beauregard "Honey Bee" Butler, entrusted her with his recipes before he passed on, swearing her to secrecy. But Flannery is harboring other secrets too, about her twin sister Patsy, older by eight minutes and pretty in a way Flannery knows she'll never be. Then comes the prom night when Patsy - wearing a yellow chiffon dress and the family pearls - disappears along with her date.

Kezia Cooper Hobson, recently widowed, arrives in New York from San Francisco. Determined to make a fresh start, she has just completed the sale of her Pacific Heights home, not to mention her husband's venture capital firm, and in doing so, is also freed from her responsibility as a board member of the company. Bringing with her only a few personal treasures, she is excited to move into the blank slate of a beautiful midtown penthouse, in the city that she has always loved. It is also where her two adult daughters now live.

Nameless, Kentucky, in 1969 is a hardscrabble community where jobs are few and poverty is a simple fact - just like the hot Appalachian breeze or the pests that can wipe out a tobacco field in days. RubyLyn Bishop is luckier than some. Her God-fearing uncle, Gunnar, has a short fuse and high expectations, but he's given her a good home ever since she was orphaned at the age of five. Yet now, a month shy of her 16th birthday, RubyLyn itches for more.

Generations of Sassers have made moonshine in the Brushy Mountains of Wilkes County, North Carolina. Their history is recorded in a leather-bound journal that belongs to Jessie Sasser's daddy, but Jessie wants no part of it. As far as she's concerned, moonshine caused her mother's death a dozen years ago. Her father refuses to speak about her mama, or about the day she died. But Jessie has a gnawing hunger for the truth - one that compels her to seek comfort in food.

As a con woman who has spent her entire life fending for herself on the streets of London, Rose Wakefield knows how to scam a gentleman out of his money without ever getting caught. That's until she knocks on the wrong earl's door and is faced with Carver Ashburn Earl of Kensworth and not the notorious rake she thinks she is approaching. Carver is a good man, but even a good man will not pass up an opportunity to escape his grief. What better way to avoid his feelings than to play into a con woman's ruse and offer to marry her?

In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves.

Julia Ames, after a youth marked by upheaval and emotional turbulence, has found herself on the placid plateau of mid-life. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she finally feels, at age fifty seven, that she has a firm handle on things. She’s unprepared, though, for what comes next.

A Signature Performance: Leelee Sobieski’s Emma is sultry but vulnerable, offering a sympathetic rendering of the heroine and her plight, allowing the listener to draw his own conclusions about Madame Bovary in this cautionary tale of love, passion, and desperation.