Family Horror

Kenzi Brannon's life was turned upside down when she moved into her family's abandoned home to raise her niece. Problems compound when her aging mother starts to remember things. And clues the police find regarding the knife don't match anything Kenzi knows about her family. Things go from bad to worse when she and her niece discover something horrifying in their house. But not even that compares to the strange ways her mom is acting.

In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia...

The final, haunting novel, in the extraordinary story that has enthralled millions! The horror began with Flowers in the Attic, the terrifying tale of four innocent children locked away from the world by a cruel mother. The shocking fury continued with Petals on the Wind and If There be Thorns. Now V.C. Andrews has created the last dark chapter in the strange, chilling tale of passion and peril.

The three Beauchamp women—Joanna and her daughters Freya and Ingrid—live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret—they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries....

The hunters have become the hunted. Outnumbered, outsmarted, and desperate, the hunters are on the run, pursued by the vampaneze, the police, and an angry mob. With their enemies clamoring for blood, the vampires prepare for a deadly battle. Is this the end for Darren and his allies? This third and final installment in the Hunters trilogy finds Darren and his friends facing their longest night and most testing challenge yet.

Chris and Cathy made such a loving home for 14-year-old Jory - so handsome, so gentle. And for Bart, who had such a dazzling imagination for a nine-year-old. Then the lights came on in the house next door. Soon the Old Lady in Black was there, watching them, guarded by her strange old butler. Soon she had Bart over for cookies and ice cream and asked him to call her "Grandmother". And soon Bart's transformation began....

The nightmare continues for the new vampire's assistant in the second installment of the New York Times best-selling Saga of Darren Shan.

Darren Shan was just an ordinary schoolboy until his visit to the Cirque du Freak. Now, as he struggles with his new life as a vampire's assistant, he tries desperately to resist the one temptation that sickens him, the one thing that can keep him alive. But destiny is calling. The Wolf Man is waiting.

Darren is going back to where it all started, back to where he was reborn as a child of the night. But like Darren, the town has changed a lot over the years. Back home, old enemies await. Scores must be settled. Destiny looks certain to destroy him, and the world is doomed to fall to the Ruler of the Night. Travel home with Darren in this, the penultimate book in the saga.

Dead if he loses - damned if he wins. The time has finally come for Darren to face his arch enemy, Steve Leopard, and fight for control of the night. One of them will die. The other will become the Lord of the Shadows …and destroy the world.

The recent Strigoi attack at St. Vladimir’s Academy was the deadliest ever in the school’s history, claiming the lives of Moroi students, teachers, and guardians alike. Even worse, the Strigoi took some of their victims with them . . . including Dimitri.

Jo never expected to be placed in her absent grandmother’s will—let alone be left her house, her land, and a letter with mysterious demands. Upon arriving at the inherited property, things are even more strange. The tenants mentioned in the letter are odd, just slightly…off. Jo feels something dark and decrepit in the old shack behind the house. And the things that her father used to talk about, his delusions… Why is Jo starting to believe they might be real? But what Jo fears most is the letter from her grandmother.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

My name is Jack Steen. That name shouldn’t mean anything to you, unless you’re about to die—and then I’m your bloody guardian angel. I work as a night nurse in the Asylum for the Criminally Insane.

Wanda has uncovered a dark secret that could shatter the image of her perfect family. Attempting to force the situation back into the societal framework shed strived for years to present, events spiral out of control. Secrets threaten to emerge from a carefully suppressed past and become public. To save her family's reputation, Wanda succumbs to a madness no one could have expected.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

Young Jude Brighton has been missing for three days, and while the search for him is in full swing in the small town of Deer Valley, Oregon, the locals are starting to lose hope. They're well aware that the first 48 hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark's youth, he knows that, too; he's seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.

In a moment of self-absorption, Clara Purdy's life takes a sharp left turn when she crashes into a beat-up car carrying an itinerant family of six. The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband, and horrible grandmother into her own house - then has to cope with the consequences of practical goodness.

The Perry family's new house is perfect - except for the weird behavior of the neighbors, and that odd smell coming from a dark corner in the basement. Pity no one warned the family about the house. Now it's too late. Because the darkness at the bottom of the basement stairs is rising.

Jazz is a likable teenager. But he's also the son of a (now incarcerated) infamous serial killer, and "Dear Old Dad" has taught Jazz everything he knows. But what Jazz doesn't know is whether or not he is destined to follow in his father's footsteps. He knows he has urges, but he also knows that he has a conscience, that he can follow his own path. And so, in an effort to right his father's wrongs, Jazz decides to help the police (although they don't know it yet) hunt down "The Impressionist" - a new serial killer in town.

When Olivia Kavanagh finds an old manuscript in her late grandfather's bookshop, she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls' lives intertwine with hers, connecting past to present and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?