Family Horror

The three Beauchamp women—Joanna and her daughters Freya and Ingrid—live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret—they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries....

Leigh Somerset wants to spend some quality time with her kids before they grow up, and her husband has always fancied himself sort of a Clark Griswold figure. So the Somersets will be spending their family vacation on the road, driving from suburban Milwaukee to Orlando, Florida. Already off to a rocky start, they stumble upon an abandoned, half-burned down farmhouse in Indiana, and the Somersets inadvertently unleash an eerie history that will follow them the rest of their trip.

Since her husband’s unsolved murder three years ago, Iris Blodgett’s life has unraveled. Awash in grief and buried in debt, she can’t pay her mortgage—and now that she’s lost her job, she has no idea how she’ll provide for her unruly teenage daughter, Ellory. Facing eviction, Iris turns to her new beau, prominent architect Hugh Smoll, for a shoulder to cry on. But the seemingly perfect Hugh offers her something more: an invitation to move in to his mother’s centuries-old mansion while he renovates the property.

Three months after escaping from London, Bill discovers the true extent of the global war that followed the outbreak. Most of the world has been destroyed, but though ruined farmland and abandoned cities are filled with zombies, there are other survivors and there is a safe haven - so he is told - in a small village on the Irish coast.

The Lovely Bones: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! * Once in a generation comes an audiobook that taps a vein of universal human experience, resonating with listeners of all ages. The Lovely Bones is such an audiobook - a number one best seller celebrated at once for its artistry, for its luminous clarity of emotion, and for its astonishing power to lay claim to the hearts of millions of fans around the world.

In a moment of self-absorption, Clara Purdy's life takes a sharp left turn when she crashes into a beat-up car carrying an itinerant family of six. The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband, and horrible grandmother into her own house - then has to cope with the consequences of practical goodness.

In her small town, dubbed “Dullsville”, 16-year-old Raven—a vampire-crazed goth-girl—is an outcast. But not for long. The intriguing and rumored-to-be haunted mansion on top of Benson Hill has stood vacant and boarded-up for years. That is, until its mysteriously strange new occupants move in. Who are these creepy people—especially the handsome, dark, and elusive Alexander Sterling? Or rather, what are they? Could the town prattle actually ring true? Are they vampires?

Jazz is a likable teenager. But he's also the son of a (now incarcerated) infamous serial killer, and "Dear Old Dad" has taught Jazz everything he knows. But what Jazz doesn't know is whether or not he is destined to follow in his father's footsteps. He knows he has urges, but he also knows that he has a conscience, that he can follow his own path. And so, in an effort to right his father's wrongs, Jazz decides to help the police (although they don't know it yet) hunt down "The Impressionist" - a new serial killer in town.

Ruth has returned to Edinburgh after many years of exile, left rootless by the end of her marriage and career and now the death of her father, from whom she had long been estranged. She is faced with the daunting task of clearing his house, believing he had removed all traces of her mother. Yet hidden away in a barely used top-floor room, she finds he had secretly kept a cupboard full of her possessions. Sifting through the ancient papers, Ruth discovers the diary and letters written by her ancestor from the 18th century, Thomas Erskine.

Thirty-three-year-old Anne Towry is a woman who knows little about herself and even less about her family. Sent away from Whitehall Manor when she was only ten years old, Anne struggles to make sense of her life. When she receives an urgent phone call from a Dr. Cornish informing her that her mother, Seraphine, has gone missing, Anne returns to her childhood home in an attempt to figure out what went wrong.

Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter, Dahlia, to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about 30 fallen and overgrown graves dating to the early 1900s.

After a whirlwind romance, a young woman returns to the opulent, secluded Long Island mansion of her new fiancé, Max Winter - a wealthy politician and recent widower - and a life of luxury she’s never known. But all is not as it appears at the Asherley estate. The house is steeped in the memory of Max’s beautiful first wife, Rebekah, who haunts the young woman’s imagination and feeds her uncertainties, while his very alive teenage daughter, Dani, makes her life a living hell.

Maggie Olsen had a pretty ordinary childhood - swimming and sleepovers, movie nights and dad jokes. But then there were the other things...the darker things...the shadow that followed her home from the cemetery and settled into the corners of her home, refusing to let her grow up in peace. Now, after three years of being away from the place she's convinced she inadvertently haunted, and after yet another family tragedy strikes, Maggie is forced to return to the sweltering heat of a Savannah summer to come to terms with her past.

Sam Hunter is a bit of an animal. He's a former Twin Cities cop who lost his badge because of excessive force. Abusive husbands, child molesters, and other lowlifes wound up looking like they'd been mauled by dogs...or wolves. Now Sam's a low-rent PI in Philadelphia. He takes the kinds of cases no one wants. His clients are usually on the fringes of society. The kind who are prey for all manner of predators--human and otherwise.

Few in sleepy Sumner’s Mills have stumbled across the Octagon House hidden deep in the woods. Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma.

What do you do when the family curse kicks in and Chloe finds herself in a paranormal fight for her life? Tamara decides to get to the bottom of it. She hopes to set Chloe free but cannot do it alone. A talented curse breaker, with a secretive past of her own, joins forces with them and the outcome is not what anyone expected.

Who are the Sawkill Girls? Marion: The newbie. Awkward and plain, steady and dependable. Zoey: The pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Val: The queen bee. Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires. Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight…until now.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

What begins with a sense that Michael's deceased grandfather might be inhabiting his body soon escalates to "slipping" into to the river of the dead. When Michael slips, he relives moments of his grandfather's life and tries to help him find peace. But each time he ventures into the river it's harder to come out again. Michael will have to depend on an unlikely group of friends to keep him from slipping... permanently. A penetrating twist on the classic ghost story, full of humor and insight about family relationships.

Tamara Garvey lands her first book deal, but her friend's reactions aren't what she expected. They are less than supportive - even her dead best friend brushes off this momentous achievement. Question is, why? Tamara expected her life to improve, but the Dead House has a few paranormal surprises for her. Her ghostly writing is attracting disturbing spiritual activity, putting her and her family at risk.