Family Humor

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

Narcissistic, hilariously self-deluded, and divorced from the real world as most of us know it, hedge-fund manager Barry Cohen oversees $2.4 billion in assets. Deeply stressed by an SEC investigation and by his three-year-old son’s diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema - a driven first-generation American who craved the picture-perfect life that comes with wealth - has her own demons to face.

Twenty years ago, Abigail Sorenson’s brother Robert went missing one day before her 16th birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams. Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse.

First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America - an age of corruption when crooked land speculators, ruthless bankers, and dishonest politicians voraciously took advantage of the nation's peacetime optimism. With his characteristic wit and perception, Mark Twain and his collaborator, Charles Dudley Warner, attack the greed, lust, and naiveté of their own time in a work that endures as a valuable social document and one of America's most important satirical novels.

There are good moms and bad moms - and then there are hot-mess moms. Introducing Ashley Keller, career girl turned stay-at-home mom who's trying to navigate the world of Pinterest-perfect, Facebook-fantastic, and Instagram-impressive mommies but failing miserably.

No matter what the world throws her way, at least Ruthie Beamish has the house. Lovingly renovated, located by the sea in a quiet Long Island village, the house is her nest egg - the retirement account shared with her ex-husband, Mike, and the college fund for their teenage daughter, Jem. The catch? To afford the house, Ruthie must let it go during the best part of the year. It's Memorial Day weekend, and Ruthie has packed up their belongings for what Jem calls "the summer bummer": the family's annual exodus to make way for renters.

Fanny is married to absent-minded Oxford don Alfred and content with her role as a plain, tweedy housewife. But overnight her life changes when Alfred is appointed English ambassador to Paris. In the blink of an eye, Fanny's mixing with royalty, Rothschilds and Dior-clad wives, throwing cocktail parties and having every indiscreet remark printed in tomorrow's papers.

Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job. Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life.

Nancy Mitford's first novel, a set of completely incompatible and hilariously eccentric characters collide in a Scottish castle. Inspired by Mitford's youthful infatuation with a Scottish aristocrat, her story follows young Jane Dacre to a shooting party at Dulloch Castle, where she tramps around a damp and chilly moor on a hunting expedition with formidable Lady Prague, xenophobic General Murgatroyd, one-eyed Admiral Wenceslaus and an assortment of other ancient and gouty peers of the realm, while falling in love with Albert, a surrealist painter with a mischievous sense of humour.

Lucy and Owen, ambitious, thoroughly-therapized New Yorkers, have taken the plunge, trading in their crazy life in a cramped apartment for Beekman, a bucolic Hudson Valley exurb. They've got a 200-year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch", dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood".

Danny’s life is falling apart. His eleven-year-old son, Will, hasn’t spoken since the death of his mother in a car crash a year earlier, and Danny has just been fired from his construction job. He’s behind on the rent and his nasty landlord is threatening to break his legs if he doesn’t pay soon. Danny needs money, and fast. After observing street performers in a local park, Danny spends his last few dollars on a tattered panda costume, impulsively deciding to become a dancing bear.

After her former band shot to superstardom without her, Claire reluctantly agrees to a gig as a playgroup musician for wealthy infants on New York's Park Avenue. Claire is surprised to discover that she is smitten with her new employers, a welcoming clique of wellness addicts with impossibly shiny hair, who whirl from juice cleanse to overpriced miracle vitamins to spin class with limitless energy.

The Core Four have been friends since college: four men, four women, four couples. They got married around the same time, had kids around the same time, and now, fifteen years later, they’ve started getting divorced around the same time, too. With three of the Core Four unions crumbling to dust around them, Jessica and Mitch Butler take a long, hard look at their own marriage. Can it be saved? Or is divorce, like some fortysomething zombie virus, simply inescapable?

Olivia Morten is perfect. Maybe she's constantly hungry, but her body is to die for. Maybe her high-flying publicist job has taken over her life, but her clients are LA's hottest celebrities. Maybe her husband is never around, but he is a drop-dead-gorgeous doctor. And maybe her past harbors an incredibly embarrassing secret, but no one remembers high school...right? When Ben Dunn, Olivia's high school archnemesis - and onetime crush - suddenly resurfaces, all of her hard-won perfection begins to unravel.

What are people for? That’s the burning question on the mind of Leeva Spayce Thornblossom. Fame! says Leeva’s mom, the mayor of Nutsmore. Money! says her dad, the town treasurer. With the help of an orphaned badger, a risk-averse boy in a hazmat suit, and the town's librarians, Leeva sets off to discover her own answer—setting off a chain of events that will change Nutsmore forever.

Dürfen wir vorstellen? Grace Bernard – liebende Tochter, beste Freundin und teuflisch gute Serienmörderin. Grace ist eine Serienmörderin und sie mordet aus gutem Grund. Grace rächt sich bei ihrer Familie. Dafür dass sie beiseitegeschoben wurde, weil sie unehelich ist. Dafür dass sie nicht reingepasst hat in die feine, reiche Familie ihres Vaters. Aber noch mehr rächt Grace ihre Mutter, die es nie verkraftet hat, zuerst mit allen Mitteln verführt und dann schäbig vergessen worden zu sein.

Classic forgetful Emma—she’s done it again, this time accidentally ruining a Valentine’s Day surprise for her best friend Mel. Desperate to make up for it, she promises Mel a birthday trip to Edinburgh—a girls’ weekend to end all girls’ weekends. There’s just one massive hitch… Emma has already promised her grandma that she’ll go on a coach trip with her to scatter her grandad’s ashes…In Edinburgh. On Mel’s birthday weekend. Oh God.

As they prepare to relocate to Charleston, SC, Olivia, the ultimate New Yorker, has reservations about the promise she made to retire in the Lowcountry, where Nick wants to return home and lead a more peaceful life. They are moving north to south, fast pace versus slow pace, and downsizing. Nick is ecstatic. Olivia is not. She can't let Nick know that their finances are not what he thought. Her client list is evaporating, their monetary reserves are dwindling, and maybe that house she picked out on Sullivan's Island needs too much work.

Sally Parker is struggling to find the hero inside herself. All she wants to do is lie down. Her husband, Frank, has lost his business, their home and their savings in one fell swoop. Their bank cards are being declined. The children have gone feral. And now the bailiffs are at the door. What does an ordinary woman do when the bottom falls out? Sally Parker is about to surprise everybody. Most of all herself. Funny, warm, life-affirming and true, The Best Things is a big-hearted tale of failing, falling and finding a way back up.

It's the summer of 1947, and peacetime has brought new challenges to Barsetshire. Beliers Priory, once a military hospital during the War, has now become a flourishing preparatory school for boys run by Leslie and Philip Winter. When Charles Belton is hired as the new school master, six young people are thrown together in a web of flirtations and misunderstandings: Charles and his elder brother, Naval Captain Freddy Belton; Susan Dean, now Red Cross Depot Librarian, and her glamorous sister Jessica, an actress in thrall to the theatre; pragmatic Lucy Marling and her brother Oliver.