Family Memoir

Can women have it all? What does it mean to be a woman and a mother in the modern age? In this passionate, funny and fierce polemic, Paloma Faith delves deep into the issues that face women today, from puberty and sexual awakenings, to battling through the expectations of patriarchy and the Supermum myth.

When Amanda Eyre Ward's 13-year-old son, Harry, dove headfirst into the world of sneaker culture, she found herself baffled by his obsession with flashy, expensive shoes that seemed like mere status symbols. Determined to bridge the gap with her teenage son, Ward reluctantly decided to embrace the mantra of "if you can't beat 'em, join 'em". As she shed her preconceptions and immersed herself in the quest to snag the latest drops, Ward discovered a community far richer than she had imagined.

Shadow Daughter tackles a subject we rarely discuss as a culture: Family estrangements, especially those between parents and adult children. Estrangements - between parents and children, siblings, multiple generations - are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Estrangement is an issue that touches most people, one way or another, one that's still shrouded in secrecy, stigma, and shame.

After bottoming out, being institutionalized, and getting sober all by the tender age of fifteen, Moshe Kasher found himself asking: “What’s next?” Over the ensuing decades, he discovered the answer: a lot. There was his time as a boy-king of Alcoholics Anonymous, a kind of pubescent proselytizer for other teens getting and staying sober. He was a rave promoter turned DJ turned sober ecstasy dealer in San Francisco’s techno warehouse party scene of the 1990s.

For years, the DeCavalcantes, the most powerful Mob family in Jersey, labored in the shadows of the more famous families in New York - the likes of the Gambinos and the Columbos. Dismissed by the big-city capos, the DeCavalcantes finally came into their own when they found their lives mirrored in the television hit, The Sopranos. Overnight it legitimized the made men of the Garden State. Now they were a familia to be reckoned with. Unfortunately with high profile came high risk.

After selling her first novel - a dream she'd worked long and hard for - Stephanie Danler knew she should be happy. Instead, she found herself driven to face the difficult past she'd left behind a decade ago: a mother disabled by years of alcoholism, further handicapped by a tragic brain aneurysm; a father who abandoned the family when she was three, now a meth addict in and out of recovery.

Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she’d collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK.

Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a comedian. But his stage material highlighting his South Asian culture only masked the insecurities borne from his family history. Sure, Deb knew the facts: His parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals.

Melissa Seligman is something rare in the world of military families - a military wife who is also a beautiful writer. Here she describes her feelings as she watches her husband walk away from her and her newborn, knowing full well that he might not return from the war in Iraq. She experiences saying goodbye twice - both times he left when their children were still infants. While he’s away from home again, Melissa struggles to remember the goodness of her husband and the joy of their life together. Working hard to raise a baby and a four-year old, Melissa tells of the heartbreak and desperation she experiences at home.

Whether she’s playing an “age-defying” book editor on television or dazzling audiences on the Broadway stage, Sutton Foster manages to make it all look easy. How? Crafting. From the moment she picked up a cross stitch needle to escape the bullying chorus girls in her early performing days, she was hooked. Cross stitching led to crocheting, crocheting led to collages, which led to drawing, and so much more. Channeling her emotions into her creations centered Sutton as she navigated the significant moments in her life and gave her tangible reminders of her experiences.

The book is an autobiographical account of five years in the childhood of naturalist Gerald Durrell. The book is divided into three sections, marking the three villas in which the family lived on the island. Apart from Gerald (the youngest) and Larry, the family comprised their widowed mother, the gun-mad Leslie, and diet-obsessed sister Margo together with Roger the dog.

Like an urban Dian Fossey, Wednesday Martin decodes the primate social behaviors of Upper East Side mothers in a brilliantly original and witty memoir about her adventures assimilating into that most secretive and elite tribe. After marrying a man from the Upper East Side and moving to the neighborhood, Wednesday Martin struggled to fit in. Drawing on her background in anthropology and primatology, she tried looking at her new world through that lens, and suddenly things fell into place.

Married for 26 years, Jose and Kitty Menendez appeared to be a happy couple and proud parents. Twenty-one-year-old Lyle Menendez was enrolled at Princeton, where he was a star on the tennis team. Eighteen-year-old Erik Menendez had just graduated from Beverly Hills High and was about to start college at UCLA. The Menendezes appeared to be living the American dream. But it was all a façade.

When Amber Portwood debuted on MTV's hit reality series 16 & Pregnant, no one could have predicted that the teenager from Anderson, Indiana, with the dry sense of humor would go on to become one of the most controversial young celebrities in reality TV history. But soon after Amber stepped into the public eye, her life spiraled into chaos.

Alexandra Fuller won worldwide attention, popular acclaim, and critical accolades for her memoir of her childhood in Africa, Don’t Let’s Go to the Dogs Tonight. This engaging follow-up explores Fuller’s parents’ childhoods and charts the trajectories of their lives through all the British couple’s experiences in war-torn Africa. With the same sharply etched narrative that has earned the author such immense praise, Fuller expands on and offers new insights into her family’s remarkable trials and successes.

The Gambino family is a prime example of organized crime families and how their in-house fighting and varying styles of leadership have defined the age of the mob. Since the beginning of the 20th century, the family went through a series of names and leaders, but they always remained at the top of the New York mob regime and retained their Sicilian ties.

Bankers, philanthropists, scholars, socialites, artists, and politicians, the Warburgs stood at the pinnacle of German (and, later, German American) Jewry. They forged economic dynasties, built mansions and estates, assembled libraries, endowed charities, and advised a German kaiser and two American presidents. But their very success made the Warburgs lightning rods for anti-Semitism, and their sense of patriotism became increasingly dangerous in a Germany that had declared Jews the enemy.

In Watch Me, Huston tells the story of falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning the art and craft of acting, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi’s Honor.

In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of slavery.

In 2014, the landmarks of Victoria Belim’s personal geography were plunged into tumult at the hands of Russia. Her hometown Kyiv was gripped by protests and violent suppression. Crimea, where she’d once been sent to school to avoid radiation from the nuclear disaster at Chernobyl, was invaded. Kharkiv, where her grandmother Valentina studied economics and fell in love; Donetsk, where her father once worked; and Mariupol, where she and her mother bought a cherry tree for Valentina’s garden all became battlegrounds.