Family Poetry

「上野さんはなぜ、男に絶望せずにいられるのですか？」「しょせん男なんてと言う気はありません」。女の新しい道を作った稀代のフェミニストと、その道で女の自由を満喫した気鋭の作家。

From the bestselling author of What the Road Said, Cleo Wade’s next heartfelt book is a love letter to the infinite potential of the future, expressing the many hopes and dreams we hold for our children and ourselves. This book is an important reminder that, above all, what we wish for everyone’s precious life is that they can love and be loved.

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

An "unleashed love song" to her late grandmother, Nickole Brown's collection brings her brassy, bawdy, tough-as-new-rope grandmother to life. With hair teased to Jesus, mile-long false eyelashes, and a white Cadillac Eldorado with atomic-red leather seats, Fanny is not your typical granny rocking in a chair. Instead, think of a character that looks a lot like Eva Gabor in Green Acres, but darkened with a shadow of Flannery O'Connor.

Author Daniel L. Walker has written many poems about difficult times he experienced in his life. His debut poetry novel 2015 Mary Ballard Award Nominee titled: God's Rain talks about his personal demons, his marriage to co-author Teirra Walker, and dealing with rumors that his father allegedly molested a family member. Just as life began to look promising he would face tragedy with the untimely passing of his wife Teirra N. Walker.

I often think about our youth. It was indeed a strangely shaped toy, with a short body dragging a very long tail, spreading like wings, refusing to leave. A lamp is still on, but a song has been sung. A play has not ended, a love has reached the end of the road. We salute you. And the new curtain is about to be drawn. Maybe that's what human life is like, ending, starting, starting again, then ending. No matter what, we have to shoulder our suffering and happiness, moving forward, don't turn around.

After what seems like so many years of struggling due to the death of their big brother and their missing in action father; the triplets, Yasmin, York and Yancy finally see the light at the end of the tunnel. Mom has a great job, everyone's grades are up, they're all making new friends and have even gotten involved in afterschool activities. Now their father is back in the picture and everyone knows its smooth sailing from there, right? Wrong.

Our experiences are arrows on our backs to draw upon in the heat of life’s journey. They will always be with us. To collect arrows is to live in gratitude for every step along the way. No matter what happens, we’ll always have a quiver of experience and our spirit as a bow. Each day is a memory we get to shape and craft. We’re sharpening the arrows to stow on our backs with every second we appreciate life for the gift that it is. The beauty of California and the Pacific Northwest serve as the backdrop of this uplifting and often humorous tale.

Parting Ways is a book of poetry in support of birth mothers and our adopted children. Birth mothers, may you always know what a courageous and selfless decision you had to make. And to all our adopted children, may you know how much you are loved and cherished by the women who carried you and still do in their hearts forever.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

From Lincoln Center’s inaugural poet-in-residence comes this unflinching collection that intricately mines the experience of being a Black woman in America. A highly anticipated volume from critically acclaimed poet Mahogany L. Browne, Chrome Valley is at once a luminous hymn and a battle cry. Spanning the course of her own life as well as embodying centuries of virulent history, this collection pays solemn tribute to the women who came before her.

Renia White is a first-time author. Her debut collection, Casual Conversation, was chosen by Aracelis Girmay as a Blessing the Boats Selection. Named in honor of Lucille Clifton’s National Book Award-winning collection, Blessing the Boats Selections spotlight new poetry collections by women poets of color. Previous Blessing the Boats Selections include Letters to a Young Brown Girl by Barbara Jane Reyes and Year of the Dog by Deborah Paredez.

Clara Jean Beaman Walker was the third of seven children born to Cora and Clarence Beaman in Knoxville, TN, in 1910. Considered to be “Little Mother” by her siblings, she always gave her best to her birth family and to the family she created with her husband, John Albert Walker. Three sons came from this union: Johnny, Clarence, and Henry. A teacher at heart, Jean saw each child before her and helped them navigate home economics, English, and realizing their potential.

"My name is Colette. This book is about me. Who am I? To be perfectly honest, I'm not exactly sure who I am. I guess you could say I'm the 15-year-old daughter of an annoyingly famous movie star. Or maybe I'm the 18-year-old daughter of a famous movie star's stand-in. Or maybe I'm the thousand-year-old daughter of a vampire.... Having trouble guessing which one of these stories is true? Join the club. My friends have a joke about me: 'How can you tell if Colette is lying? Her mouth is open.'"

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Immerse yourself in the delightful world of dogs with Dog Poems: Guardians of Family & Home. This enchanting collection of poems celebrates the heartwarming and playful antics of 283 dog breeds. What sets this book apart is its unique feature of listing the breeds alphabetically, making it convenient for you to find your favorite. Each poem captures every breed's unique spirit and charm, from the affectionate Affenpinscher to the zesty Yorkshire Terrier.

Collin James is young, creative, and unhappy. A college dropout, he waits tables and spends his free time beautifying the streets of Cambridge, Massachusetts, with his medium of choice: chalk. Collin's art captivates passersby with its vibrant colors and intricate lines - until the moment he wipes it all away. Nothing in Collin's life is meant to last. Then he meets Nina....

After a year of distance-learning, Emily Sofer finds her world turned upside down: she has to leave the only school she's ever known to attend a public school in Chinatown. For the first time, Emily isn't the only Chinese student around...but looking like everyone else doesn't mean that understanding them will be easy—especially with an intimidating group of cool girls Emily calls The Five. When Emily discovers that her adoptive parents have been keeping a secret, she feels even more uncertain about who she is. A chance discovery of Emily Dickinson's poetry helps her finally feel seen.