Family Poetry

With bouncy rhyming language, What Can A Mess Make? inspires listeners to embrace their imaginations, linger in the beautiful messes on every page, and make some messes themselves.

A little over a year of living with bipolar type one. I ended a year off of medications deeply in love and with a stay in jail for joy-riding and fleeing and eluding. My family suffered, my friends suffered, and I suffered. This is a journal starting after my stay in jail. I respond to the journal entries all the following year, surprised mostly by the degree of my mental illness. This is not a self-help audiobook, and I struggle most of the time, not really coming up with many good solutions to my issues. Nothing about the past couple years has been easy.

This charming, nostalgic poetry collection is written and narrated by British poet Vicky Arthurs. Inspired by childhood memories of her grandparents, Vicky’s vivid, tender poems capture time spent together and wonders shared. Her poetry explores of themes of love, war, nature, and innocence. Some poems are seen through the eyes of a child. Others are remembrances and reimaginings of her grandparents’ lives. Full of warmth and charm, this poetic family memoir vividly evokes an English childhood and pays tribute to a generation who lived through the two World Wars.

An "unleashed love song" to her late grandmother, Nickole Brown's collection brings her brassy, bawdy, tough-as-new-rope grandmother to life. With hair teased to Jesus, mile-long false eyelashes, and a white Cadillac Eldorado with atomic-red leather seats, Fanny is not your typical granny rocking in a chair. Instead, think of a character that looks a lot like Eva Gabor in Green Acres, but darkened with a shadow of Flannery O'Connor.

The Wild Revolve: Poems 2011-2013 explores the initial enthusiasm and sharp sense of melancholy that overcomes those who move to New York City. Themes of loneliness, yearning to escape, and uncertainty become more complex as wild nights dominate the lives of New York City's newcomers.

Sparks is the third collection of passionate, poignant poetry from much-loved Hull-based writer Norah Hanson. The fiery wit and hard-won wisdom that characterized her previous collections are here, intact, with a new level of clarity and purpose adding weight to the words, without losing the warmth, wonder, and laugh-out-loud observational skills that have won Norah an army of fans across the world.

Dean Bob and Lou Tweet can't wait to perform in the first-ever Bonefish Street Elementary School Pet Show. They've practiced their performances over and over again, and together with their pets, they're ready to shine! But it looks like their families, the Tweets, who are neat, and the Bobs, who are slobs, aren't going to make getting to the show easy. What will happen when the Tweets and Bobs have a showdown before the show? And what if all that fighting makes Dean Bob just a little nervous for his performance?

Mama set another place. Papa found an extra seat. Hannah squeezed to make more space, Thrilled to have a guest to greet. Uh-oh! As the sheep family Passover seder begins, more and more guests show up!

La prefazione illumina sulle intenzioni dell'autore e sul significato dell’opera: «Crescano e fioriscano intorno all’antica tomba della mia giovane madre myricae autunnali […] Mettano queste poesie i loro rosei calicetti intorno alla memoria di mia madre, di mia madre che fu così umile, e pur così forte, sebbene al dolore non sapesse resistere se non più di un anno. Io sento che a lei devo la mia abitudine contemplativa cioè, qual ch’ella sia, la mia attitudine poetica.

Il fanciullo musico comprende diverse poesie dalle raccolte "Myricae", "I Canti di Castelvecchio" e "Primi e nuovi poemetti". In "Myricae" Pascoli scrive poesie dedicate al fluire delle stagioni, alla fatica nella campagna e all'umile vita del contadino. Dietro i cicli della natura umanizzata, però, si celano pensieri universali e profondi. Ne "I Canti di Castelvecchio" il poeta prosegue il dialogo con la madre iniziato in "Myricae".

Ti voglio bene mamma è la prima antologia in audio di poesie e pensieri di grandi autori dedicata alla mamma. Proposta da Alfaudiobook...

Ci sono esistenze il cui percorso è illuminato interamente e costantemente da una figura-presenza-guida di insostituibile potenza, una sorta di energia vitale che sostiene lungo le tappe di un cammino non sempre facile o decisamente impervio.

On Bonefish Street live two very different families...the Bobs, who are messy, and the Tweets, who are neat. How can these two strange families get along in the same neighborhood? And are all the Tweets really neat and all the Bobs slobs?

New York Times best-selling author Mary Engelbreit presents The Bedtime Book. From endearing poems and snuggly stories to sweet blessings and precious prayers, each minute of The Bedtime Book features ways for you to lull your little one to sleep.

"BARBAR [Tavshedens objekt]" er en digtsamling om brutalitet. Amina Elmi skriver om at leve med en kappet forbindelse til sin families historie, ritualer, sprog og identitet. I sine digte forsøger hun at etablere en forbindelse til alt det tabte, men tavsheden står som et tomt centrum – alt det, der ikke kan siges, fordi der ikke findes et sprog for det, eller fordi det er for smertefuldt. Det er digte om tavshed som både nødvendighed og vold. Amina Elmi (f. 1994) bliver uddannet fra Forfatterskolen til sommer. "BARBAR [Tavshedens objekt]" er hendes debut.

Die Kindsmörderin ist ein Gedicht von Friedrich Schiller aus dem Jahre 1782. Es handelt von einer schönen jungen Frau, die ihr uneheliches Kind aus Sehnsucht tötet. Entstehung: Das Gedicht wurde in Schillers Anthologie auf das Jahre 1782 abgedruckt, zuvor wurde eines seiner Gedichte, Die Entzückung von Laura, von Gotthold Friedrich Stäudlin im Schwäbischen Musenalmanach auf das Jahr 1782 aufgezeigt. Schiller wollte Stäudlin die Rolle eines Repräsentanten der schwäbischen Poesie nicht kampflos überlassen und veröffentlichte deshalb seine eigene Anthologie.

Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work—with the care and wisdom of one who knows these roads.

We all create false mountains to climb. Gypsy Muse is a collection of free verse poetry chronicling that journey, and how we move beyond.

The poems in Riddim & Riddles throb with the heartbeat and drum beat of Jamaica. From the cool, majestic Blue Mountains to the hot, bloodied streets of Kingston it paints vivid and vibrant images of contemporary Jamaica. The poems in this collection move from urgent social insights about masculinity, the environment, and how the bony fingers of history reach into the present.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.