Family Poetry

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print. The prophet, Al Mustafa, has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition.

Adopting the methodology of the music charts, The Classic Fifty Poems presents the "top 50" poems of all time. Newly revised, and read by an ensemble of contemporary poets, The Classic Fifty Poems is a feast for poetry lovers.

From one of the most-viewed spoken word poets of all time, a poetry collection exploring themes of loneliness, anxiety, and longing, while also celebrating the gifts that come with being alone - the chance to live on your own terms, to learn to love yourself without any distractions, and to become your own biggest champion.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

Blythe Baird’s If My Body Could Speak is a celebration of girlhood and all of its struggles and triumphs. In poems that dig deep into sexuality, acceptance of the body, survival of trauma, and learning to love yourself in spite of everything telling you not to, Baird’s voice is a rich addition to her generation. Searing, soaring, and heartbreaking, If My Body Could Speak balances the softness of femininity with the sharpness that girls are forced to become.

In her legendary career, artist and activist Nikki Giovanni has established herself as a writer who can entertain and challenge, and a voice for social justice who can inform and inspire in times of national crisis. Controversial, revolutionary, ethereal, or illuminating, her poems about race, Black lives, violence, gender, and family move readers of all ages and backgrounds.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

Poetry for every listener. Bibliophile has three sections. Poems about family fill "The Tie that Binds." Poetry about art is the theme of "A Thousand Words." The book ends with a section of humorous poems, "Flights of Fancy."

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms.

Clint Smith’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult.

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

Chronicled in four parts, shifting restlessly between the author's childhood memories, the sudden disappearance of his brother, and the inevitable loss of his ailing mother, Late to the Search Party explores what it means to be a family of one—to be orphaned, whether by fate or by circumstance. In language that is both grounded and ethereal, Dawson tallies the losses and looks at what remains: the frustration and anger, the bewilderment and sadness—and the affection and humor that makes itself felt in spite of everything.

In the spirit of his New York Times best seller Love Poems for Married People and Love Poems for People with Children, as well as his wildly popular New Yorker pieces, Thurber Prize-winner John Kenney presents a hilarious new collection of poetry for anxious people.

Growing up with a mother suffering from paranoid schizophrenia and a mostly absent father, Nikki Grimes found herself terrorized by babysitters, shunted from foster family to foster family, and preyed upon by those she trusted. At the age of six, she poured her pain onto a piece of paper late one night - and discovered the magic and impact of writing. For many years, Nikki's notebooks were her most enduing companions. In this accessible and inspiring memoir, Nikki shows how the power of those words helped her conquer the hazards - ordinary and extraordinary - of her life.

Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the '60s to psychedelic spirituality and beyond. Written over several decades, these poems sound like a collage, each piece distinct and contributing to a cohesive lyric narrative.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.

This anthology of twenty poems was Yeats's first major collection after he received the Nobel Prize for literature in 1923.

From brave and bold to creative and clever, Emily Winfield Martin's rhythmic rhyme expresses all the loving things that parents think of when they look at their children.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.