Family Poetry

This anthology of twenty poems was Yeats's first major collection after he received the Nobel Prize for literature in 1923.

The first collection of poetry from Bunmi Laditan, best-selling author of Confessions of a Domestic Failure and creator of The Honest Toddler, capturing the honesty, rawness, sheer joy, and total madness of motherhood. With the compassion and wit that have made her a social media sensation among mothers around the world, Bunmi Laditan puts into evocative and relatable words what so many of us feel but can’t quite express.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

The poems in Riddim & Riddles throb with the heartbeat and drum beat of Jamaica. From the cool, majestic Blue Mountains to the hot, bloodied streets of Kingston it paints vivid and vibrant images of contemporary Jamaica. The poems in this collection move from urgent social insights about masculinity, the environment, and how the bony fingers of history reach into the present.

A girl discovers a connection between her home in the Philippines and her new home in the U.S. through a special garden in this middle grade novel that celebrates nourishment and growth. Twelve-year-old Isabel is the new kid in her San Francisco middle school. It’s the first time in many years that she’ll be living with her mother again. Mama's job in the US allowed Isabel and her grandparents to live more comfortably in the Philippines, but now Isabel doesn't really know her own mother anymore.

Tears For My Father: Outlaw Thoughts & Poems explores not only Madsen's remarkable life and experiences in and out of Hollywood, but also his familial influences that have participated in crafting and shaping him, including thoughts on his father; his mother and the rumor that he was born without a left hand; ghosts, whiskey, and payback; Robert Mitchum, James Cagney, and "sensitive sons of bitches"; the mentality of actors and growing up to be a man; his first audition; drunken behavior; epic drinkers; and much, much more.

What is Autism? is a collection of poems that explains what Autism is as well as other things associated with it. The book takes a lot of information and condenses and simplifies it making it easier for people to understand. You can use this book to help with autism training.

Bestselling author and mom blogger Bunmi Laditan vulnerably shares the prayers she's prayed for her children as inspiration for your own prayer life. Refreshingly relatable, bravely honest, and deeply heartwarming, Help Me, God, I'm a Parent meets you right where you're at and gives voice to the thoughts everyone--even you--has about parenthood that they are afraid to say out loud.

「上野さんはなぜ、男に絶望せずにいられるのですか？」「しょせん男なんてと言う気はありません」。女の新しい道を作った稀代のフェミニストと、その道で女の自由を満喫した気鋭の作家。

This collection of pieces that I have written is, in my opinion, some of my best writing thus far in my short endeavor into being an author. They are poems and quotes about relationships that I have had over my lifetime, and though most I will never see or hear from again, they still are and will always be very much alive in my ink and memories. With that being said, there are always those that stand out in my heart, mind, and soul more than all the others and today are a very big part of my life in one way or another.

Am I My Mother's Child is a poem about a daughter questioning her maternal lineage while experiencing cruelty from mother.

A little over a year of living with bipolar type one. I ended a year off of medications deeply in love and with a stay in jail for joy-riding and fleeing and eluding. My family suffered, my friends suffered, and I suffered. This is a journal starting after my stay in jail. I respond to the journal entries all the following year, surprised mostly by the degree of my mental illness. This is not a self-help audiobook, and I struggle most of the time, not really coming up with many good solutions to my issues. Nothing about the past couple years has been easy.

A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on.

In What Lies Within by CBA best-selling author Karen Ball, something is missing from the life of the successful owner of Justice Construction Co. But Kyla Justice doesn’t realize what it is until she begins building a center for inner-city kids. She’s now undeterred by supply problems or gang opposition. She won’t be stopped by her boyfriend’s suggestion to sell her businessand marry him. And she certainly won’t be sidetracked by that disagreeable Rafael Murphy.

It is May 1634 when Jonathan and Elizabeth Pratt arrive in the Massachusetts Bay Colony from England. They are unaware of the beauty and dangers that they will encounter in this wilderness as they embark on their journey of faith.

In the collection of prose and poetry Letter to My Wife & Other Tales, his sequel to the successful The Time of Our Lives: Memories and Fantasies of a Blissful Nonagenarian, 96-year-old Elliot Schubert etches incisive portraits of the family members, friends and colleagues. These are the stories of those who helped shape his extraordinary journey through the 20th and 21st centuries as an athlete, Naval officer, scholar, scientist, writer, husband, and father.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered – a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.