Fantasy Adaptation

Lt. Wayson Harris is one of thousands of clones born and bred to be the ultimate soldiers. But unlike the others, Harris is an outlawed model - one with independent thoughts and an addiction to violence. Presumed dead after his troops were massacred, Harris - who blames the U.A. for the slaughter - has gone AWOL as a bounty hunter. Still, it’s hard for a clone to overcome his conditioning, and Harris finds himself drawn back into the U.A.'s service by his mentor and creator, Fleet Admiral Bryce Klyber.

Sabrina and Daphne Grimm, along with their friends and allies from Ferryport Landing, engage in a climactic battle with the fearsome Mirror. With the future of the Grimms and all the Everafters hanging in the balance, the sisters make a fateful choice to join forces with the members of the Scarlet Hand to defeat Mirror and end this conflict once and for all.

The ancient races, the Vadhagh and the Nhadragh, are dying. By creating Mankind, the universe has condemned Earth to a pestilence of destruction and fear. Prince Corum is the last remaining Vadhagh. He sets out on a crusade of vengeance against the forces that slaughtered his family and his race, to challenge the unjust power of the puppet masters of Man: the Lords of Chaos. Along the way he will barter with his soul for the limbs of gods to repair his mutilated body and will encounter a member of the very race who caused the mutilation, the irresistible Rhalina....

Private first-class Wayson Harris was raised in a U.A. orphanage among thousands of clones born and bred as the ultimate soldiers. But Harris isn't like the other Marines: He has a mind of his own. He figures he's paying for that independent streak when his first assignment out of boot camp is the smallest Marine outpost in the whole U.A. When a rogue general surfaces, the remote desert world Harris thought was a dead-end posting becomes anything but. Fighting off the general's raid gains Harris a promotion. But it also brings him to the attention of some unfriendly U.A. leaders.

The Krakau came to Earth in the year 2104. By 2105, humanity had been reduced to shambling, feral monsters. In the Krakau’s defense, it was an accident, and a century later, they did come back and try to fix us. Sort of. It’s been four months since Marion “Mops” Adamopoulos learned the truth of that accident. Four months since she and her team of hygiene and sanitation specialists stole the EMCS Pufferfish and stopped a bioterrorism attack against the Krakau homeworld. Four months since she set out to find proof of what really happened on Earth all those years ago.

The sun is setting on humanity. The night now belongs to voracious demons that prey upon a dwindling population forced to cower behind half-forgotten symbols of power. Legends tell of a Deliverer: a general who once bound all mankind into a single force that defeated the demons. But is the return of the Deliverer just another myth? Perhaps not. Out of the desert rides Ahmann Jardir, who has forged the desert tribes into a demon-killing army. He has proclaimed himself Shar’Dama Ka, the Deliverer and he carries ancient weapons - a spear and a crown - that give credence to his claim.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

Struggling actress Esther Diamond, whose year got off to a rough start (what with incarceration, unemployment, and mystical death curses), finally catches a break when she lands an acting job. She's hired to reprise her guest role as prostitute Jilly C-Note on The Dirty Thirty, a TV crime drama about depravity and corruption in the New York Police Department. Esther's ex-sometime boyfriend, NYPD's Detective Connor Lopez, hates that show with undying passion - especially after Esther convinces her narcissistic co-star to shadow Lopez on the job....

The Spear of Lugh, one of the four Kingly Hallows of Ireland is in Chicago. And everyone, everyone wants it, for it is said that he who carries the spear into battle cannot be defeated. Among those who seek it are an agent of the infamous Wild Hunt; a mobster who knows far more about these things than he should; and of course both the Seelie and Unseelie Courts - the last people PI Mick Oberon would want getting hold of the spear....

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. The FBI wants me on their team. Bad enough that they are dangling bait they know I can't resist. The catch? It’s on the other side of the ocean. And if I want what they’re offering, I have to help them with a salvage gone terribly, terribly wrong. But this time, I have no back up. I have no Plan B. And I have no O’Shea.

Young Lerris yearns to find a place in the world better suited to his skills and temperament. In Recluce this means taking one of two options: permanent exile from Recluce or the dangergeld, a complex, rule-laden wanderjahr in the lands beyond. Many do not survive. Lerris chooses dangergeld. Lerris will need magic in the lands beyond, where the power of the Chaos Wizards reigns unchecked, and he must learn to use his powers in an orderly way before his wanderjahr, or fall prey to Chaos.

Everything you know about vampires is wrong, as struggling actress Esther Diamond discovers after taking a job as a victim in The Vampyre, an off-Broadway cult hit in Manhattan. Not only is she besieged by fang-wearing vampire groupies, fanatical anti-vampire activists, and the bloodsucking paparazzi, but she also has to put up with broody lead actor Daemon Ravel, who claims to be a real vampire. But when one of Daemon's fan girls turns up dead - and drained of all her blood - Esther is determined to help.

While working as a singing waitress in Little Italy, struggling actress Esther Diamond witnesses a mob hit. And right before getting whacked out, the victim tells her that he just saw his own doppio - a perfect double and a notorious portent of death. Before long, more döppelgangers start haunting New York’s mobsters, who are subsequently getting bumped off in mysterious ways. Meanwhile, Esther’s new love-interest, Detective Connor Lopez, gets transferred to the NYPD’s organized crime unit and is assigned to investigate these hits.

Sister murdered, best friend dead, married to the patron saint of death, Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the death goddess is changing his powers, changing him. While searching for a way to break Santa Muerte's hold over him, Carter finds himself the target of a psychopath who can steal anyone's form, powers, and memories. He can be anyone. He can be anywhere.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

After his son gives him a pair of "X-ray" glasses as a gift, Martin Blackstone tries them on just for the hell of it - and all they do is give him a headache...until he sees things he can’t possibly be seeing. Glimpses of things on the other side of a wall or beneath someone’s clothing. He wants to believe it’s just his overactive imagination, but the “X-ray” specs actually work.

Vampires don't exist, do they? That is a question Private Detective Tony Mandolin finds himself pondering as the evidence piles up in a case involving a string of dead redheads and the usual dose of weirdness San Francisco has to offer. To complicate things, Mandolin has to deal with the perception that he has become the latest golden boy of the fog city's crime boss. Then there's his cross-dressing friend Frankie.... Just another day in San Francisco.

Acting jobs don't grow on fire escapes, so struggling actress Esther Diamond is outraged when her guest role as a hooker on controversial TV drama The Dirty Thirty is jeopardized by zombies, angry spirits, and a voodoo curse. Meanwhile, the talented teens Esther is coaching at a Harlem cultural center are also being attacked by the sinister supernatural power that's spreading through Manhattan.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

She calls herself Calexa Rose Dunhill - names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead. She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead - and because she can see spirits, they can’t hide from her. Then one night, Calexa spies a group of teenagers vandalizing a grave - and watches in horror as they commit murder.