Fantasy Realism

Happily Ever After College has been churning out fairy godmothers for centuries. But their outdated curriculum can’t keep up with the modern world. They need something edgy. Something new - something to keep true love alive. They need Paris Beaufont. However, this fairy loses her lunch if she watches a romantic comedy. Love songs give her hives. She punched the last guy who tried to flirt with her. Needless to say, Paris Beaufont isn’t the romantic type. But, she’s going to have to learn how to create budding love for others, or she’s going to jail.

Outlander meets Dan Brown Das Zeitreisen ist für sie nur ein Job. Bis er auftaucht ... Mitch lebt in Rom und arbeitet für das ITR, das Institute of Timetravel and Research des Vatikans – ein gefährlicher und schlecht bezahlter Job ohne Karriereaussichten. Aber hey, nur noch fünf Zeitreisen, bis sie sich mit einer fetten Abfindung zurückziehen und endlich ihr eigenes Café aufmachen kann. Doch dann bekommt sie einen neuen Partner – ein Typ, der sich um Vorschriften und Zeitreisegesetze so wenig schert wie um den berühmten Sack Reis in China.

Beck and Vivian never could stand each other, but they always tried their best for their mutual friend, Cassie. After the town moves on from Cassie’s murder too fast, Beck and Vivian finally find common ground: vengeance. They memorialize Cassie by secretly painting murals of her around town, a message to the world that Cassie won’t be forgotten. But Beck and Vivian are keeping secrets, like the third passenger riding in Beck’s VW bus with them - Cassie’s ghost.

Bay Winchester is at a crossroads in her life. Her powers are growing, her personal life is settled, and there’s a young witch in crisis under her care. Things are...difficult. Bay has no idea what to do. She needs to keep her teenage protégé hidden while uncovering a deadly story of an affair gone wrong and greed run amok. All the while she wonders what will happen if she can’t turn things around for her new teenage responsibility. What will she have to do to protect the people that she loves?

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

Benson and Jensen treat a number of crucial ways in which anti-realism—popularly known as social constructivism—pervades and ultimately corrodes American culture, everything from soccer to more serious matters such as scientific objectivity and moral realism. Establishment elites in academia, the judiciary, and the media increasingly determine the acceptability of various kinds of political and social views, moral beliefs, even the language we use.

In River City, where magic used to thrive and is now fading, the witches who once ruled the city along with their powerful King have become all but obsolete. The city's crumbling government is now controlled primarily by the new university and teaching hospital, which has grown to take over half of the city. Moving between the decaying Old City and the ruthless New, four young queer people struggle with the daily hazards of life—work, school, dodging cops—not realizing that they have been selected to play in an age-old drama that revives the flow of magic through their world.

It all starts on the morning the letter D disappears from language. First, it vanishes from Dhikilo’s parents’ conversation at breakfast, then from the road signs outside and from her school dinners. Soon the local dentist and the neighbor’s dalmatian are missing, and even the Donkey Derby has been called off. Though she doesn’t know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins.

For god-like creatures named Mejuarian living on planet Ercutis, their world was near perfect. Mejuarian, a cross between an animal and godly beings, have a splendorous village where everyone gets along. They live in a hierarchical society, and everyone loves their king and queen. A near utopian life that allows all Mejuarian to rise to their most extraordinary levels of consciousness. That is until they discover using systems much like our own, an asteroid is on course to decimate their village and erase their long history.

Air spirits carry the wind, nymphs and dryads supervise the trees and animals, and great stone creatures turn the world on its axis. The World of Order, our world, operates by the hard work and dedication of fairies and other mythical creatures working behind the scenes. Among them, a young elf woman named Kyla Nim leaves home for Equinox to seek her own role. This proves more challenging than expected, and she struggles to find her strengths until she falls into the wrong end of a plot by Erebus, the god of darkness, to rid the world of light.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

The Alehouse at the End of the World is an epic comedy set in the 16th century, where bawdy Shakespearean love triangles play out with shapeshifting avian demigods and a fertility goddess, drunken revelry, bio-dynamic gardening, and a narcissistic, bullying crow, who may have colluded with a foreign power.

A wonderful book for all ages that like magical adventures sailing the high seas with witches and wizards and mythical creatures as shipmates! A dramatic dystopian fantasy about a living ship who escapes a locked down quarantined port during the black plague to make her way to a great ship graveyard far north where she will transition to a different spiritual plane. The problem is, the whole world wants her dying timbers, and it seems they will stop at nothing to get them, dead or alive!

Battling a wolf to save a little girl’s life makes Argus Brock a local hero. But what the small town of Redstone doesn’t know is that the tough teenager is a secretly a werewolf, which means the wolf Argus bit during the fight is now a werewolf, too. But unlike Argus and his wolf pack siblings, this wolf man is far from tame.

Inscrita en la tradición del realismo mágico, Cuando llegues al otro lado es una poderosa narración que recorre y traspasa las fronteras entre la realidad y lo sobrenatural, entre el origen y el destino. Una novela emocionante de caminos cruzados que revela cuán profundas son las raíces que nos habitan.

Alex finds herself on the shore of a distant place - a world unfamiliar. A world of fantasy and magic. A world that is a game. NPCs and players all insist she is an NPC, a part of the world. A part of the code of the game. A part of the fantasy to entertain the players. She rejects the idea, for her memories can't just be lies. Could they? Alex sets out to establish herself in the sandbox fantasy world, to find her identity, and to weather the storm between the coming players and the inhabitants of the new world.

Caleb Marshal was born with a pair of antlers, and despite having an abundance of magic, can't use any of it - thanks to a curse. Since he's majoring in magical theory at college, this is a bit of a problem. Breaking his curse, however, throws him into danger. Caleb must deal with his new powers, supernatural threats, and an ever more complicated love life. All while trying to balance a job and maintain his GPA!

Magpie Lewis started writing in her yellow notebook the day her family self-destructed. That was the night Eryn, Magpie's sister, skipped town and left her to fend for herself. That was the night of Brandon Phipp's party. Now, Magpie is called a slut whenever she walks down the hallways of her high school, her former best friend won't speak to her, and she spends her lunch period with a group of misfits who've all been socially exiled like she has. And so, feeling trapped and forgotten, Magpie retreats to her notebook, dreaming up a place called Near.

Lauren Pailing is born in the '60s, and a child of the '70s. She is 13 years old the first time she dies. Lauren Pailing is a teenager in the '80s, becomes a Londoner in the '90s. And each time she dies, new lives begin for the people who loved her - while Lauren enters a brand new life, too. But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him. And so it is that every ending is also a beginning. And so it is that, with each new beginning, Peter Stanning inches closer to finally being found....

La casa de Piranesi no es un edificio cualquiera: sus habitaciones son monumentales, con paredes llenas de miles de estatuas, y sus pasillos, interminables. Dentro del dédalo de corredores hay un océano aprisionado en el que las olas retumban y las mareas inundan los aposentos.