Farm Memoir

Sam Vincent is a twenty-something writer in the inner suburbs, scrabbling to make ends meet, when he gets a call from his mother: his father has stuck his hand in a woodchipper, but ‘not to worry–it wasn’t like that scene in Fargo or anything’. When Sam returns to the family farm to help out, his life takes a new and unexpected direction.

The philosophy found in this work is the product of a childhood on a tobacco and cattle farm in central Kentucky, education at various schools, and a three-decade career in the US Navy while simultaneously contributing as a husband, father, and grandfather. The remainder of this book will be separated into phases reflective of the major changes in my life: the farm, schooling, and a navy career continuum from junior officer through flag officer. The lessons learned in earlier phases were often exported and applied later.

In Laughing at Myself: My Education in Congress, on the Farm, and at the Movies, Dan Glickman tells his story of a classical family background, religious heritage, and "Midwestern-nice" roots, and how it led to a long and successful career in public service. Dan has successfully navigated the worlds of congressional politics, cabinet-level administration, and the entertainment industry and offers listeners the many tricks of the trade he has learned over the years.

In 1985, the shocking murder of a family of five in a quiet country house in Essex rocked the nation. The victims were Nevill and June Bamber; their adopted daughter Sheila Caffell, divorced from her husband Colin; and Sheila and Colin's twin sons, Nicholas and Daniel. Only one survivor remained: the Bambers' other adopted child, Jeremy Bamber. Following his lead, the police - and later the press - blamed the murders on Sheila, who, so the story went, then committed suicide.

This sequel to If You Leave This Farm chronicles the life adventures of this young Mennonite lady who, after choosing to walk away from her fathers farm at age 29, is now free to make her own choices as an adult. Amanda shares the joy of discovering the world away from the farm, of falling in love, and about her decision to eventually leave the Mennonite church. But that freedom and joy is tainted by the continuing intertwined and overpowering conflicts that result from unspoken and unresolved expectations in her family of origin.