Fashion Art

How we dress today looks a lot different than it did in the past. From clothing as a status symbol to the invention of denim and rise of blue jeans, the history of fashion includes some unusual, amazing, and fascinating facts. Learn more about how people throughout history have used fashion to survive and thrive in everyday life.

Kimberly Chrisman-Campbell's Skirts looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn—and the women who wore them. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.

Hollywood stars have always furthered fashion's cause of seducing the masses into buying designers' clothes by acting as living billboards. Now, red carpet celebrities are no longer content to just advertise and are putting their names on labels that reflect the image they - or their stylists - created.

Racial identity, pop culture, and delusions of perfection collide in an eye-opening and refreshingly frank memoir by fashion and beauty insider Danielle Prescod.

Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.

What we wear matters. It matters because looking and therefore feeling like yourself is essential. Clothes can make the difference between a good day and a bad day. Clothes have the power to make your mood ten times worse or one hundred times better.

Brimming with rich, electrifying tales of the precious dye and its ancient heritage, Indigo is also the story of a personal quest: Catherine McKinley is the descendant of a clan of Scots who wore indigo tartan; Jewish "rag traders"; a Massachusetts textile factory owner; and African slaves - her ancestors were traded along the same Saharan routes as indigo, where a length of blue cotton could purchase human life.

Have you ever wished you could charge your phone using only your shirt? Or have you wished you had self-cleaning clothes? These concepts might just be possible one day thanks to science! Learn how clothing designers are inventing new and enhanced fabrics to create clothes that solve problems. Can you imagine future fashion?

La moda è uno strano incantesimo: ogni volta che ci vestiamo trasformiamo una qualunque forma o un qualunque colore del mondo che ci circonda nella nostra stessa pelle. È questa strana magia che fa di essa assieme l’arte più potente e più metafisica. Per parlarne è quindi necessario far coincidere la creazione e la filosofia. È quello che fanno Alessandro Michele ed Emanuele Coccia in questo trattato senza pari sull’alchimia delle forme della vita di tutte e tutti noi.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style offers clues about everything from class to which in-group we belong to. Bad Feminist for fashion, Dress Code takes aim at the institutions within the fashion industry while reminding us of the importance of dress and what it means for self-presentation. Everything—from societal changes to the progress (or lack thereof) of women’s rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group—can be tracked through clothing.

Long before Tameka Foster Raymond was known for her high-profile marriage and drama-fueled divorce, she lived a vibrant life as a self-made success in the fashion world, curating the wardrobes and images of many of today’s award-winning entertainers. In this honest, sincere, witty, and at times gut-wrenching memoir, Tameka opens up about her childhood influences, coming of age in Oakland, and losing her first love without losing her decorum, dignity, or her ability to dream.

Considered "the world's most popular cult novelist" (The Guardian), Haruki Murakami has written books that have galvanized millions around the world. Many of his fans know about his 10,000-vinyl-record collection, and his obsession with running, but few have heard about a more intimate, and perhaps more unique, passion: his T-shirt-collecting habit.

Second Chances is a unique guide to a one-of-a-kind, circular wardrobe. Eleni’s superpower is sniffing out great finds and here she walks you through the art of in-person discovery at thrift stores and vintage shops, estate sales and flea markets, yard sales and antique stores—and online resale platforms. This book will teach you how to organize your existing wardrobe, evaluate pieces you find, and manifest your dream closet.

Dressed For War: The Story of Audrey Withers, Vogue Editor Extraordinaire from the Blitz to the Swinging Sixties is the untold story of our most iconic fashion magazine in its most formative years, in the Second World War. It was an era when wartime exigencies gave its editor, Audrey Withers, the chance to forge an identity for it that went far beyond stylish clothes.

Far from worrying about the onset of war, in the spring of 1938 the burning question on the French Riviera was whether one should curtsy to the Duchess of Windsor. Few of those who had settled there thought much about what was going on in the rest of Europe. It was a golden, glamorous life, far removed from politics or conflict.

In this ambitious global project, 200 women share their inspiring stories of success and courage, love and pain, redemption and generosity. This updated, abridged edition includes powerful new interviews and stirring quotes alongside selections from the original book, all answering the same five questions. This new edition is an illuminating audiobook for the modern woman and a lovely gift for mothers, sisters, daughters, and friends.

¿Un genio empresarial? ¿Un visionario? ¿Un trabajador infatigable y apasionado? Todo esto y mucho más parece ser Amancio Ortega, el hombre que creó el imperio Zara y que por primera vez habla en un libro acerca de su vida y de su empresa. Covadonga O' Shea, periodista y presidenta del Instituto Superior de Empresa y Moda (ISEM), conoce a Ortega desde el año 1990, cuando visitó por primera vez las instalaciones de Inditex en Arteixo.

Part memoir, part manifesto, NFTs Are a Scam is the story of Bobby Hundreds’s journey into NFTs, Web3, and the Metaverse from 2020 to 2022. Hundreds’s first memoir, This is Not a T-Shirt, told his streetwear brand’s story of community, commerce, and style. Now, he wants to tell the story of when a community itself builds the brand. In NFTs Are a Scam, Hundreds’s shares his thoughts and philosophy around a decentralized digital revolution. Are NFTs a cult or a religion? And who do their followers pray to?

From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun—yet it is also far from frivolous.