Fashion Biography

With his trademark wit, humor, and radical compassion, Tan shares his journey and the lessons he’s learned along the way about being a successful businessman, a devoted spouse, and self-acceptance. From navigating the gay community; to finding the love of his life; to creating a popular ladies’ clothing lines for Kingdom & State and Rachel Parcell, Inc.; to joining Antoni Porowski, Karamo Brown, Bobby Berk, and Jonathan Van Ness on Queer Eye as positive, representative celebrity role models for LGBTQ people; Tan followed his own path to develop his signature style and embrace life.

With $1,500 and no business experience, Mel and Patricia Ziegler turned a wild idea into a company that would become the international retail colossus Banana Republic. Reimagining military surplus as safari and expedition wear, the former journalist and artist created a world that captured the zeitgeist for a generation and spoke to the creativity, adventure, and independence in everyone.

In February 2019, the world lost one of its most enduring cultural icons, Karl Lagerfeld, the creative director for the storied House of Chanel for thirty-five years. Larger than life, Lagerfeld was legendary not only for reinventing Chanel; and creating constant fashion excitement at Chloé, Fendi, and his eponymous brand; but also for his vivid personal style, including his signature uniform of dark sunglasses and a powdered white ponytail. And then there was his utter devotion to his cat, Choupette.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

American Dreamer brims with anecdotes that cover Tommy's years as a club kid and scrappy entrepreneur in 1970s New York as well as unique insights into the exclusive A-list personalities with whom he's collaborated and interacted, from Mick Jagger and David Bowie to Ralph Lauren and Calvin Klein. But this is more than just a fashion icon's memoir - it's a road map for building a brand, both professionally and personally.

Le dernier matin, Karl Lagerfeld est mort seulement accompagné de Sébastien, son bodyguard et homme de confiance avec qui il dînait en tête-à-tête presque chaque soir. Lors de la cérémonie funèbre, défilèrent Bernard Arnault et les frères Wertheimer, Caroline de Monaco et Inès de la Fressange, les premières des ateliers de couture Chanel et de jeunes mannequins. L’empereur de la mode avait exigé de disparaître en cendres, avec cette « panoplie » si reconnaissable – lunettes noires et catogan – qui servait de rempart à ses secrets. C’est seulement maintenant que les témoins parlent.

Found in a pillowcase, the fabulous long-lost memoirs of a legendary Hollywood designer - and a genuine Australian original. Orry-Kelly created magic onscreen, from Casablanca and The Maltese Falcon to Some Like It Hot. He won three Oscars for costume design. He dressed all the biggest stars, from Bette Davis to Marilyn Monroe. He was an Australian. Yet few know who Orry-Kelly really was - until now.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. Virgil Abloh’s appointment as head of menswear for Louis Vuitton in 2018 shocked the fashion industry, as he became the first Black designer to serve as artistic director in the brand’s 164-year history. But as Robin Givhan reveals, Abloh’s story encompasses so much more than his own journey.

Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style."

When Edward Enninful became the first Black editor-in-chief of British Vogue, few in the world of fashion wanted to confront how it failed to represent the world we live in. But Edward, a champion of inclusion throughout his life, rapidly changed that. Now, whether it’s putting first responders, octogenarians or civil rights activists on the cover of Vogue, or championing designers and photographers of colour, Edward Enninful has cemented his status as one of his world’s most important changemakers.

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness. Today, 128 years later, Vogue spans twenty-two countries, has an international print readership upwards of twelve million, and nets over sixty-seven million monthly online users. Uncontested market leader for a century, it is one of the most recognizable brands in the world and a multi-million dollar money-making machine.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

Far from worrying about the onset of war, in the spring of 1938 the burning question on the French Riviera was whether one should curtsy to the Duchess of Windsor. Few of those who had settled there thought much about what was going on in the rest of Europe. It was a golden, glamorous life, far removed from politics or conflict.

From her troubled childhood to her time as a young editor at Vogue to her partnership with cobbler Jimmy Choo to her very public relationships, Tamara Mellon offers a gripping account of the episodes that have made her who she is today. The result is a must listen for entrepreneurs, fashionistas, and anyone who loves a juicy true story about sex, drugs, money, power, high heels, and overcoming adversity.

Bevy Smith was living what seemed like a glamorous dream as a fashion advertising executive, blazing a lucrative career for herself in the whitewashed magazine world. She jetsetted to Europe for fashion shows, dined and danced at every hot spot, and enjoyed a mighty roster of lovers. So it came as quite a shock to Bevy when one day, after arriving at her luxury hotel in Milan, she collapsed on the Frette bedsheets and sobbed. Years of rolling with the in-crowd had taken its toll. Her satisfaction with work and life had hit rock bottom.

Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.

In the 1980s, Jill Dodd determines that her ticket out of an abusive home is to make it as a top model in Paris. Armed with only her desire for freedom and independence, she embarks on an epic journey that takes her to uncharted territory - the Parisian fashion industry, with all its beautiful glamour and its ugly underbelly of sex, drugs, and excess.

In seinem neuen Hörbuch erzählt Uwe Timm von seinen Lehrjahren als Kürschner im Hamburg der Fünfzigerjahre. Von kuriosen Erlebnissen im Beruf und der Welt der Mode, von besonderen Freundschaften und den Büchern, die sein Leben verändert haben. Hamburg 1955 – der noch 14-jährige Uwe wird von seinem Vater, dem Inhaber eines Pelzgeschäfts, in die Kürschnerlehre gegeben. Im Takt der Stechuhren lernt der junge Mann die kreative Präzision, die das heute fast ausgestorbene Handwerk erfordert, schult den Blick für das Material, die Kundinnen, die Tücken und Geheimnisse dieser Kunst.

Before Instagram was an art form, fashion photographers were pop culture royalty. From the postwar covers of Vogue until the triumph of the digital image, the fashion photographer sold not only clothes but ideals of beauty and fantasies of perfect lives. Even when they succumbed to temptation and excess, the very few photographers who rose to the top were artists above all.

Scouted by a modeling agent when she was just sixteen years old, Cameron Russell first approached her job with some reservations: She was a serious student with her sights set on college, not the runway. But modeling was a job that seemed to offer young women like herself unprecedented access to wealth, fame, and influence. Besides, as she was often reminded, “there are a million girls in line” who would eagerly replace her.