Fashion Culture

Comic book superheroines bend steel, travel across time and space, and wield awesome forces. These mighty females do everything that male superheroes do. But they have to work their wonders in skirts and high heels. The Supergirls asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman’s search for an identity, Batwoman and Power Girl’s battle for equality, and Manhunter’s juggling of a crime fighting career and motherhood also an alternative saga of modern American women?

'Look' er en bog om tøj, tekstiler og mode. Om at læse og blive læst, og om den transformative kraft, der findes i at klæde sig på, klæde sig ud og skabe et look. Om stoffet mellem os og resten af verden. I 'Look' podes tøj og læsning på hinanden; i en række tekster, som spænder fra essayistik til lyrisk prosa, undersøger Ida Holmegaard tøj som sprog og materiale. Det er en bog om tøjets roller i litteraturen, i at skabe og omskabe køn, i politiske protester, i magtforhold, i sex, kærlighed og på det prekære arbejdsmarked.

The Hats We Wear is a multiculural book for children, tweens/preteens, and adults. The sole purpose of this book is to educate people in a fun way and to spark the interest and share some history behind hats, headwear, head-dressings, scarves, and caps.

Sneaker Culture is Exploding! This book will challenge you to think critically about purpose, identity, materialism, and eternity. Sneakerheads own anywhere from 25-75 pairs and buy one to four pairs a month. Sneakers used to just be for sports but now they have become one of the biggest fashion items in the world.

Ophelia DeVore boldly overcame tragedy and hardship to become the first Black model in the United States of America. She possessed grace, finesse, intelligence, natural beauty, and courage. Being the first black graduate of the Vogue Modeling School, she eventually became a powerful business mogul, an exuberant entrepreneur, and a respected leader in her field. Her story is unique because she redefined "beauty" in America. Throughout her life, she sought to prove to the world beauty could be found in every shade of color.

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law.