Fiction Drama

One unbearable mistake at the edge of the forest. In a moment of crisis, Ellis Abbey leaves her daughter, Viola, unattended - for just a few minutes. But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well - into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

On the day before his twenty-first wedding anniversary, David Sullinger buried an ax in his wife’s skull. Now, eight jurors must retire to the deliberation room and decide whether David committed premeditated murder—or whether he was a battered spouse who killed his wife in self-defense.

The final series of GNR8 has landed - The project that brings actors from LAMDA, the number one rated drama school in the UK together with the most exciting, talented and diverse new audio writers and directors. Expect thrills, chills, gasps and laughs as we invite you to join us for a final hurrah…with GNR8 6. Drama written and performed by the hottest new talent. Listen to original audio plays starring LAMDA students and commissioned from some of the UK's most exciting emerging writers, including Anne Odeke ‘Princess Essex’ The Globe Theatre , and Kiran Benawra ‘Rage Room’ Channel 4.

London, 1976. In the thick of a record-breaking heatwave, Gretta Riordan's newly-retired husband has cleaned out his bank account and vanished. Now, for the first time in years, the three Riordan children are converging on their childhood home: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and an ugly secret that has driven a wedge between her and the little sister she once adored; and Aoife (pronounced EE-fah), the youngest, whose new life in Manhattan is elaborately arranged to conceal her illiteracy.

There is now no doubt that not only is Waiting for Godot the outstanding play of the 20th century, but it is also Samuel Beckett's masterpiece. Yet it is both a popular text to be studied at school and an enigma. The scene is a country road. There is a solitary tree. It is evening. Two tramp-like figures, Vladimir and Estragon, exchange words. Pull off boots. Munch a root vegetable. Two other curious characters enter. And a boy. Time passes. It is all strange yet familiar.

The double murder of a married couple in a small Washington town draws FBI forensic linguist Raisa Susanto into an investigation that mirrors a decades-old crime. Twenty-five years ago—to the day—Alex Parker murdered his parents, then took his own life, leaving behind a note admitting everything. Raisa, paired with forensic psychologist Callum Kilkenny, uses her skills to read between the lines. Especially now that paranoid postings on a conspiracy thread suggest that Alex was a victim himself.

It was a case that gripped the nation. In December 2003, Luke Ryder, the stepfather of acclaimed filmmaker Guy Howard (then aged 10), was found dead in the garden of their suburban family home. Luke Ryder’s murder has never been solved. Guy Howard’s mother and two half-sisters were in the house at the time of the murder—but all swear they saw nothing. Despite a high-profile police investigation and endless media attention, no suspect was ever charged.

Rabbit, Run is the book that established John Updike as one of the major American novelists of his - or any other - generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is 26 years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty - even, in a sense, human hard-heartedness, and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path.

When Annie Brown dies suddenly, her husband, her children, and her closest friend are left to find a way forward without the woman who has been the lynchpin of all their lives. Bill is overwhelmed without his beloved wife, and Annemarie wrestles with the bad habits her best friend had helped her overcome. And Ali, the eldest of Annie’s children, has to grow up overnight, to care for her younger brothers and even her father and to puzzle out for herself many of the mysteries of adult life. Over the course of the next year what saves them all is Annie.

So says Mona Dean—playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence.

Eighteen-year-old Janie White has the world and a bright future ahead of her. She’s about to leave behind her small seaside town, the only home she’s ever known, to embark on a book publishing career in London and couldn’t be more excited. Even though she’ll miss her dad and friends, she can’t wait to start her life. She’s cycling home after her last early-dawn swim in the bay when the peaceful stillness of that Tuesday morning is suddenly shattered. A white van careens around the corner and barrels straight for Janie on her bike.

'I need you to say that I was with you.' For 30 years, best friends Steph and Pip have been through thick and thin. There's nothing they would not do for one another. Until these simple words change everything. Steph, eternally solid and dependable, is begging her friend to lie to the police as she's desperately trying to conceal not one but two devastating secrets to protect her family. Pip, self-consigned to the role of scatty hot-head, is overwhelmed; she's normally the one asking for help in a crisis. It's a big ask. So what would you do?

Heaven Leigh Casteel may be the prettiest, smartest girl in the backwoods, but her cruel father and weary stepmother work her like a mule. For the sake of her brother Tom and the other little ones, Heaven clings to the hope that someday she can show the world they are worthy of love and respect. But when the children’s stepmother can’t take it anymore and abandons the family, Heaven’s father hatches a scheme that will alter her young life forever. Being sold to a strange couple is just the beginning....

Even a year removed from living in the bayou, Ruby still wonders at the splendor of her family’s New Orleans mansion. She rejoices in the love of the father she had never known, even as true happiness remains as elusive as swamp mist. Her stepmother sneers at her backwater upbringing, and while discovering she has a twin sister should be a cause for joy, Gisselle has greeted Ruby with nothing but a bitter heart.

Abe Winter and Ruth Warneke were never meant to be together—at least if you ask Ruth. Yet their catastrophic blind date in college evolved into a seventy-year marriage and a life on a farm on Bainbridge Island with their hens and beloved Labrador, Megs. Through the years, the Winters have fallen in and out of lockstep, and from their haunting losses and guarded secrets, a dependable partnership has been forged.

Single mom Robyn Caldwell needs a new plan for her future. She has always put her family first. Now, with her kids grown, she yearns for a change. But what can she do when her daughter has become the most demanding bride ever, her son won’t even consider college, her best friend is on the brink of marital disaster and her ex is making a monumentally bad decision that could ruin everything?

Germany, 1944. Taken from the camps to serve the Führer himself, Anke Hoff is assigned as midwife to one of Hitler’s inner circle. If she refuses, her family will die. Torn between her duty as a caregiver and her hatred for the Nazi regime, Anke is swept into a life unlike anything she’s ever known - and she discovers that many of those at the Berghof are just as trapped as she is. And soon, she’s falling for a man who will make her world more complicated still.

La pièce Les belles-sœurs de Michel Tremblay est née le 4 mars 1968 lors d'une lecture publique dans un minuscule théâtre de la métropole. Cinquante ans après sa création, le journaliste Mario Girard raconte l'histoire qui a entouré la naissance de cette oeuvre majeure de la dramaturgie québécoise. À partir de témoignages, de documents d'archives et de photographies, on découvre comment, un jour de 1965, l'idée est venue au jeune Tremblay d'écrire une pièce en joual rassemblant 15 femmes dans une cuisine autour d'un million de timbres-primes Gold Star.