Fiction Drama

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

Eighteen-year-old Brooke is the kind of friend who not only remembers everyone’s birthdays, but also organizes the group present, pays for it, and politely chases others for their share. She’s the helper, the doer, the maker-of spreadsheets. She’s the responsible one who always follows the rules—and she plans to keep it that way during her first year of college. Her student housing only has one rule: "no unnecessary drama." Which means no fights, tension, or romance between roommates. When one of them turns out to be Jesse, her high-school nemesis, Brooke is determined she can handle it.

After Zeus has learned that Prometheus stole his sovereign property, fire, and conveyed it to mankind, he orders Hephaistos, under the direction of Power and Force, to bind his adversary to an arduous crag of most difficult remoteness on the earth. As the Titan responds to this punishment, the reader is inspired with the fire of individual affirmation, devoted indomitably to life and liberty.

Katie’s divorce was, in a word, humiliating. So when her friend Bess offers a fresh start—a resident caretaking job at a nature preserve—Katie accepts. No matter that she’s not exactly a “nature person.” How hard can it be? But from day one, something feels off. Katie’s new farmhouse looks as if the last caretaker barely moved out at all. When a frantic, terrified woman arrives late at night, expecting a safe place to hide, it’s clear caretaking involves way more than Katie bargained for.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Five works in one collection. This audiobook of his treasured poetry collection walks you through a time when the American Experiment came to a new maturity; when the Transcendentalist Movement forever changed life and poetry.

A splash of the sea and the salt in the ocean air signals the beginning of the greatest whaling adventure of all time. This is literature's great voyage. The challenge of a man against the wonders of nature's ocean, of a man against his own weakness and strengths, and of a man against a demon, or perhaps his God, as he searches for his nemesis, the great white whale.

The multi-award-winning SmartPass study guide with and without commentary options. Full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. When characters have to ask "Are all the people mad?" you need a guide! Explore this topsy-turvy world to understand, enjoy, and analyse the language, imagery, and themes of Shakespeare's dark comedy.

On the night of a massive hurricane, three estranged siblings learn that their father is dying. For the first time in years, they convene at their childhood home in Upstate New York, where the storm has downed power lines, flooded houses, and destroyed the family's antique store. The Westfalls are no strangers to dysfunction. But never have their lives felt so out of control.

You're not to disturb, annoy or offend. They're walking on a knife edge out there, anything could tilt the balance.' Missing: one junior diplomat and 43 of the British Embassy's most confidential files. The timing is alarmingly significant: with neo-Nazi riots and radical student demonstrations, the threat to Germany's security is all too apparent. Britain's own Alan Turner is sent in, with instructions to tread carefully at all costs. But will he find the missing man and the files before the political situation erupts?

Meet Maggie Fortenberry, a still beautiful former Miss Alabama. To others, Maggie’s life seems practically perfect - she’s lovely, charming, and a successful real estate agent at Red Mountain Realty. Still, Maggie can’t help but wonder how she wound up in her present condition....

On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits girls for a mysterious duty in the capital, she seizes the opportunity to escape her impoverished village. It is only when Mei arrives at the Chairman’s opulent residence—a forbidden city unto itself—that she learns that the girls’ job is to dance with the Party elites. Ambitious and whip-smart, Mei beelines toward the Chairman.

Published together for the first time are three of Ayn Rand's compelling stage plays. The courtroom drama Night of January 16th, a 1935 Broadway success famous for leaving the verdict to the audience, is presented here in its definitive, final revised text - a superb dramatization of Rand's vision of human strengths and weaknesses.

Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young Italian star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers.

In the cosmopolitan Paris of the 1880s, the new proprietors of the Opera House are amused to discover that their costly acquisition is said to be haunted. But their smiles quickly vanish as tragedy follows misfortune: a murdered stagehand, a fatal accident, a missing girl. Fearful tales of the Opera Ghost race through the corridors and dressing rooms of the theatre. And with good reason - for deep in the catacombs beneath the Opera House, something is stirring.

Jocelyn Minton is a woman torn between two worlds. Her mother grew up attending private schools and afternoon teas, but she married the local handyman. After her mother died when Joce was only five years old, her father remarried into his own class, and Joce became an outsider - until she met Edilean Harcourt. Although she was sixty years Joce's senior, Miss Edi was a kindred soul who understood her like no one else ever had. When Miss Edi passes away, she leaves Joce all her worldly possessions, including an eighteenth-century house and a letter with clues to a mystery that began in 1941.

Glory Akindele returns to London from her seemingly glamorous life in LA to mourn the sudden death of her father, only to find her previously close family has fallen apart in her absence. Her brother, Victor, is in jail and won’t speak to her because she didn’t come home for his trial. Her older sister, Faith, once a busy career woman, appears to have lost her independence and ambition, and is instead channeling her energies into holding together a perfect suburban family.

Clara, una joven caída en desgracia, sufre de agorafobia desde que perdió a su padre de forma repentina. Gracias a su prodigiosa cocina logra acceder al ducado de Castamar como oficial, trastocando con su llegada el apático mundo de don Diego, el duque. Este, desde que perdió a su esposa en un accidente, vive aislado en su gran mansión rodeado del servicio. Clara descubrirá pronto que la calma que rodea la hacienda es el preludio de una tormenta devastadora cuyo centro será Castamar, su señor y ella misma.

Eighteen-year-old Brooke is the kind of friend who not only remembers everyone's birthdays, but also organizes the group present, pays for it, and politely chases others for their share. She's the helper, the doer, the guarder-of-drinks, the minder-of-bags, the maker-of-spreadsheets. She's the responsible one who always follows the rules—and she plans to keep it that way during her first year of university. Her new share house is rules-lite. But ‘no unnecessary drama' means no fights, tension, or romance between housemates.

Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. In Notes from the Field, she renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons.