Fiction Drama

Power, excess and betrayal are played out in these tragedies that continue to hold modern resonance. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

Savannah was four years old when her twin sister, Georgia, went missing from their small Louisiana town, fracturing their family. Twenty-eight years later, Savannah convinces her estranged older sisters, Rayanne and Sue Ellen, to honor the pact they made as children and retrieve the time capsule they buried in their old backyard. But coming home means confronting old ghosts…and their stubborn grandmother, Meemaw.

Katie’s divorce was, in a word, humiliating. So when her friend Bess offers a fresh start—a resident caretaking job at a nature preserve—Katie accepts. No matter that she’s not exactly a “nature person.” How hard can it be? But from day one, something feels off. Katie’s new farmhouse looks as if the last caretaker barely moved out at all. When a frantic, terrified woman arrives late at night, expecting a safe place to hide, it’s clear caretaking involves way more than Katie bargained for.

Big-city defense lawyer Dean Lincoln left his picturesque hometown of Beaufort years ago. But now, the lure of small-town life and a family matter have drawn him back. Amidst the sultry heat and the Spanish moss, and beneath the facade of Southern small-town charm, Lincoln begins work again and is immediately thrown into two cases: a rich kid charged with murder and a poor kid accused of arson. Both swear they are innocent. Both feel the system is trying to crush them. And in this corner of the South, guilt is rarely decided in the courtroom…

Isobel Johnson has spent her career in Liston Heights sidestepping the community’s high-powered families. But when she receives a threatening voicemail accusing her of anti-Americanism and a liberal agenda, she’s in the spotlight. Meanwhile, Julia Abbott, obsessed with the casting of the school’s winter musical, makes an error in judgment that has far-reaching consequences for her entire family.

Abandoned as an infant on the local veterinarian’s front porch, Pepper Rafferty was raised by two loving mothers, and now, at thirty-six is married to the stable, supportive Ike. She’s never told anyone that at fifteen she discovered the identity of her biological mother. That’s because her birth mother is Ula Frost, a reclusive painter famous for the outrageous claims that her portraits summon their subjects’ doppelgängers from parallel universes.

Christopher Marlow's play based on the Faust story of a man selling his soul to the devil, has fascinated and divided critics throughout the ages since its first performance in Elizabethan England. The central character's thirst for knowledge and power throws up essential questions of morality, life and death. Compulsive listening as this exceptionally brilliant play of verse and prose is finely executed by Frank Silvera and cast.

Jessica Darling is in her senior year of high school, and things can’t seem to get worse: Her best friend, Hope, still lives in another state, and the mysterious and oh-so-compelling Marcus Flutie continues to be a distraction she doesn’t need. Not to mention her parents won’t get off her back about choosing a college, and her older sister’s pregnancy is causing quite a bit of drama in the Darling household.

Tilla has spent her entire life trying to make her father love her. But every six months, he leaves their family and returns to his true home: the island of Jamaica. When Tilla’s mother tells her she’ll be spending the summer on the island, Tilla dreads the idea of seeing him again, but longs to discover what life in Jamaica has always held for him. In an unexpected turn of events, Tilla is forced to face the storm that unravels in her own life as she learns about the dark secrets that lie beyond the veil of paradise - all in the midst of an impending hurricane.

In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

Working late at night, Lucas, a middle manager in a large organization, meets a custodian named Ted. The two strike up a friendship as Ted teaches Lucas three vital questions with the power to transform the disillusionment he is experiencing at work. Listeners follow Lucas as he learns how to shift from feeling like a victim to acting as a creator in his career. With the wise guidance of Ted and Kasey, a senior manager, Lucas applies the three vital questions and begins transforming his workplace relationships, with exciting results.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

The internationally renowned star of Fiddler on the Roof brings the original stories of Tevye to life! Tevye personified the dreams not only of Russian Jews but of people everywhere when he sang "If I Were a Rich Man." Now hear the original stories of Tevye, as written by Sholem Aleichem (pen name of Sholem Rabinovich): "Today's Children," "Hodl," "Chava," and "Lekh-Lekho," the stories which were the basis for Fiddler, plus "Tevye Strikes It Rich" and "Tevye Blows a Small Fortune."

Lady Shonagon is an imperial courtesan, living at the court of the Japanese Emperor in the 10th century. When a series of disturbing thefts within the palace walls throws the court into confusion and unrest, Shonagon is appointed guide and assistant to Lieutenant Yukinari as he investigates. Together, Shonagon and Yukinari must solve the mysteries and escalating crimes that plague the Japanese court, and their romance blossoms in the tightly enclosed world behind the high palace walls. But soon Shonagon's lover, Tadanobu, becomes uncomfortable with how closely they are working together....

When this groundbreaking serialized dramatization premiered on 320 U.S. radio stations, critics were unanimous in their praise. It won numerous honors including the George Foster Peabody Award and the Pulitzer Prize for broadcasting. Never before or since has such an ambitious undertaking been attempted in public radio, and it was accomplished, not by a major network, but by a small nonprofit independent producer in Chicago. That was in 1981. It has been sitting on the shelf ever since.

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Benedict Cumberbatch plays the young, feisty, devastatingly acute Horace Rumpole in this collection of cracking cases, also starring Timothy West as the older Rumpole.

Lysistrata is an ancient Greek comedy by Aristophanes, which was originally performed in Athens in 411 BC. It is a comic account of a woman's extraordinary quest to terminate the Peloponnesian War between Greek city states, by advocating that the women deny all the men of the land any sex. At a meeting, Lysistrata persuades the women of the warring cities to withhold sexual privileges from their men. She has also persuaded the older women of Athens to seize the Acropolis.

Connie lost her words at the age of five, the day she witnessed her mother and father's untimely death. Since then she has been all but mute, only being able to choke out a few select words. Now, years on, Connie's husband is on his deathbed, and all she can do is quietly sit by his side. But there are so many dreadful secrets locked up in Connie's silent prison. And time is running out to set them free....

Three young men from different backgrounds have graduated from medical schools and have become surgical fellows at a leading teaching hospital in Boston. They learn to become surgeons, to communicate with patients and families, and to be observed and appraised by their peers and professors on daily rounds. And each month, each attends the meeting of the Mortality Conference, known to all as the Death Committee, which examines every patient loss for possible human error, in order to prevent it from happening again.