Fiction Memoir

Born to a violently dysfunctional home in working-class Denmark, Lisbeth Zornig Andersen and her three older brothers were bounced between foster care and state-run institutions, then back again to their chemically dependent mother and sadistic stepfather. For Lisbeth, it was a childhood without perimeters. It was blighted by poverty, sexual abuse, neglect, betrayal, and further victimization by the broken Danish social services system that forced Lisbeth to live where and how it saw fit.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep the child. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist and ended up in a hospital emergency ward where she nearly died. In Happening, Ernaux sifts through her memories and her journal entries dating from those days.

Queen Bees looks at the lives of six remarkable women who made careers out of being society hostesses, including Lady Astor, who went on to become the first female MP, and Mrs Greville, who cultivated relationships with Edward VII, as well as Lady Londonderry, Lady Cunard, Laura Corrigan and Lady Colefax. Told with wit, verve and heart, Queen Bees is the story of a form of societal revolution and the extraordinary women who helped it happen.

“I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” Jane Austen at her witty, observant, intelligent, and sympathetic best, in this collection of her letters written to family and friends. Compiled by her niece Fanny Knight’s son Edward Hugessen Knatchbull-Hugessen (the first Baron Brabourne), and edited by Sarah Chauncey Woolsey, this collection includes a preface written by the editor and notes from Lord Brabourne. It was originally published in 1892.

Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool, in 1969. He lived with them throughout their 1969 American tour, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway - a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom.

Samuel L. Jackson’s embodiment of cool isn’t just inspirational - it’s important. Bad Motherf--ker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson’s fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star.

Lake Ohrid and Lake Prespa. Two ancient lakes joined by underground rivers. Two lakes that seem to hold both the turbulent memories of the region's past and the secret of its enduring allure. Two lakes that have played a central role in Kapka Kassabova's maternal family. As she journeys to her grandmother's place of origin, Kassabova encounters a historic crossroads.

Chuck Klosterman IV consists of three parts:

THINGS THAT ARE TRUE
Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.

In the spring of 2000, Harper's magazine sent James McManus to Las Vegas to cover the World Series of Poker. But when McManus sets foot in town, the lure of the tables is too strong: he proceeds to risk his entire Harper's advance in a long-shot attempt to play in the tournament himself. Only with actual table experience (he tells his skeptical wife) can he capture the hair-raising subtleties of poker that determines the world champion.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.

À 105 ans, Woodrow Wilson Nickel sait qu’il sera le prochain à s’éteindre dans l’hôpital de vétérans où il vit. Mais il ne s’attendait pas à apprendre que les dernières girafes encore sur Terre risquent de disparaître avant lui. Car près de 90 ans plus tôt, le jeune Woody s’est lié d’amitié avec deux girafes rescapées, comme lui, du grand ouragan de Nouvelle-Angleterre de 1938. Ingénieux et sans attaches, il est devenu le chauffeur du convoi improvisé qui transporta ces surprenants mammifères à travers l’Amérique de la Grande Dépression jusqu’au zoo de San Diego en Californie.

In a frightening incident, Elsie's husband, Edward Travilla, narrowly survives an accidental shooting when friends tease son Edward, Jr. into firing a loaded pistol. The shot grazes Edward's head, and he survives with only minor damage. Soon life in the Travilla household returns to its calm routine.

Edwin Lefevre was a stockbroker and an independent investor, as well as a novelist and writer of short stories. This lightly fictionalized account of the career of stock speculator Jesse Livermore was first published in 1923. Now, nearly 100 years later, Reminiscences of a Stock Operator remains highly recommended for an understanding of investment. Lefevre’s trading advice and analyses of market price movements are as relevant today as in 1923.

Actor David Suchet recalls his experience of playing Agatha Christie's world-famous detective, Hercule Poirot, for almost a quarter of a century. In the summer of 2013 David Suchet filmed his final scenes as Hercule Poirot. After 24 years in the role, he will have played the character in every story that Agatha Christie wrote about him (bar one, deemed unfilmable) and he will bid adieu to a role and a character that have changed his life.

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

Alone in a museum in Paris, Gabriela Wiener confronts her complicated family heritage. She is visiting an exhibition of pre-Columbian artifacts, spoils of European colonialism, many stolen from her homeland of Peru. As she peers at countless sculptures of Indigenous faces, each resembling her own, she sees herself in them—but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener.

A haunted young girl (who happens to be a kung-fu expert and pathological liar) runs away from an oppressive city, where the sky is always grey, in search of love and sisterhood - and finds herself in a magical place known only as the Street of Miracles. There, she is quickly adopted into a vigilante gang of glamorous warrior femmes called the Lipstick Lacerators, whose mission is to scour the Street of violent men and avenge murdered trans women everywhere. Can our intrepid heroine find the truth within herself in order to protect her new family and heal her broken heart?

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

It is the spring of 1945, and in a dusty, remote community, the world’s most brilliant minds have come together in secret. Their mission: to split an atom and end a war. But among those who have come to Robert Oppenheimer’s "enchanted campus" of foreign-born scientists, baffled guards, and restless wives is a simple man in search of a killer. Michael Connolly has been sent to the middle of nowhere to investigate the murder of a security officer on the Manhattan Project.

A collection of Jackson's letters from prison, Soledad Brother is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life. Jackson's letters make palpable the intense feelings of anger and rebellion that filled Black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.