Fiction Memoir

The author writes with perfect pitch as she takes us through one woman's life - from childhood to marriage and beyond - and memorably captures the collision of youthful longing and the hard intransigencies of time and fate.

To the world, he was Dr. Sacks, the brilliant neurologist behind bestselling books like Musicophilia and The Man Who Mistook His Wife for a Hat. To professor Susan Barry, he became Dear Oliver—her mentor, friend, and confidant over the course of their ten-year correspondence.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

Née le 1er septembre 1940 à Lillebonne, en Seine-Maritime, Annie Ernaux a grandi à Yvetot, en Normandie, où ses parents tenaient un café-épicerie. Issue d'un milieu modeste, elle poursuit cependant des études supérieures et devient agrégée de lettres. Elle enseignera à Annecy, puis au Centre National d'Enseignement à Distance. Son premier roman, Les armoires vides (1974), met en scène Denise Lesur, sorte de double de l'auteur, héroïne confrontée à un avortement.

Bumblebee & Me takes you behind the scenes of the original Transformers television series for a first-hand look at the making of a classic. Experience the controlled chaos of the recording sessions, learn the secrets behind creating a character voice, get to know the members of the cast close up and personal. Chock full of stories, reminiscences, anecdotes and never-before-seen photographs, Bumblebee & Me is sure to satisfy even the most knowledgeable and discerning Transformers fan.

Based on years of archival research and interviews with the last surviving aides and Roosevelt family members, Nigel Hamilton offers a definitive account of FDR’s masterful - and underappreciated - command of the Allied war effort. Hamilton takes listeners inside FDR’s White House Oval Study - his personal command center - and into the meetings where he battled with Churchill about strategy and tactics and overrode the near mutinies of his own generals and secretary of war.

Published during a literary era marked by the ascendance of Black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

Julio Cortázar es considerado uno de los escritores más originales en lengua castellana. Cortázar no sólo participó en el llamado Boom latinoamericano sino que inauguró un campo dentro de la literatura fantástica, con discursos novedosos y formas poco exploradas en las letras iberoamericanas. En este ensayo se reconstruyen algunos de los momentos más significativos en la biografía de este gran escritor y se analizan sus principales obras.

An award-winning historian and author, Paul Hendrickson here turns his attention to one of America’s most cherished literary icons, Ernest Hemingway. Drawing on previously unpublished material, Hendrickson focuses on Hemingway’s life in its twilight, just prior to his suicide, and the seemingly singular constant in the man’s life: his boat, Pilar. On this vessel, Hemingway would entertain and travel, but it would also be the scene of some of his greatest tragedies.

In this intimate dual memoir, she and her daughter, Ann, offer distinct perspectives as a 50-something and a 20-something, each on a quest to redefine herself and to rediscover each other. Between 1998 and 2000, Sue and Ann travel throughout Greece and France. Sue, coming to grips with aging, caught in a creative vacuum, longing to reconnect with her grown daughter, struggles to enlarge a vision of swarming bees into a novel.

Having arrived at a certain age (her prime), Ann Leary casts a wry backward glance at a life spent trying—and often failing—to be nice. With wit and surprising candor, Leary recounts the bedlam of home bat invasions, an obsession with online personality tests, and the mortification of taking ballroom dance lessons with her actor husband. She describes hilarious red-carpet fiascos and other observations from the sidelines of fame, while also touching upon her more poignant struggles with alcoholism, her love for her family, her dogs, and so much more.

Three generations (grandmother, mother, son) of polar bears are famous as both circus performers and writers in East Germany. They are polar bears who move in human society, stars of the ring and of the literary world. In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a best-selling autobiography.

In the heart of Indianapolis in the mid-1960s, through a twist of fate and fortune, a pretty young girl came to live with a 37-year-old mother and her seven children. What began as a temporary childcare arrangement between Sylvia Likens's parents and Gertrude Baniszewski turned into a crime that would haunt cops, prosecutors, and a community for decades to come. When police found Sylvia's emaciated body, with a chilling message carved into her flesh, they knew that she had suffered tremendously before her death.

Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game". Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.

The late Dr. Michihiko Hachiya was director of the Hiroshima Communications Hospital when the world's first atomic bomb was dropped on the city. Though his responsibilities in the appalling chaos of a devastated city were awesome, he found time to record the story daily, with compassion and tenderness. Dr. Hachiya's compelling diary was originally published by the UNC Press in 1955, with the help of Dr. Warner Wells of the University of North Carolina at Chapel Hill.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

A radio broadcaster and journalist for Edward R. Murrow at CBS, William L. Shirer was new to the world of broadcast journalism when he began keeping a diary while on assignment in Europe during the 1930s. Shirer’s Berlin Diary, which is considered the first full record of what was happening in Germany during the rise of the Third Reich, appeared in 1941. Shirer returned to the European front in 1944 to cover the end of the war. End of a Berlin Diary chronicles this year-long study of Germany after Hitler.

Bata: shoemaker to the world is the story of the man, his family and their business. Eloquently told and rich in anecdotes, it traces the road from the Bata family's humble beginnings in a Moravian village to Tom's undisputed claim to the title of shoemaker to the world. His entrepreneurial upbringing, his fight for control of the family enterprise, his unique partnership with his wife and the way he went about implementing his business philosophy add up to one of the great success stories of the twentieth century.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Marc Séguin revoit le garçon, l’adolescent puis le jeune adulte qu’il a été. Tous grugés par une incessante inquiétude, ils reviennent hanter l’homme mûr, le peintre reconnu qu’il est devenu. Il y a un train qui siffle au loin, des fissures multiples, un ravin qui se creuse. Et les seins de la belle Arielle. Il y aura des morts. Une amitié malmenée. Et un amour empêché. Comment aimer et se laisser aimer quand on est coupé de ses sentiments? Comment réparer l’irréparable?