Fiction Realism

Cade Clarke spends his last night on Earth drinking with an old army buddy. When he decides to risk his life to defend a gorgeous bartender, he pays the ultimate price. Resurrected to Antinium, Cade finds himself thrown into a world where the very rules of reality have shifted. He chooses a unique class, customizes his soul weapon, and levels up to unlock vital skills, traits and attributes points in order to survive. Cade’s chances for success are minimal, until he finds his destiny intertwined with a group of sexy women.

One phone call, five words, and I’m back in the town I swore I’d never return to. Going home was never part of the plan, but when my dad calls because he needs help to solve a murder, I can’t say no. Running into the three men I thought I would spend my entire life with has me questioning why I ever picked up the phone.

There is the beautiful, elusive Elisabet who cuts a surprisingly svelte path at The Knitting Company. Neighbors Kristin and Kjartan who seem…normal, but for their explosive passion that bewilders even themselves (and ignites the spectacular revenge of Kjartan’s wife). And then the most successful businessman in town decides to ditch his Range Rover and glamorous wife in exchange for Latin books and stargazing.

There are three rules at this supernatural academy: Date your own kind. Mixing with other races is forbidden. Never speak or look at The Royals, the powerful princes destined to rule each of their kingdoms. Avoid the human world. Of course, I’ve already broken all the rules.

Ixtepec se ubica en la tierra caliente del corazón de México, en un sitio que es todos y es ninguno, pues se trata del pueblo imaginario en que Elena Garro ambientó su representación de los convulsos años posrevolucionarios de un México en el que la injusticia del despojo de tierras, el racismo y la violencia contra las mujeres eran, como lo son hoy, un asunto de todos los días. Fábula poderosa de las heridas históricas de un país y una época, Los recuerdos del porvenir está llamada a ocupar, finalmente, su sitio como un clásico indiscutible de la literatura hispanoamericana.

For fifty years, Venetia Hargreaves’s world revolved around her husband. She built their life around his big career, with dinner on the table at six, a lovely home, and a dutiful son just as business-minded as his father. Now Venetia’s a wealthy widow left with a beautiful but empty home, an enviable bank balance, and a distinct feeling that she missed the boat. Once upon a time, she was a dance instructor who dreamed of opening her own ballroom school with a fellow teacher who won her heart. Instead, Venetia chose the safer path.

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

Jon thought it was over...he was wrong. It was just the beginning. When he defeated the beast tide, he thought peace would come. But whatever he thinks never happens. The expansion he triggered attracted a much larger threat that he can't control.

Georgie McCool knows her marriage is in trouble. That it's been in trouble for a long time. She still loves her husband, Neal, and Neal still loves her, deeply-but that almost seems beside the point now. Maybe that was always beside the point. Two days before they're supposed to visit Neal's family in Omaha for Christmas, Georgie tells Neal that she can't go. She's a TV writer, and something's come up on her show; she has to stay in Los Angeles.

The first time Eby Pim saw Lost Lake, it was on a picture postcard. Just an old photo and a few words on a small square of heavy stock, but when she saw it, she knew she was seeing her future. That was half a lifetime ago. Now Lost Lake is about to slip into Eby’s past. Her husband, George, is long passed. Most of her demanding extended family are gone.

When Harlow Estrada is abruptly fired from her dream job and her boyfriend proves to be a jerk, her world turns upside down. She flees New York City to the one place she can always call home—the enchanted Hacienda Estrada. The Estrada family farm in Mexico houses an abundance of charmed flowers cultivated by Harlow’s mother, sisters, aunt, and cousins. By harnessing the magic in these flowers, they can heal hearts, erase memories, interpret dreams—but not Harlow.

The series takes place in a world similar to our own, but one where vampires, witches, werewolves, and shape-shifters live among humans without their knowledge. These supernatural races make up a secret society known as the Night World, which enforces two fundamental laws to prevent discovery: (1) Never allow humans to gain knowledge of the Night World's existence, and (2) Never fall in love with one of them.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

Paris, 1925: To enter the Secret Circus is to enter a world of wonder - a world where women weave illusions of magnificent beasts, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world until her fiancé disappears on their wedding day.

Érase una vez un pueblo donde las noches eran largas y la muerte contaba su propia historia. En el pueblo vivía una niña que quería leer, un hombre que tocaba el acordeón y un joven judío que escribía bellos cuentos para escapar del horror de la guerra. Al cabo de un tiempo, la niña se convirtió en una ladrona que robaba libros y regalaba palabras. Con estas palabras comienza una historia hermosa y cruel que ahora ya es una novela inolvidable.

Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.

Born to a wealthy Virginian family, privileged Jordan's got her life all planned out. Get her PhD, find the perfect Virginian man to marry, pop out a few more Kacys, and make her state senator father proud. If only Jordan could let the past rest. When your mother disappears without a trace, it carves a gash that bleeds a long time. Jordan has never given up hope that her mother is alive. So when Jordan's old nanny shows up with a mysterious locket containing a portrait of Jordan's mother, Jordan believes her hope was not in vain.

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.