Fiction Realism

“From exactly midnight until daybreak, the Namiya General Store advice box will be reopening for one night only.” When three delinquents hole up in an abandoned general store after their most recent robbery, to their great surprise, a letter drops through the mail slot in the store’s shutter. This seemingly simple request for advice sets the trio on a journey of discovery as, over the course of a single night, they step into the role of the kindhearted former shopkeeper who devoted his waning years to offering thoughtful counsel to his correspondents.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

Georgie McCool knows her marriage is in trouble. That it's been in trouble for a long time. She still loves her husband, Neal, and Neal still loves her, deeply-but that almost seems beside the point now. Maybe that was always beside the point. Two days before they're supposed to visit Neal's family in Omaha for Christmas, Georgie tells Neal that she can't go. She's a TV writer, and something's come up on her show; she has to stay in Los Angeles.

There are three rules at this supernatural academy: Date your own kind. Mixing with other races is forbidden. Never speak or look at The Royals, the powerful princes destined to rule each of their kingdoms. Avoid the human world. Of course, I’ve already broken all the rules.

Ixtepec se ubica en la tierra caliente del corazón de México, en un sitio que es todos y es ninguno, pues se trata del pueblo imaginario en que Elena Garro ambientó su representación de los convulsos años posrevolucionarios de un México en el que la injusticia del despojo de tierras, el racismo y la violencia contra las mujeres eran, como lo son hoy, un asunto de todos los días. Fábula poderosa de las heridas históricas de un país y una época, Los recuerdos del porvenir está llamada a ocupar, finalmente, su sitio como un clásico indiscutible de la literatura hispanoamericana.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

Set in Nigeria in the late 1960s, The Road to the Country is the epic story of a shy, bookish student haunted by long-held guilt who must go to war to free himself. When his younger brother disappears as the country explodes in civil war, Kunle must set out on an impossible rescue mission. Kunle’s search for his brother becomes a journey of atonement that will see him conscripted into the breakaway Biafran army and forced to fight a war he hardly understands, all while navigating the prophecies of a local Seer, he who marks Kunle as an abami eda—one who will die and return to life.

The first time Eby Pim saw Lost Lake, it was on a picture postcard. Just an old photo and a few words on a small square of heavy stock, but when she saw it, she knew she was seeing her future. That was half a lifetime ago. Now Lost Lake is about to slip into Eby’s past. Her husband, George, is long passed. Most of her demanding extended family are gone.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

Claire Walker has always had her life in perfect order, including her high-powered job at one of Manhattan’s top corporate law firms. Yet the one thing she cannot seem to find is a perfect love to complete it, until fate pushes Matías de León into her path. Matías is a Spanish artist who is everything that Claire is not: free-spirited and creative, chaos to her order. She falls for him, hard—and he for her. A year later, however, Claire begins to question everything about their relationship.

One phone call, five words, and I’m back in the town I swore I’d never return to. Going home was never part of the plan, but when my dad calls because he needs help to solve a murder, I can’t say no. Running into the three men I thought I would spend my entire life with has me questioning why I ever picked up the phone.

Early morning, 1902. At 7/7 Marchmont Crescent, Eilidh the charlady tips coal into a fire grate and sets it alight. Overhearing, Grimalkin the cat ambles over to curl up against the welcome heat and lick his favorite human's hand. But this is to be his last day on earth…before he becomes the Ghost Cat. Follow Grimalkin as he witnesses the changes of the next 120 years, prowling unseen among the inhabitants of an Edinburgh tenement while unearthing some startling revelations about the mystery of existence, the unstoppable march of time and the true meaning of feline companionship.

Stormy Morgan left her hometown of Shadow Hills, Michigan, with one goal: To write the great American novel and strike it rich. Now, without a book contract, she’s back at her family restaurant in a one-stoplight town...and she’s convinced things couldn’t possibly get worse. That feeling only lasts until her first shift, when on a trip to the storage building behind the restaurant, she literally trips over a body. Stormy is a woman - or maybe a witch - lost in a sea of magic and despair...but murder might just lead her out of it.

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.

Paris, 1925: To enter the Secret Circus is to enter a world of wonder - a world where women weave illusions of magnificent beasts, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world until her fiancé disappears on their wedding day.

In 1895, Antonio Sonoro is the latest in a long line of ruthless men. He’s good with his gun and drawn to trouble but he’s also out of money and out of options. A drought has ravaged the town of Dorado, Mexico, where he lives with his wife and children, and so when he hears about a train laden with gold and other treasures, he sets off for Houston to rob it—with his younger brother Hugo in tow. But when the heist goes awry and Hugo is killed by the Texas Rangers, Antonio finds himself launched into a quest for revenge that endangers not only his life and his family, but his eternal soul.

Zac Riggs would not have survived on Ludus for very long without his adopted sister, Gazra-tam. Gazra-tam is an ocelot-race Mo'hali, and Riggs is an engineering student from Earth who was transported to Ludus. The two make an unlikely team. Riggs and his sister had been comfortable living in a trap-filled dungeon before bandits attacked. But now there are bodies all over the floor and it doesn't quite feel like home anymore.

From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

Koschei the Deathless is to Russian folklore what devils or wicked witches are to Western European culture: a menacing, evil figure; the villain of countless stories that have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the 20th century.