Fiction Realism

When Yui loses both her mother and her daughter in the tsunami, she begins to mark the passage of time from that date onward: Everything is relative to March 11, 2011, the day the tsunami tore Japan apart and when grief took hold of her life. Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around.

Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety. Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more.

As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra.

Welcome to Darkblood - oops, I mean Darkhen Academy. There are three rules to survive the elite supernatural school: Do not talk or even look at The Seven, the uber-powerful supes that rule the academy. Never go into the Fae forest on a full moon...or else. And most definitely do not fall for one of the extremely hot and unattainable instructors. Too bad I’ve never really been a rule follower...If word gets out that humans are no longer safe from the supes, our worlds will once again be closed off. It’s up to us to stop that from happening.

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world. As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.

It’s a classic story: girl meets boy, girl falls for boy, boy finally notices girl when he sees her in a homemade costume. At least, that’s what Sonia Patil is hoping for when she plans to meet her crush at the local comic-con in cosplay.

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.

Sarah has some confessing to do. Meanwhile, Ajax is faced with more and more things crossing between the real world and inside the game Legendary Rule. He's forced to confront the idea that the world of LR might be just as real as his own.

As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance.

Hidden behind back doors of bars and restaurants and theaters and shops all over New York City are shortcuts—secret passageways that allow you to jump through time and space to emerge in different parts of the city. No one knows where they came from, but there are rules—you can only travel through them one way and only at night. When Jean’s work friend Iggy introduces her to the shortcuts, it’s to help shorten her commute between her night shifts bartending and her work at an upscale bakery.

Jeanie Masterson has a gift: She can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school seventeen years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred. From Shanghai to Vancouver, the women in this collection haunt and are haunted.

Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her. Ayukta invites Nadya into this lineage, carrying her through its past.

To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel's wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches.

The ancient dragonborn people have returned to Shaeyara, and with them came the dragons. But the celebration of their return is short-lived as they soon discover that they are not welcome. The world is at war. After living underground for eight months, Andie and her followers have had enough. It is time to return to the surface to find her people, and together they must stop the lies and prove to the world who the true monsters are: The University that has had the world in its clutches for centuries.

At Montverre, an ancient and elite academy hidden high in the mountains, society's best and brightest are trained for excellence in the grand jeu—the great game—an arcane and mysterious competition that combines music, art, math, poetry, and philosophy. Léo Martin once excelled at Monteverre, but lost his passion for scholarly pursuits after a violent tragedy. He turned to politics instead, and became a rising star in the ruling party, until a small act of conscience cost him his career. Now, he has been exiled back to Monteverre, his fate uncertain.

Surviving the training program was dangerous - even the first challenge to gain entrance to the school could get you killed. But the training was the easy part. Staying alive afterward was the hard part. Kazaks guarded individuals whose lives were deemed critical to the security of the United States. As such, Kazaks attracted fanatics and the best professional assassins money could buy - liars who could tell lies you believed, ghosts who could become nearly invisible, and Illusionists who could appear to be anyone.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

The six stories in Haruki Murakami’s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman.

Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has changed—but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She’s been pulled into the film. And the script—and the monsters within it—are coming to life. Gemma must play her role perfectly if she hopes to survive.