Filipino Literature

All Talasyn has ever known is the Hurricane Wars. Growing up an orphan in a nation under siege by the ruthless Night Emperor, she found her family among the soldiers who fight for freedom. But she is hiding a deadly secret: light magic courses through her veins, a blazing power believed to have been wiped out years ago that can cut through the Night Empire’s shadows.

Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.

From the author of the National Book Award finalist Patron Saints of Nothing comes an emotionally charged, moving novel about four generations of Filipino American boys grappling with identity, masculinity, and their fraught father-son relationships.

After a harrowing flight, Queenie, her younger brother, and their elderly Chinese father arrive in the United States from the Philippines. They’re here to finally reunite with Queenie’s Filipina mother, who has been working as a nurse in Brooklyn for the past few years—building a life that everyone hopes will set them up for better prospects. But her mother is not the same woman she was in the Philippines: Something in her face is different, almost hardened, and she seems so American already.

In this standalone novel based on Filipino mythology, Corazon Lopez is looking forward to her eleventh birthday, when she can finally be trained in wielding babaylan magic. She's hoping she can use it to bring her parents back to life so they can be together again.

The Karangalan family and their neighbors huddle for survival in the cellar of a house a few miles from Manila. Outside the safety of their little refuge the war rages on—fiery bombs torch the beautiful Filipino countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerillas wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war, only emerging to look for food, water, and medicine.

Poet, essayist, novelist, fiction writer, and labor organizer, Carlos Bulosan (1911-1956) wrote one of the most influential working class literary classics about the US pre-World War II, a period and setting similar to that of Steinbeck's The Grapes of Wrath and Cannery Row. Bulosan's semi-autobiographical novel America Is in the Heart begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish-American War of the late 1890s.

Some girls call their mother their best friend. Marisol Martin? She could never relate. She and her mom were forever locked in an argument with no beginning and no end. Clothes, church, boys, no matter the topic, Marisol always felt like there was an unbridgeable gap between them that they were perpetually shouting across, one that she longed to close. But when her mother dies suddenly, Marisol is left with no one to fight against, haunted by all the things that she both said and didn’t say.

Evan Saatchi can’t keep his eyes off his new co-worker, Dalisay Ramos. Newly arrived from Manila to lead their travel app’s Asia division, nothing matters more to Dalisay than tradition and family. When Evan asks her out, she soundly rejects him for his cheek. Evan learns from his Filipino friends that Dalisay expects more from potential suitors. If he wants a chance with her, he’s going to have to go through the Five Stages: the courtship ritual that lovers in the Philippines have performed for generations.

Two men, each unaware of the other, share a common family secret: They were sold for adoption by their American father shortly after their births in the Philippines. Three alternating stories interweave the experiences of father Andrew Breszky and the two sons who try to connect and piece together the puzzle of their reckless, impulsive father. One lives in New York and the other grows up in the south of France, later traveling all over Asia as a documentary filmmaker. Both will discover that their relationships somehow echo that of the young man whose history eludes them.

How many lives fit in a lifetime? When Hero De Vera arrives in America - haunted by the political upheaval in the Philippines and disowned by her parents - she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter - the first American-born daughter in the family - can't resist asking Hero about her damaged hands.

Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night, they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance.

For best friends Miliani, Inez, Natalie, and Jasmine, Providence, Rhode Island has a magic of its own. From the bodegas and late-night food trucks on Broad Street to The Hill that watches over the city, every corner of Providence glows with memories of them practicing spells, mixing up potions and doing séances with the help of the magic Miliani’s Filipino grandfather taught her.

The teacher Patrick Healy travelled around the world, talked with people in different places, and collected around half a thousand myths, legends, and folktales and several alternative versions. His opinion and comments (directly or indirectly) are inevitable. 61 Filipino Tales is the third volume of his work, in his words. He retold the stories with his own opinion and approach to them.

F.H. Batacan’s first novel, Smaller and Smaller Circles, was an instant classic when it was published in 1999, a masterpiece of Filipino crime that won the Philippine Book Award. In this, her second work of fiction, she gives us a far-ranging short story collection that explores the darkest corners of human experience, depicting with pitch black humor the systems of class and politics that her characters are trapped in, and the moments violence—accidental or otherwise—that can, at any moment, shatter their lives.

Realidad e imaginación se mezclan en esta historia que nos sitúa a finales del siglo XIX y nos lleva desde Toledo a Mallorca, Alejandría y finalmente a Manila, en Filipinas. En un clima de tensiones socio-políticas que acabarán con la pérdida de la última colonia española, tres hermanas buscan su espacio en una sociedad clasista, entre la masonería, la aristocracia, la familia y la lucha por la independencia de un país que las cambiará para siempre.

Narra Jal is one of the cursed, cast aside her whole life, considered unlucky. But with her mother's life on the line, she will return to the city where she was born to face the trials: a grueling, bloodthirsty series of challenges designed to weed out the weak, the greedy, and the foolish. Trials to select the next ruler of Tigang. Narra has nothing. No weapons. No training. No magic. No real chance of leaving with her life. Just her fierce grit and a refusal to accept the destiny she's been handed.

Thea gets a chance to begin anew at Pacific Academy. There, she’s a star athlete, someone with friends and popularity. But disaster strikes at Junior Stunt Warrior summer camp with her new friends: Her extremely uncool former best friend, Evan, shows up too, and she discovers that stunt class is the one activity she’s not good at. Actually, it’s something she’s terrified of. It all reminds Thea of the shy, invisible version of herself she’s determined to leave behind.

Eighteen-year-old Filipino American Ruby Santos has been unmoored since her mother’s death. She’s always dreamed of going to art school, but instead, she and her father have had to move into the basement of their home and rent out the main floor while they work to pay back her mother’s hospital bills. Then Ruby finds out her father has been living a secret life as a delivery person for a magical underworld—he “jumps” train lines to help deliver packages for a powerful family. Recently, he’s fallen behind on deliveries (and deeper into a fog of alcohol).

Filipino-American bounty hunter Domingo has made a career of catching criminal undocumented immigrants. He’s the best in the business—and it isn’t lost on him that he’s so good because of his similarities to his targets. Despite Domingo’s claims that he is unsympathetic to their plight, yet spends his spare moments on stakeouts and in between jobs writing a book of advice for aspiring immigrants. Brash, funny, and candid, he compiles the names of all the people he’s apprehended, documenting the hazards of his profession, and imparting advice to foreigners who dare to dream of life in America.