Film Art

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

Finish The Script! is a screenwriting audiobook for anyone who wants to be a writer. It takes a step-by-step approach and focuses not only on theory but also on the actual writing process. It's a full college course squeezed into audiobook form that will take novice writers from concept through rewrite. Based on actual class lectures and assignments, Finish the Script! is for any writer looking for that extra push and guidance.

Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.

The choice is yours, and you'll have to live with the consequences for at least the rest of your life. Will you take the blue pill - skip this audiobook and go on thinking of The Matrix as just a movie? Or will you take the red pill - listen to this book, and find out just how far down the rabbit-hole goes?

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don't know how to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the nutshell technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story.

Unearth the terrifying and true tales behind some of the scariest horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.

David Cronenberg's films have long enjoyed a cult following, pushing the boundaries of taste, blending high art with horror, and straddling the commercial and the cutting-edge. Here, the listener will be presented with the familiar and unfamiliar aspects of iconic films such as Videodrome, The Fly, Naked Lunch, and Crash.

Paris, J'Adore! is Emily Cooper's diary about her life in France so far. From leaving her boyfriend in Chicago to starting at marketing firm Savoir in Paris, it reveals all the thrill, fear and confusion Emily experiences as she embarks on her new life. She becomes acquainted not only with French workplace etiquette - the long lunches, the arguments, the determined reluctance to use social media - but also with Gabriel, the hottest chef in town. Some things, though, are beyond comprehension.

This book will show you how to go from your unrealized dream to being a director. We'll start off by showing you how to do all the planning that will help this film project go off without a hitch and avoid some of the more common pitfalls that commonly plague first-time directors. Next, you'll get a look at the production itself, from how to keep your crew happy and productive to directing actors into giving the performance you've imagined.

Film and television director Barry Sonnenfeld's outrageous and hilarious memoir traces his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events.

Operation Chastise was one of the most extraordinary episodes of the Second World War, yet it has also become one of the most misunderstood. Max Hastings tells the gripping story of the Dambusters raid, from the invention of the bouncing bomb to the moonlit cockpits of young pilots flying at treetop height through lethal enemy fire. But Hastings also challenges what we think we know about the Dambusters, bringing to light the difficult truths that have often been left out of the legend.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

For the first time, learn what really happened inside the walls of Hotel des Mille Collines. In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura writes of a divided society and his journey to the place he believed would be safe from slaughter.

Told with grace and deep understanding, as well as humor, Mia Farrow's exquisitely written memoir goes beneath the surface of her amazing life, with all its drama, success, and pain, and exposes the inner workings of a mind and spirit for whom truth, compassion, and faith are essential.

In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.