Film Art

Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy 15 in 1962, everyone's favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history's most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time?

Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals is a riveting must-listen for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein's homage spotlights the movie's endless barrage of cinematic gold.

Today's world wants to know you and the real story behind why you do what you do. Whether you have a product to sell, a company mission to share or an audience to entertain, people are far more likely to engage if you deliver a well-crafted story with an emotional core. Bobette Buster is a story consultant, lecturer and screenwriter who works with major studios and in top film programmes all over the world. She shares the tools used by some of the world's best storytellers and helps you apply them to your own.

Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential pieces of commercial fiction. Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film - a journey nearly as cut-throat, sexually charged, tragic, and revelatory as Susann's novel itself - and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outre costumes and hairdos, despite the high aspirations, money, and talent lavished on it.

In this concise, crisply written guide, Patricia Aufderheide takes listeners along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.

Have you ever had an idea and thought to yourself "this would make a great movie?" Of course, storytelling is engrained in us all and movies have become our modern means to tell them. Recent innovations in film technology have made it easier than ever to get your ideas put onto the big screen. So what's stopping you from writing that award winning screenplay? Screenwriting for Anyone is a four book box set that is a comprehensive guide to writing your script starting from the ground up. Each book will detail different aspects of the writing process beginning with the first book. Book One outline how to develop your idea into a feature length screenplay. Book Two gives you a detailed schedule to complete the first draft within 30 days and Book Three is a comprehensive guide on the dos and don'ts when creating a modern masterpiece. Book Four dives into the business side of screenwriting with proven methods on how to pitch your script and negotiate a deal. Screenwriting for Anyone is a one of a kind four book box set that will help you finally get that idea on paper and up onto the silver screen.

Steven Spielberg has changed the cinematic world with his hugely popular films. Testing out new technology, telling dramatic stories, and collaborating with successful directors, actors, and producers built Spielberg's reputation as a director and producer.

There are nearly 50,000 screenplays registered with the Writer’s Guild every year. And 99 percent of them suck. But they don’t have to. That’s why I decided to write this book. So before you head out to another hundred-dollar screenwriting conference to learn how to write a screenplay or buy another paint-by-the-numbers 3-act script formula give my book a try. I can’t guarantee you’ll sell your script.

Want to sell a screenplay, but figure there’s no chance it’ll ever happen? I mean, you don’t know a soul in Hollywood, right? You don’t have James Cameron on your speed dial. Christopher Nolan isn’t in your yoga class. Quentin Tarantino doesn’t shop at the same Whole Foods that you do. I mean, who’s going to take a chance on you? There’s no way you could ever sell a screenplay. Right? Well…

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

Are you ready to raise your writing game? Discover advanced creative writing techniques to take your fiction, drama, and poetry to a new level! Dramatic techniques are all about bold, clear, high-impact writing. Once you discover the craft concepts used by screen and stage writers to bring stories to life, you’ll never look back. This practical guide to dramatic concepts will give you confidence in structure, plotting and character, and may even blow your mind. At the very least, you’ll kick yourself for not discovering them sooner.

Salka Viertel's autobiography tells of a brilliant, creative, and well-connected woman's pilgrimage through the darkest years of the 20th century, a journey that would take her from a remote province of the Austro-Hungarian Empire to Hollywood. The Kindness of Strangers is, to quote the New Yorker writer S. N. Behrman, "a very rich book. It provides a panorama of the dissolving civilizations of the 20th century. In all of them the author lived at the apex of their culture and artistic aristocracies."

Drawing from over three decades as an assistant director, McGiffert charts a revealing and informative journey through the making of many major films working with noted directors such as Robert Zemeckis, Tim Burton, Cameron Crowe, Sydney Pollack, Milos Forman, Peter Weir, Steve Zaillian, Jon Avnet, and Terry Gilliam. This behind-the-scenes book is a must-listen for casual moviegoers and committed film lovers alike.

This is the story of the voice of a generation, the legend—Kishore Kumar. Beginning with his time spent in Khandwa, Bhagalpur and Indore and going on to Bombay where Kishore moved to try his luck in cinema, this new biography by Parthiv Dhar and Anirudha Bhattacharjee tells it all. A product of over thirty years of research, it goes beyond Kishore's nearly three thousand songs and his varied contributions to cinema, and reveals unknown facts about his four marriages, his run-ins with the government in the 1970s, and his health issues.

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.

Josephine Alibrandi is 17 and in her final year of school. Dealing with her mum and the ways of her Nonna are daunting enough as she prepares for her exams. But Josie is about to discover real life gets in the way of her carefully-made plans.

In the glittering world of Hollywood, where dreams are made and broken, storytelling reigns supreme. The magic of the silver screen relies on compelling narratives, complex characters, and plot twists that capture the audience's imagination. As an aspiring screenwriter or author, you dream of creating a story that resonates, enchants, and leaves your audience craving for more. You dream of Hollywood.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic