Film Art

Hollywood Said No! reveals the full-length, never-before-seen scripts for many would-be films, including Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America! (a satirical power-house indictment of all that you hold dear).

Designers & Dragons: The 90s is a comprehensive picture of the heyday of the RPG industry. This 2nd edition expands the original single book into a series of four—beginning with the ’70s and ending with the ’00s—and we’ve added over 10,000 new words to this volume alone. In this volume, we profile an RPG titan—Wizards of the Coast—and cover the rise of storytelling RPG settings like White Wolf’s World of Darkness. Regardless of your gaming background, Shannon Appelcline’s meticulously researched history won’t disappoint.

When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair.

Im November 1974 bricht Werner Herzog zu einer Wanderung von München nach Paris auf. Sollte er die französische Hauptstadt erreichen - das ist seine feste Überzeugung -, würde die von ihm verehrte Filmhistorikerin Lotte Eisner am Leben bleiben. Vom Gehen im Eis ist eine große, zu Herzen gehende Meditation über Leben und Tod - ein Wortfilm, der neben den mehr als vierzig Spiel- und Dokumentarfilmen von Werner Herzog eine ganz eigene Ausstrahlung und Magie besitzt.

The Simpsons has been predicting major events with scary accuracy for over three decades, from Donald Trump's presidency to Disney buying 20th Century Fox. People just can't seem to get enough and are eager to know what it's going to predict next. This book goes behind the scenes of this adored cartoon series, and the family we've grown to love. Between Homer, Marge, Bart, Lisa, and the rest of the Simpsons family, the show has stolen our hearts, and also left us amazed at how often The Simpsons predicts the future!

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.

Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the funniest film of all time. It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told - until now.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry.

In this companion volume to The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more than three thousand years of human artistic achievement, examining painting, sculpture, architecture, theology, philosophy, history, poetry, drama, literature, dance, music, and film.

Maureen Whittaker takes the listener on an intimate journey through the entire Granada Sherlock Holmes series, exploring and analysing the decisions, process and reaction to Jeremy Brett's portrayal of Holmes. Using an array of first-hand reflections from those involved in the production of the series - and from Jeremy himself - listeners will hear, episode by episode, how Brett constructed his interpretation of the world's only unofficial consulting detective.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages.

Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey—from Thomas Anderson, to Neo… to Trinity. Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence.

Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history.

Over a three-decade period that began in 1919, Oscar Micheaux wrote, directed, edited, produced, and distributed over 40 films nationally and internationally. These films usually featured all-Black casts. They spanned a silent film period and a talkie period (sound films). Given such a background and the period in American history into which he was born, Micheaux's achievements were extraordinary and his legacy is a study of survival, persistence, and bold determination to develop a new era in Black films.

This new edition of Bill Nichols' best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "how did documentary filmmaking get started?" to "why are ethical issues central to documentary filmmaking?"

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Emmy-winning editor Jordan Goldman, ACE, takes you inside the cutting room and pulls back the curtain on how and why directors, showrunners, and editors decide whether your performance makes it to the screen. He explains the key things actors should do—and shouldn't do—to avoid getting cut out. Topics include what an editor does, how editors evaluate your work, why actors get cut, what you can control, and what you can't control.

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself - obsessed with movies and their power to shape public opinion.