Film Director Memoir

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

Se trata del director español más popular y premiado de las últimas décadas, quien por su carácter mediático y carismático ha dirigido a artistas españoles que son auténticos iconos populares de las últimas décadas en el mundo hispano como Miguel Bosé, Carmen Maura, Victoria Abril, Antonio Banderas, Penélope Cruz, entre otros. Sobre su obra y su peculiar lenguaje cinematográfico se ha escrito bastante, tanto en inglés como en español, en el mundo de la cultura de masas y en el ámbito académico.