Film Entertainment

Seven years in the making and meticulously researched - Gabler is the first writer to be given complete access to the Disney archives - this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.

In You Talkin’ to Me?, Seger and Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don’t just learn how to recognize when it’s done well - they also learn how to make dialogue better. Whether you’re writing fiction or nonfiction, for the screen or the page, this book will get your characters talking.

Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential pieces of commercial fiction. Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film - a journey nearly as cut-throat, sexually charged, tragic, and revelatory as Susann's novel itself - and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outre costumes and hairdos, despite the high aspirations, money, and talent lavished on it.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

On the surface, Iron Man appears to be a straightforward superhero, another rich guy fighting crime with fancy gadgets. But beneath the shiny armor and flashy technology lies Tony Stark, brilliant inventor and eccentric playboy, struggling to balance his desires, addictions, and relationships with his duties as the Armored Avenger. Iron Man and Philosophy explores the many philosophical issues that emerge from the essential conflicts found in the decades of Iron Man stories in comics and movies.

How to Write a Screenplay is the guide you need! We will teach you how to write a screenplay in seven easy steps. This guide is designed to provide you with all the tools you need in a concise, easy-to-understand format that will answer all your burning questions and get you on your way to successful screenplay writing.

Game of Thrones, book and show alike, is spun from classic myth, from the tales of Robin Hood and King Arthur to the Norse Ring Cycle and saga of Ragnarok. Above all these human adventures soar Daenerys' dragons adapted from the dragons, wyverns, and wyrms of Western bestiaries. But what about the merlings, seal folk, wargs, greenseers, grumpkins, and snarks: Which mythologies created them?

Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television.

A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last 50 years by Paul Hirsch, a film editor who worked on more than 40 features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It’s a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers.

Have you ever had an idea and thought to yourself "this would make a great movie?" Of course, storytelling is engrained in us all and movies have become our modern means to tell them. Recent innovations in film technology have made it easier than ever to get your ideas put onto the big screen. So what's stopping you from writing that award winning screenplay? Screenwriting for Anyone is a four book box set that is a comprehensive guide to writing your script starting from the ground up. Each book will detail different aspects of the writing process beginning with the first book. Book One outline how to develop your idea into a feature length screenplay. Book Two gives you a detailed schedule to complete the first draft within 30 days and Book Three is a comprehensive guide on the dos and don'ts when creating a modern masterpiece. Book Four dives into the business side of screenwriting with proven methods on how to pitch your script and negotiate a deal. Screenwriting for Anyone is a one of a kind four book box set that will help you finally get that idea on paper and up onto the silver screen.

Maureen Whittaker takes the listener on an intimate journey through the entire Granada Sherlock Holmes series, exploring and analysing the decisions, process and reaction to Jeremy Brett's portrayal of Holmes. Using an array of first-hand reflections from those involved in the production of the series - and from Jeremy himself - listeners will hear, episode by episode, how Brett constructed his interpretation of the world's only unofficial consulting detective.

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making - and unmaking - of movies, from Frankenstein to Spellbound to Grand Hotel. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.

The Pixar Touch is a lively chronicle of Pixar Animation Studios' history and evolution, and the "fraternity of geeks" who shaped it. With the help of visionary businessman Steve Jobs and animating genius John Lasseter, Pixar has become the gold standard of animated filmmaking, beginning with a short special effects shot made at Lucasfilm in 1982 all the way up through the landmark films Toy Story, Finding Nemo, Wall-E, and others.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

In this adventure, which would have played well in one of his own films, Schmuel Goldfisz left the Warsaw ghetto in 1895. He walked 300 miles to the Oder River, where he paid someone to row him across, smuggling him out of the Russian empire into Germany, past border patrols to another long walk to Hamburg. The gleam in his eye was America, "a far-away country, a vision of paradise." Schmuel Goldfisz became Samuel Goldwyn, one of the producers who created the Hollywood film industry.

Columbo was arguably the most popular and most unique television mystery series ever - even though, within two minutes of the titles, the audience already knew the murderer’s identity. The show captivated tens of millions of viewers for 69 adventures produced over 35 years. Yet if star Peter Falk had gotten his way, it would have run far longer. The “shooting” of Columbo was filled with backstage intrigue and larger-than-life personalities who, through it all, created unforgettable classic television.

It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with your film is broken, and there needs to be a change.

As an only child raised in a town of less than 8,000 people and without a Starbucks in sight, Meghan Rienks has always been pretty good at entertaining herself. Then one day — cue the dramatic voiceover — her life changed forever. In 2010, Meghan was diagnosed with mononucleosis. Mono is basically just a really bad case of the flu, right? Wrong. To a party-crazed 16-year-old, mono is social suicide. More than anything, it’s just plain boring.

Josephine Alibrandi is 17 and in her final year of school. Dealing with her mum and the ways of her Nonna are daunting enough as she prepares for her exams. But Josie is about to discover real life gets in the way of her carefully-made plans.