Film Entertainment

There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past. Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny? In Outrageous, celebrated cultural historian Kliph Nesteroff demonstrates that Americans have been objecting to entertainment for nearly two hundred years, sometimes rationally, often irrationally.

For 13 years, 22 series and 175 shows, Richard Porter was script editor of Top Gear, from the first faltering pilot episode in 2002 until the very last show presented by Jeremy Clarkson, Richard Hammond and James May in 2015. Along the way they destroyed cars, sparked diplomatic incidents, set fire to caravans, almost killed one of the presenters, and somehow transformed Top Gear from a shabby BBC Two motoring show into an Emmy-winning, record-breaking, planet-straddling behemoth.

In an average suburban town in Texas, homecoming princess Lindsay barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer.

Told with grace and deep understanding, as well as humor, Mia Farrow's exquisitely written memoir goes beneath the surface of her amazing life, with all its drama, success, and pain, and exposes the inner workings of a mind and spirit for whom truth, compassion, and faith are essential.

In this concise, crisply written guide, Patricia Aufderheide takes listeners along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.

Francis Ford Coppola is one of the great American dreamers, and his most magnificent dream is American Zoetrope, the production company he founded in San Francisco years before his gargantuan success, when he was only thirty. Through Zoetrope’s experimental, communal utopia, Coppola attempted to reimagine the entire pursuit of moviemaking. Now, more than fifty years later, despite myriad setbacks, the visionary filmmaker’s dream persists, most notably in the production of his decades-in-the-making film and the culmination of his utopian ideals, Megalopolis.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

The landscape that the Brat Pack memorialized is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out like an '80s movie. You Couldn't Ignore Me If You Tried takes us back to that era, through Susannah Gora's interviews with key players such as Molly Ringwald, Anthony Michael Hall, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.

Theme park designer Margaret Kerrison shares tips and tricks for writers on teams tasked with bringing a narrative to life. How do you take an idea from inspiration to manifestation? How do you move from telling a story to creating a world? In this book, the first of its kind written specifically for writers, Kerrison lays out the craft of immersive storytelling, using case studies to show what works and highlighting the essential role of the writer on a creative team. Ready to take the kernel of an idea and turn it into a full-fledged experience? This book gives you the blueprint.

He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented eighty percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts - including Scarface, Twentieth Century, and Notorious - Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe.

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

For more than three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want to Do Is Direct tackles Hollywood myths through Ken’s highly entertaining experiences.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn't yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick's widow, Christiane.

The Twilight Zone Companion is the complete show-by-show guide to one of television's greatest series. Zicree's well-written account is fascinating listening for even the casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's opening narration, behind-the-scenes stories from the original artists who created the series, and a complete list of cast and credits.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

Now, for the first time, the entire history of the slime-soaked franchise is told in A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. The cohesion of talent during the mid-'70s comedy revolution, the seat-of-their-pants creation of the first Ghostbusters, the explosive success that seemed to mandate a franchise, the five year struggle to make Ghostbusters II, the thirty-one-year struggle to make Ghostbusters III—it’s all here, with incredible attention to detail.

Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy 15 in 1962, everyone's favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history's most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time?

The ultimate guide to writing a great screenplay and building a screenwriting career—from the creators of the "highly influential" (Vulture) hit podcast Scriptnotes