Film Entertainment

Filled with revelations about the origins and making of American Graffiti, Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi, this only full-length biography of filmmaker and cinematic visionary George Lucas has been updated with a substantial new chapter that discusses the revamped Star Wars Trilogy Special Edition, the Star Wars prequels, the filming of the first installment, and the controversial ways in which Lucas's approach and success continue to alter the landscape of the film industry.

On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement.

Screen Acting Trade Secrets is the definitive guide for the screen actor in the 21st century. From your first awakening as an actor to the end of your first day on a movie set, Screen Acting Trade Secrets walks you through it all with humor, priceless information, eye-opening revelations, helpful exercises, real-world examples, tales from the trenches, insider secrets, and a boat load of genuine inspiration. You won’t be able to put it down. Then, you’ll start again with a highlighter.

Phil Rosenthal, host of the beloved Netflix series Somebody Feed Phil, really loves food and learning about global cultures, and he makes sure to bring that passion to every episode of the show. Whether he’s traveling stateside to foodie-favorite cities such as San Francisco or New Orleans or around the world to locations like Saigon, Tel Aviv, Rio de Janeiro, Mexico City, or Marrakesh, Rosenthal includes a healthy dose of humor to every episode—and now to this book.

It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with your film is broken, and there needs to be a change.

Howard Hughes was one of the most amazing, intriguing, and controversial figures of the 20th century. He was the billionaire head of a giant corporation, a genius inventor, an ace pilot, a matinee-idol-handsome playboy, a major movie-maker who bedded a long list of Hollywood glamour queens, a sexual sultan with a harem of teenage consorts, a political influencer with intimate ties to Watergate, a Las Vegas kingpin, and, ultimately, a bizarre recluse.

From her starring roles as a skeptical child in the perennial classic Miracle on 34thStreet and a troubled adolescent in Rebel Without a Cause to mature roles in Splendor in the Grass and West Side Story, actress Natalie Wood transfixed the world with her hypnotic brown eyes. Yet behind the beautiful façade lurked a fragile, sparkling, generous, funny woman traumatized by her childhood and beset by personal demons.

Among the most widely admired Hollywood stars of his generation, Redford has appeared onstage and on-screen, in front of and behind the camera, earning Academy, Golden Globe, and a multitude of other awards and nominations for acting, directing, and producing, and for his contributions to the arts.

New York Times best-selling author, comedian, and actor Patton Oswalt shares his entertaining memoir about coming of age as a performer and writer in the late '90s while obsessively watching classic films at the legendary New Beverly Cinema in Los Angeles. Between 1995 and 1999, Patton Oswalt lived with an unshakeable addiction. It wasn't drugs, alcohol, or sex. It was film.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

Tom Junod’s Esquire profile of Fred Rogers, "Can You Say...Hero?", has been hailed as a classic of magazine writing. Now, his moving story of meeting and observing the beloved host of Mister Rogers' Neighborhood is the inspiration for A Beautiful Day in the Neighborhood, directed by Marielle Heller and written by Micah Fitzerman-Blue and Noah Harpster. Here, Junod’s unforgettable piece appears for the first time in audiobook form alongside an inspiring collection of advice and encouragement from Mister Rogers himself.

Beginning with her harsh childhood in Nazi-occupied Holland, Warren Harris chronicles Audrey Hepburn's meteoric rise to Hollywood stardom: her chance encounter with Colette that led to the lead role in the Broadway version of Gigi, and her first starring role in Roman Holiday, for which she won the Academy Award for Best Actress. Hepburn played opposite the top leading men, worked for the best directors, and picked from a wide range of roles.

Now, for the first time, the entire history of the slime-soaked franchise is told in A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. The cohesion of talent during the mid-'70s comedy revolution, the seat-of-their-pants creation of the first Ghostbusters, the explosive success that seemed to mandate a franchise, the five year struggle to make Ghostbusters II, the thirty-one-year struggle to make Ghostbusters III—it’s all here, with incredible attention to detail.

The life and film genius of A Nightmare on Elm Street and Scream director Wes Craven. Wes Craven is one of the most successful and iconic horror movie directors in Hollywood. His masterful examination of the nightmarish nexus of dreams and reality helped spark a career that has spanned close to forty years. Then, with their mix of horror, sex, and humor, Craven's Scream movies helped revitalize the slasher film genre.

From this audiobook, you'll learn: how planning and shooting a short film today can lead to a feature-length project tomorrow; everything you need to know about writing a movie project on a burger budget; tips on how to find locations and not get arrested; Shooting tips galore for building exciting scenes; sound and film editing tips and all kinds of special effects wizardry, including puppetry; screenings, promotions, and juicy tips on film festival strategy; and more.

In I'll Have What She's Having, entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Reiner, Hanks, Ryan, and Crystal, Carlson takes listeners on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron - who always knew what she wanted and how she wanted it - ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members.

Professor and cultural historian Michael Keane reveals much in this nostalgia-inducing book packed with original research and interviews. Keane compellingly shows that the ultimate broadcast of the Christmas special—given its incredibly tight five-month production schedule and the decidedly unfavorable reception it received by the skeptical network executives who first screened it—was nothing short of a miracle. Keane explains why the show, despite its technical shortcomings, has become an uplifting and enduring triumph embraced by millions of families every Christmas season.

Everything you always wanted to know about the 1975 monster-movie hit Jaws and the other monsters that swam in its wake.