Film Entertainment

Interstellar, from acclaimed filmmaker Christopher Nolan, takes us on a fantastic voyage far beyond our solar system. Yet in The Science of Interstellar, Kip Thorne, the physicist who assisted Nolan on the scientific aspects of Interstellar, shows us that the movie's jaw-dropping events and stunning, never-before-attempted visuals are grounded in real science. Thorne shares his experiences working as the science adviser on the film and then moves on to the science itself.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

From Moon Unit Zappa, the daughter of musical visionary Frank Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age in the Hollywood Hills in the 1980s as the “Valley Girl,” gaining momentum as an accidental VJ on a new network called MTV, and finding herself after losing her father, then her mother, and the testing of her most important relationships.

As an only child raised in a town of less than 8,000 people and without a Starbucks in sight, Meghan Rienks has always been pretty good at entertaining herself. Then one day — cue the dramatic voiceover — her life changed forever. In 2010, Meghan was diagnosed with mononucleosis. Mono is basically just a really bad case of the flu, right? Wrong. To a party-crazed 16-year-old, mono is social suicide. More than anything, it’s just plain boring.

In many ways, Kamal Haasan is unique. One of the greatest actors India has ever produced, he has usually gone further than just enacting a role to completely immersing himself in it. Kamal Haasan: A Cinematic Journey explores some 50 films out of the 245 Haasan has been associated with and analyses his cinematic journey from his beginnings as a child star all the way to his latest blockbusters.

By the acclaimed author of Pictures at a Revolution and Five Came Back comes a magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges - some of the worst largely unknown until now. Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion.

In Bogie & Bacall, William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

Walt Disney was a true visionary whose desire for escape, iron determination, and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

The story of how The Godfather was made is as dramatic, operatic, and entertaining as the film itself. Over the years, many versions of various aspects of the movie’s fiery creation have been told - sometimes conflicting, but always compelling. Mark Seal sifts through the evidence, has extensive new conversations with director Francis Ford Coppola and several heretofore silent sources, and complements them with colorful interviews with key players including actors Al Pacino, James Caan, Talia Shire, and others.

As the cofounder of Creative Artists Agency, Michael Ovitz earned a reputation for ruthless negotiation, brilliant strategy, and fierce loyalty to his clients. He reinvented the role of the agent and helped shape the careers of hundreds of A-list entertainers, directors, and writers. But this personal history is much more than a fascinating account of celebrity friendships and bare-knuckled deal making. It's also an underdog's story: How did a middle-class kid from Encino work his way into the William Morris mailroom and eventually become the most powerful person in Hollywood?

From such cult hits as Raising Arizona and The Big Lebowski to major critical darlings Fargo, No Country for Old Men, and Inside Llewyn Davis, Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. Film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, "some Grand Unified Theory of Coen-ness." The book combines critical text with a visual aesthetic that honors the Coens' singular mix of darkness and levity.

Supernatural, a three-time People's Choice Award winner and Tumblr's 2015 Most Reblogged "Live Action TV", has made a name for itself by supporting and encouraging its fans to "always keep fighting", and a memorable line from early in the show's run, "Family don't end with blood", became an inspiring mantra for many who found community in the fandom. In 25 powerful chapters written by Supernatural's actors and fans, Family Don't End with Blood: Cast and Fans On How Supernatural Has Changed Lives examines the far reach of the show's impact for more than a decade.

मार्लन ब्रँडोनं आपल्या दोन्ही गालात टिश्यू पेपरचे बोळे ठेवले, केसांना बुटपॉलीश लावलं आणि बुलडॉग सारखा दिसणारा डॉन विटो कॉर्लिऑन पडद्यावर जिवंत झाला! 'गॉडफादर'च्या पडद्यामागच्या कहाण्या ऐका 'मेकिंग ऑफ क्लासिक्स' मध्ये

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" ( Entertainment Weekly), which is now an international phenomenon.

Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who's hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation, working with the director, forming a character, voice, sound, and movement.

John Wayne projected dignity, integrity, and strength in all his films, even when his characters were flawed, and whatever character he played was always prepared to confront injustice in his own way. More than thirty years after his death, he remains the standard by which male stars are judged and an actor whose morally unambiguous films continue to attract sizeable audiences.

DisneyWar is an enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. It tells a story that - in its sudden twists, vivid, larger-than-life characters, and thrilling climax - might itself have been the subject of a Disney classic - except that it's all true.

The distinguished filmmaker chronicles his life, from his birth in 1910 to the worldwide success in 1950 of his film Rashomon, and provides a provocative account of the Japanese film industry.