Film Genre

Homicide detective Fran Anders's latest case throws her into the lives of Mike and Alisa Jepson, a couple whose marriage is disintegrating fast. When leads coming into the precinct point at Mike Jepson as guilty of murder, Fran watches the damage wrought on this couple, yet is unable to ignore the incriminating evidence. When Mike ends up arrested and in jail, Alisa takes comfort in a friend - Dee Dee - who moves in with her but soon becomes her worst nightmare.

In near-future America, film critic Noah Body uploads his reviews to a content aggregator. His job is routine: watch, seethe, pan. He dreams of making his own film, free from the hackery of commercial cinema. Faced with writing about lousy movies for a website that no one reads, Noah smuggles into his work episodes from his trainwreck of a life. We learn that his apartment in Miniature Aleppo has been stripped of furniture after his wife ran off with his best friend - who Noah believes has possessed his body.

Have you ever dreamed of writing the screenplay for a Disaster movie? If so, then here is how some of the world's top Disaster genre screenwriters do it…and how you can succeed in this genre too. The ideas in this book have been used by real screenwriters of major blockbusters - whether they realize it or not. Disaster Genre Secrets for Screenwriters distills their mastery for you and is here to serve as your screenwriting guide. Don't worry! None of the ideas and techniques in this book are rocket science. Frankly, if you can watch a Disaster movie, you can write one.

”Salighed, ro, nydelse. / Jeg bryder i dag med vilje den kronologi jeg har fulgt med fortællingerne om mine film. / Det gør jeg, fordi min ryg bliver masseret meget grundigt og præcist på en solid blå træbriks, mens jeg lytter til den franske komponist Erik Saties pianostykker Gnossiennes, som Paola tilfældigt har valgt på computeren. Det er den musik, jeg brugte i filmen 66 scener fra Amerika, og den hensætter mig altid i en særlig vemodig stemning.”

Barry Sutton é policial em Nova York e convive com a tristeza da morte da filha. Ao ser acionado para intervir em uma tentativa de suicídio, ele se depara com uma mulher que sofre da Síndrome da Falsa Memória, uma doença misteriosa que planta na cabeça de suas vítimas lembranças de vidas que elas nunca tiveram.

In this audiobook I have derived facts and trivia and some important spell. The derived facts depending upon the Harry Potter movies and some times the book author reveling the intresting facts.The audiobook is for true Harry Potter fans who want to know more about the facts in the story.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Called the most promising artist of his generation, handsome, modest, and affectionate, Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up along the Medway with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J. M. W. Turner. Based on Dadd’s tragic true story, Mad Richard follows the young artist as he develops his craft, contemplates the nature of art and fame - as he watches Dickens navigate those tricky waters - and ultimately finds himself imprisoned in Bedlam for murder, committed as criminally insane.

Do you know which classical legend was a key inspiration for Suzanne Collins when she wrote The Hunger Games? Or why Katniss is so named? What amusing incidents happened to the cast and crew during filming? And what are the key differences between the books and the films? This fantastic audiobook features over one hundred fascinating facts, split into sections such as costumes, actors, books, films, unbelievable facts, and more.

Sunnyside opens on a winter day in 1916 during which Charlie Chaplin is spotted in more than 800 places simultaneously, an extraordinary delusion that forever binds the overlapping fortunes of three men.

Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on 40. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time. Fortunately, it gets worse....

Ein Transporter ist in der Südtiroler Kurstadt Meran in ein belebtes Straßencafé gerast. Es gibt Verletzte, der Fahrer flieht: ein Anschlag! Capo Commissario Sonja Schwarz steht vor einigen Rätseln: Wer ist der Mann? Auf wen hatte er es abgesehen? Wo versteckt er sich nun? Gleichzeitig nimmt ein undurchsichtiger Gast Sonjas Weingut allzu genau unter die Lupe – ist sie selbst in Gefahr? Der aktuelle Kriminalroman zur erfolgreichen TV-Reihe mit über 7 Millionen Zuschauer:innen pro Folge.

Die Zeit, die uns trennt. Mit Leidenschaft hat die Familie Lindemann das Kino "Die Schauburg" in Leipzig betrieben. Bis sie nach dem Krieg enteignet wird. Besonders Mutter Ursula fällt es schwer, sich an die Vorgaben der neuen Machthaber zu halten. Ihr Mann Gerhard kommt versehrt von der Front zurück und versucht mühsam, wieder ins Leben zu finden. Auch ihre Tochter Sigrid, die sich kaum an Friedenszeiten erinnern kann, ist verunsichert. Ob die Ausbildung zur Lehrerin das Richtige für sie ist? Nur Stefan, der Sohn, hält an seinem alten Traum fest.

Avec Un château pour Hollywood, Olivier Minne signe un roman saisisant sur le plus mythique hôtel d'Hollywood. Une ode passionnée au cinéma américain. "Abigail s'avançait le long du boulevard quand elle devina devant elle, comme découpées dans le noir, les formes à la fois franches et imaginaires d'un château." Los Angeles, été 1958. Abigail Fairchild, ancienne directrice du Chateau Marmont, décide soudainement d'y reparaître après des années de retrait et de solitude.

Eine Stadt im Ruhrgebiet. Anfang der 80er Jahre. Helmut ist 16, besucht die Oberstufe eines Gymnasiums, hat Eltern, die nicht miteinander reden und eine Mutter, die immer nur wissen möchte, was er eigentlich will. Vom Leben, zum Beispiel.

Ein Film über Sex. Rauh. Tabulos. In New York. Das ist die Aufgabe, die Jonas gestellt bekommt. Aber wie soll der überforderte Regiestudent ausgerechnet in der düstersten Ecke der Lower East Side und umgeben von gestrandeten Künstlerexistenzen einen Film drehen? Als er auf Nele trifft, eine eigensinnige, verrückte Sommerfrau, öffnet sich sein Blick für das wahre Ziel seiner Reise: eine Begegnung mit der eigenen ungeheuerlichen Familiengeschichte.

In Berlin, Germany, in the early 1930s, the acclaimed Swiss film director Emil Nägeli receives the assignment of a lifetime: travel to Japan and make a film to establish the dominance of Adolf Hitler's Nazi empire once and for all. But his handlers are unaware Nägeli has colluded with the Jewish film critics to pursue an alternative objective - to create a monumental, modernist, allegorical spectacle to warn the world of the horror to come.

Für den Hörer gilt es eine Geschichte zu entdecken, die, anders als der Film, das Hohelied der individuellen Freiheit...

Hilarious, profound, and achingly true to life, Jonas Karlsson's new novel explores the true nature of happiness through the eyes of a hero you won't soon forget. A passionate film buff, our hero's life revolves around his part-time job at a video store, the company of a few precious friends, and a daily routine that more often than not concludes with pizza and a movie in his treasured, small space in Stockholm. When he receives an astronomical invoice from a random national bureaucratic agency, everything will tumble into madness.

Christian Krachts neuer Roman führt uns mitten in die wilden, fiebrigen Jahre der Weimarer Republik, als die Filmkultur ihre frühe Blüte erlebte. In Berlin versucht ein Schweizer Filmregisseur, angestachelt von Siegfried Kracauer und Lotte Eisner, den UFA-Tycoon Hugenberg zur Finanzierung eines Film zu überreden, genauer gesagt: Eines Gruselfilms, genauer gesagt: In Japan. Das überschneidet sich mit ebensolchen Plänen im dortigen Kaiserreich, mit denen man dem entstehenden Hollywood-Imperium Paroli bieten will.