Film Genre

Hygeia, an outer rim colony, is doomed as the moon on which it was built hurtles toward an inevitable collision with the dead planet Hephaestus. When a distress signal arrives from a Weyland-Yutani biowarfare outpost near the colony, a desperate plan is launched to evacuate the trapped scientists and colonists. Their destination: LV-846, a key United Americas colony where high-level talks are scheduled to address the galaxy-wide hostilities between the colonies.

As war breaks out among the colonies, a huge ship appears over the UPP mining planet Shānmén, releasing a horror that yields hideous transformations. Rescue is too far away, and the colonists’ only hope appears in the form of the vessel Righteous Fury. It carries the Jackals—an elite mix of former Colonial Marines and Royal Marines. Led by Zula Hendricks, the Jackals seek to rescue the few survivors from the depths of the planet, but have they arrived on time?

In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

Halloween Kills is an upcoming American slasher film directed by David Gordon Green and written by Green, Danny McBride, and Scott Teems. It is a sequel to 2018’s Halloween and the 12th installment in the Halloween franchise. The film stars Jamie Lee Curtis and Nick Castle reprising their roles as Laurie Strode and Michael Myers, with James Jude Courtney also portraying Myers.

Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Legendary writing teacher John Truby provides a guide to understanding the major genres of the story world.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She's in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original.

The holiday film A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family's typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It's a Wonderful Life and Miracle on 34th Street.

On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley’s life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive, cult-horror-film director Stanislas Cordova - a man who hasn’t been seen in public for more than 30 years.

When Warren has the opportunity to live with a female roommate, he instantly agrees. It could be an exciting change. Or maybe not. Especially when that roommate is the cold and seemingly calculating Bridgette. Tensions run high and tempers flare as the two can hardly stand to be in the same room together. But Warren has a theory about Bridgette: anyone who can hate with that much passion should also have the capability to love with that much passion. And he wants to be the one to test this theory.

In a snow-covered morning in upstate New York, a girl out riding her horse is hit by a 40-ton truck. Though horribly injured, both 13-year-old Grace and her horse Pilgrim survive. Annie, Grace's mother, refuses to have Pilgrim destroyed and hears about a man in Montana, a 'whisperer' who is said to have the gift of healing troubled horses. They set off across the continent to find him and there, under the massive Montana sky, all their lives are changed forever.

Showcasing the best of Ernest Hemingway’s short stories including his well-known classics - as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick - this new collection is introduced by award-winning author Tobias Wolff.

In an action-adventure epic that spans the globe, young street-smart Nathan Drake and his wisecracking partner Victor “Sully” Sullivan embark on a dangerous pursuit of “the greatest treasure never found” while also tracking clues that may lead to Nathan’s long-lost brother. Uncharted: The Official Movie Novelization is read by Nolan North, the voice of Nathan Drake in the critically acclaimed video game series.

As the new owner of the Cutler’s Cove hotel and with her darling Jimmy and her beautiful daughter Christie, Dawn has everything she could ever hope for—but she can’t seem to quell her forebodings of evil. She can sense Grandmother Cutler’s hateful presence everywhere, as if the old lady is plotting vengeance from the grave. When Dawn discovers that her brother still clings to his mad, shameful passion for her, she is horrified.

Having grown up surrounded by love and safety, there’s no real reason for Christie Longchamp to feel that a cloud hovers over Cutler’s Cove—a cloud with origins in her family’s troubled history. But when Christie discovers the truth about her uncle’s unbrotherly love for her mother Dawn, she’s desperate to get away. Fleeing to New York City, she finds her real father...a pathetic, helpless has-been. Desperate and heartbroken, she turns to Gavin, her Daddy Jimmy’s young and handsome stepbrother. In his arms, Christie finds a refuge from her painful memories.

Set in the wide-open spaces of the American West, The Power of the Dog is a stunning story of domestic tyranny, brutal masculinity, and thrilling defiance from one of the most powerful and distinctive voices in American literature. The novel tells the story of two brothers—one magnetic but cruel, the other gentle and quiet—and of the mother and son whose arrival on the brothers’ ranch shatters an already tenuous peace.

Inspirée de faits réels, la démonstration qu'un simple jeu peut finir en dictature. Pour faire comprendre les mécanismes du nazisme à ses élèves, Ben Ross, professeur d'histoire, crée un mouvement expérimental au slogan fort : "La Force par la Discipline, la Force par la Communauté, la Force par l'Action." En l'espace de quelques jours, l'atmosphère du paisible lycée californien se transforme en microcosme totalitaire : avec une docilité effrayante, les élèves abandonnent leur libre arbitre pour répondre aux ordres de leur nouveau leader.

The last thing Lizzie needs right now is a call from an inmate at Rikers asking for help - even if Zach Grayson is an old friend. But Zach is desperate: His wife, Amanda, has been found dead at the bottom of the stairs in their Brooklyn brownstone. And Zach’s the primary suspect. As Lizzie is drawn into the dark heart of idyllic Park Slope, she learns that Zach and Amanda weren’t what they seemed - and that their friends, a close-knit group of fellow parents at the exclusive Brooklyn Country Day school, might be protecting troubling secrets of their own.

When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

As an “amateur” filmmaker, I can't rightfully boast of being another Spielberg or Eastwood, but I know a really crappy movie when I see one. For example: the ever-present “final girl” chase scene at the end of most low-budget horror films. In reality? That is not the way it happens at all. I should know, from experience...