Film Genre

Young Sam Hardacre leaves behind his life at the Abbey to continue the family tradition by starting his own business empire. Meanwhile, Harry Hardacre is now head of the household but wonders which of the young Hardacre men should inherit his father's legacy. Joe's widow, Helen, plots the ultimate revenge on those who crossed her. And two best friends fight for the love of Maud and Albert's glamorous film-star daughter, Janet.

It is 1940. For the past decade, Walter Benjamin - the German-Jewish critic and philosopher - has been writing his masterpiece in a library in Paris, a city he loves. Now Nazi tanks have overrun the suburbs, and Benjamin is forced to flee. With a battered briefcase that contains his precious manuscript of a thousand handwritten pages, he sets off for the border and is led by chance to a young anti-Nazi who is taking Jews and other refugees over the Pyrenees into Spain, where they may (with luck) make their way to freedom in Portugal or South America.

Everyone at Redstone High is talking about the strange Brock kids. How they keep to themselves at school—and spend way too much time in the woods. But Noble, Argus, Harlan and Tora aren’t normal teens—they were born with the power to become wolves. And the more the siblings try to hide their secret identity, the greater they struggle to fit in. Then Noble falls mysteriously ill, leaving the pack without a leader just when he’s needed the most…

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

Hilarious, profound, and achingly true to life, Jonas Karlsson's new novel explores the true nature of happiness through the eyes of a hero you won't soon forget. A passionate film buff, our hero's life revolves around his part-time job at a video store, the company of a few precious friends, and a daily routine that more often than not concludes with pizza and a movie in his treasured, small space in Stockholm. When he receives an astronomical invoice from a random national bureaucratic agency, everything will tumble into madness.

Battling a wolf to save a little girl’s life makes Argus Brock a local hero. But what the small town of Redstone doesn’t know is that the tough teenager is a secretly a werewolf, which means the wolf Argus bit during the fight is now a werewolf, too. But unlike Argus and his wolf pack siblings, this wolf man is far from tame.

Have you ever wanted to improve your ability to write Horror Genre screenplays by 100%...200%…300% or more? If so, then here's how you can gut, slice, chainsaw, bite, hack, howl and chew your way to the top by writing Horror screenplays that slit throats, haunt houses, cook brains and tear souls apart. Believe it or not, it doesn't matter how much you already know about the Horror genre.

Independent films are becoming ever more popular, as many movie fans tire of mainstream movie formulas such as sequels, comic book characters, explosions, car chases, romantic comedies and the like. This book explores the world of indie, low-budget and other less mainstream movies. It includes reviews of specific movies, explorations of notable actors and directors as well as essays on recurring themes and genres found in independent films.

Divertida y trepidante novelización de la vida de la primera actriz del cine de acción de la India: Mary Evans, más conocida en el ambiente artístico como Nadia. Narrada desde el punto de vista de su protagonista, que le cuenta su propia historia a un becario mientras viaja al festival de cine de Locarno, la novela está llena de anécdotas tan hilarantes como increíbles, y resulta un delicioso repaso por los inicios del S. XX en la India Británica.

Romance, humor, glamour y mucho cine se dan cita en la historia de una mujer inolvidable...

Avec Un château pour Hollywood, Olivier Minne signe un roman saisisant sur le plus mythique hôtel d'Hollywood. Une ode passionnée au cinéma américain. "Abigail s'avançait le long du boulevard quand elle devina devant elle, comme découpées dans le noir, les formes à la fois franches et imaginaires d'un château." Los Angeles, été 1958. Abigail Fairchild, ancienne directrice du Chateau Marmont, décide soudainement d'y reparaître après des années de retrait et de solitude.

Was Simon über Blue weiß: Er ist witzig, sehr weise, aber auch ein bisschen schüchtern. Und ganz schön verwirrend. Was Simon nicht über Blue weiß: WER er ist. Die beiden gehen auf dieselbe Schule und schon seit Monaten tauschen sie E-Mails aus, in denen sie sich die intimsten Dinge gestehen. Simon spürt, dass er sich langsam, aber sicher in Blue verliebt, doch der ist noch nicht bereit, sich mit Simon zu treffen. Dann fällt eine der E-Mails in falsche Hände - und plötzlich steht Simons Leben Kopf.

La notte di Capodanno, in cima a un palazzo di Londra, si incontrano per caso quattro sconosciuti. Non hanno nulla in comune, tranne l’intenzione di buttarsi giù, ognuno per i suoi buoni motivi. Martin è – o meglio, era – un famoso conduttore televisivo, che si è giocato carriera, famiglia e reputazione andando a letto con una quindicenne. Farla finita, per lui, è una scelta logica e razionale. I suoi metodici preparativi vengono interrotti dall’arrivo di Maureen, una donna che ha dedicato la sua vita a un figlio gravemente disabile, e che ha deciso di darci un taglio.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

World-renowned artist and sharp-tongued wit Clementine Pritchard is done. Years of therapy and medication have gifted her with little more than sweaty palms and gastric upset. Now, after flushing away a cabinet full of prescriptions, she gives herself 30 days to tie up loose ends (finish one final painting, make nice with her ex-husband, find a home for her cat) and enjoy one last month of art-world parties, road trips, and outrageous acts.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Ray Shepard is a wealthy architect who has mystified his friends by marrying Evelyn, a woman who works at a nail salon. Evelyn, in turn, hides a secret past about her former life in the circus, her ex-husband's mysterious death, and the colorful tattoos she carefully conceals under her clothes. When Evelyn starts to cave under the pressure of living in Ray's rarified world, she suggests they take in Ingrid, a 16-year-old girl with blue hair, a pet iguana, and no place to stay for the summer.

Mike's best years are behind him. There was a time when he was the best rider in the circuit, but a divorce and years of hard living have worn his body down. After an accident, his career comes to an abrupt end, but his boss gives him one last job: He must cross the border into Mexico, kidnap his boss’ son, Rafo, from his boss’ ex-wife, to be used as leverage in their ongoing divorce. Mike arrives to find the boy has already run away, and his plan is immediately exposed to the local police.

Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on 40. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time. Fortunately, it gets worse....

”Salighed, ro, nydelse. / Jeg bryder i dag med vilje den kronologi jeg har fulgt med fortællingerne om mine film. / Det gør jeg, fordi min ryg bliver masseret meget grundigt og præcist på en solid blå træbriks, mens jeg lytter til den franske komponist Erik Saties pianostykker Gnossiennes, som Paola tilfældigt har valgt på computeren. Det er den musik, jeg brugte i filmen 66 scener fra Amerika, og den hensætter mig altid i en særlig vemodig stemning.”

Ruth Rothwax finds order and meaning in the words she writes for other people, but she can’t find words to understand the loss her family experienced during World War II. She becomes obsessed with the idea of returning to Poland with her father, Edek, making sense of her family’s past, and visiting the places where her beloved parents lived and almost died. But there’s more to this trip than Ruth can plan for. By facing Poland and the past, she might be able to confront her own future.